Prensa satírica y poder político by Fausta Gantús

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La sátira de costumbres como artefacto ideológico. En torno a un opúsculo de 1808 by Claude Morange

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An Analysis of Lexical Coherence in Fereydoun Tavallali’s Al-Tafasil from the perspective of functional Linguistics by Gholamreza Salimi, Zahra Rafie, Alireza Biaban Navard Sarvestani

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« Mettez 600F dans la fente et vous recevrez les palmes académiques » by Matthieu Letourneux

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Korean Bongsan Talchum mask theatre: A window to the past and the pride of the present by Yuri G. Smertin

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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

Subjects: “…satire…”
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« Une descente dans la vérité »: contribution à l’étude de l’œuvre de Jean-Louis Forain à partir de la collection de dessins du musée d’Orsay (conservés au département des arts gra... by Hélène Fernandez

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Allegorical and Pamphlet Rhetoric in Petko R. Slaveykov’s Verse Fables and Journalistic Works by Andriana Spassova

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KIRGIZLARDA KUUDLLUK VE APENDİ NASREDDİN HOCA by Zekeriya Karadavut

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Pamflet şi satiră în publicistica românească (scurtă istorie a genului, din interbelic şi comunism până în anii 1990–2000) by Andrei Milca

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L’Arlequinade anglaise et la gravure satirique au XVIIIe siècle : Élaboration esthétique et détournement politique by Marc Martinez

“…The print market that was developing around the same period issued a series of satirical engravings that endlessly rework the æsthetic grievances of verbal satire and give concurrently to the figure of Harlequin a political significance. …”
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“Nay ’tis in grain, I warrant it hold colour”: The Materiality of Black in Middleton’s Black Book by Chantal SCHÜTZ

“…Starting with the satirical Microcynicon and flourishing in the self-referential Black Book, Thomas Middleton’s obsession with black, the colour of ink and atrabile, pervades his non-dramatic texts but also his plays, both tragic and comic. …”
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Vers une nouvelle édition des poèmes de Serlon de Bayeux by Marie-Agnès Lucas-Avenel, Edoardo D’Angelo

“…Wright, The Anglo-Latin Satirical Poets and Epigrammatists of the Twelfth Century (1872), which contains textual problems; we can add the articles of André Boutemy (1938) and of Rolf Lenzen (1990).   …”
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Gênero em desafio: das trobairitz provençais às repentistas nordestinas by Luciana Eleonora de Freitas Calado Deplagne

“…Thus, we try to identify the dialogue between the matches of women repentistas and the dialogued medieval songs – the tensons of the provençal trobairitz and the satirical verses of the women poets from the Al-andalus. …”
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Étude de cas d’une pratique enseignante de lecture d’album en cycle 3 : de l’intention au réalisé by Nicole Audoin-Latourte

“…This article is based on the case study of a session in literature led by a teacher in year 6, from a satirical album. It tries to understand the teacher’s activity in the field of didactics of literature, and in the exploitation of the link between the text and the picture, in a catchy yet complex album. …”
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Londres, les années 1620 by Michael Palmer

“…The author examines London corantos of the 1620s and the satirical treatment they received from playwright Ben Jonson, who lampooned the growing appetite for such fanciful and fantastical reports. …”
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Der Professorenroman : Michel Zink entre philologie et invention by Monica Longobardi

“…The present research intends to investigate the links between the institutional activity of the famous medievalist, Michel Zink, and three of his less well-known novels (at least in Italy): the novel about the grail “Déodat ou la transparence” (2002); the volume in the investigative series “Arsène Lupin et l’affaire d'Arsonval” (2004) and the satirical novel “Un portefeuille toulousain” (2007). …”
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Dog-type : amours de chiens, chiennes d’images et types ordinaires dans le daguerréotype américain by François Brunet

“…I conclude with a lexicological and contextual analysis of the phrase “dog-type” and its various possible meanings, whether satirical or not.…”
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Dickens Today by Marianne Camus

“…It also looks at the alternatives, such as the dream of a return to a golden age, or the relief given by satirical laughter, both signs of helplessness against the power of money, even if Dickens’s novels always end with the righteous being rewarded.…”
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