Showing 61 - 80 results of 427 for search '"repertoire"', query time: 0.06s Refine Results
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    Projeto by Geraldo Augusto Fernandes

    Published 2023-07-01
    Subjects:
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    Analysis of the Heterogeneity of CD4+CD25+ T Cell TCR β CDR3 Repertoires in Breast Tumor Tissues, Lung Metastatic Tissues, and Spleens from 4T1 Tumor-Bearing BALB/c Mice by Teng Zhang, Fangfang Duan, Danhua Su, Long Ma, Jiezuan Yang, Bin Shi, Xiaoyan He, Rui Ma, Suhong Sun, Xinsheng Yao

    Published 2020-01-01
    “…To study the homogeneity and heterogeneity of CD4+CD25+ T cells receptor β-chain complementarity determining region 3 (TCR β CDR3) repertoires in breast tumor tissues, lung metastatic tissues, and spleens from 4T1 tumor-bearing BALB/c mice. …”
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    Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung by Markus Neuwirth, Martin Rohrmeier

    Published 2016-01-01
    Subjects: “…problems inherent to traditional repertoire research…”
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    City Educational Environment in Terms of Anthropopractices of Care. The Idea of a Configurator by S. A. Smirnov

    Published 2020-11-01
    “…The paper proposes to consider the experience of compiling such a repertoire of anthropopractices of care, which sets the completeness of the care experience. …”
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    Thrush nightingales adjust the peak frequency and structure of their songs in response to different types of experimental noise by Michał Budka

    Published 2025-01-01
    “…Birds may enhance the signal-to-noise ratio by selecting phrases from their repertoire that are less affected by noise. For species with a large repertoire, new sounds transmitted within a species-specific frequency range may play an important role in the process of cultural song transmission.…”
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    La traduction du livret d’opéra vers l’anglais : un enjeu national et/ou « méta-opératique » by Pierre Degott

    Published 2006-06-01
    “…This article raises the issue of translation in the construction of a national operatic repertoire. As is well-known, the collocation “English opera” could occasionally refer, in particular in the nineteenth century, not to a work composed in Britain by a British composer, but to an opera actually sung to English words. …”
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