Showing 1,661 - 1,680 results of 2,161 for search '"saint"', query time: 0.08s Refine Results
  1. 1661
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    De la simulation à la simulation participative : apporter une vision intégrée de la rénovation urbaine aux aménageurs publics, à travers une démarche expérimentale by Anaïs Berry, Nicolas Becu, Onil Goubier, Nikolaos Papoulias, Nathalie Long, Didier Vye

    Published 2020-01-01
    “…The numeric model allows the simulation of energy consumption of households for a set of buildings (« la Cité des Géraniums » in the district of Saint-Éloi in La Rochelle), for which an urban renewal project has been initiated in 2009. …”
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  5. 1665
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    Visualization of the Book: Graphic Metaphors in Art Decoration of Ukrainian Church Editions of the Baroque Epoque by Olena Kurhanova

    Published 2023-12-01
    “…It visually presents the church book as a creation of a saint person, inspired by God. The addressee is expressed both by the emblem of a patron, who supported book printing, and by an icon of a divine person to whom the prayer content of the book is addressed. …”
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  8. 1668
  9. 1669

    Węgrzy jako pars aliqua gentis Massagetum. Ślady późnoantycznej i wczesnośredniowiecznej uczoności w dziele Tomasza archidiakona Splitu. Część 2. Postrzeganie Massagetów. 2) Kontek... by Lesław Spychała

    Published 2024-12-01
    “…Earlier, in the first decades of the 13th century, Attila was added to the genealogy of the ruling dynasty, even though there were statements in that century that excluded Attila and promoted Saint Stephen. This duality in the perception of Attila needs to be explained primarily by the pragmatism of the circles gathered around the royal court. …”
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    Theoriebildung in ästhetischer Praxis. Nikolai A. Roslawez’ zweite Klavier-Etüde Pianissimo aus den Trois Études (1914) by Michael Koch

    Published 2015-01-01
    “…Although there had been no institutionalised schooling or formal teaching of such methods in Saint Petersburg and Moscow, an experimental (piano-)repertoire evolved within conservatory circles where composers paraded their theories and put them to the test as an ›aesthetic praxis‹. …”
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