Ironie et communauté (L’Éducation sentimentale) by Boris Lyon-Caen

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LA COMPRÉHENSION DE LA RELATION TEXTE – MUSIQUE DANS LADY MACBETH DU DISTRICT DE MTSENSK DE DMITRI CHOSTAKOVITCH by Valentina TOMA

Subjects: “…musical satire…”
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Quand Bonaparte était déjà Napoléon : aux sources de l’image caricaturale de Napoléon en Grande-Bretagne by Pascal Dupuy

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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

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“Pitch the king”: Ben Fountain’s games by Françoise Palleau-Papin

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La sátira de costumbres como artefacto ideológico. En torno a un opúsculo de 1808 by Claude Morange

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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

Subjects: “…satire…”
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« Une descente dans la vérité »: contribution à l’étude de l’œuvre de Jean-Louis Forain à partir de la collection de dessins du musée d’Orsay (conservés au département des arts gra... by Hélène Fernandez

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Gênero em desafio: das trobairitz provençais às repentistas nordestinas by Luciana Eleonora de Freitas Calado Deplagne

“…Thus, we try to identify the dialogue between the matches of women repentistas and the dialogued medieval songs – the tensons of the provençal trobairitz and the satirical verses of the women poets from the Al-andalus. …”
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Dog-type : amours de chiens, chiennes d’images et types ordinaires dans le daguerréotype américain by François Brunet

“…I conclude with a lexicological and contextual analysis of the phrase “dog-type” and its various possible meanings, whether satirical or not.…”
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Dickens Today by Marianne Camus

“…It also looks at the alternatives, such as the dream of a return to a golden age, or the relief given by satirical laughter, both signs of helplessness against the power of money, even if Dickens’s novels always end with the righteous being rewarded.…”
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« Un néant follement attifé » : macabre et grotesque dans Mesure pour Mesure by Sophie Chiari

“…In an anamorphic play such as Measure for Measure, the grotesque is endowed with a strong satirical power, and its close relation to the macabre makes it even stronger. …”
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Faire mémoire par le trait ou les tribulations latino-américaines de Charlie by Frédérique Langue

“…In an adverse context for freedom of thought in the so called public sphere (both in Europe and Latin America), this essay explores the sense that is supposed to have from Latin America one of the "recent disasters" of present times, as was the attack against the satirical newspaper Charlie Hebdo in January 2015. …”
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Biblical Intertextuality in Ferran de Pol by Josep V. Garcia Raffi, Xavier Garcia Raffi

“…Ferran de Pol’s rewriting of the Bible has multiple and heterogeneous functions: in some cases it acts as the central axis of a specific work, in others it has compositional, rhetorical, satirical, conceptual or parodic functions. …”
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Disease, Deformity and Health Terrors in 19th-Century Cartoons: A Cultural History of Science by Ainhoa Gilarranz-Ibáñez

“…The “cultural visualisation” of science via exhibitions, fairs and illustrated publications became even more intense and widespread in the nineteenth century. In this context, satirical images linked to scientific development proliferated. …”
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“Punk’s Not Dead, It Lives on The Football Terraces”: Tracing The Legacy of Punk in Subcultural Milieu of The Football Firms by Hüseyin Serbes

“…The findings reveal that Punk’s aggressive, rhetorical and satirical aesthetic codes exist in the stands. The discovery of Punk, which offers a subcultural capital against commodification, alienation and commercialized football, may regenerate the praxis of pleasure, poetry, art, imagination, love and revolution on the football terraces.…”
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‘Larks in Season’: The Comic Almanack (1835–54) by Brian Maidment

“…One response to such reformist impulses was the comic or travesty almanac, and this essay centrally forms a study of the longest lasting and most successful satirical almanac, The Comic Almanack, which ran from 1835 until 1854. …”
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Babuinare by Joana Antunes

“…Among the various protagonists of these margins of medieval art, and particularly from the 13th century on, apes stand out as a satirical and moralising simile of mankind, and, therefore, as the main actors of a topsy-turvy world that finds their natural place in the margins. …”
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Newman polémiste et satiriste by Keith Beaumont

“…Newman is widely recognized in the English-speaking world as one of its great satirical authors (though it has to be admitted that his subtle irony sometimes escapes the translators of his work into other languages, notably French !). …”
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