Dans le monde des miroirs déformants by Piotr Śniedziewski

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An Investigation of a Printer’s Block (Manchester, John Rylands Library, 17252) by Emerson Storm Fillman Richards

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Theresa Schmitz, L’opéra jeune public by Clarisse Azéma

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Entre caminhos e fronteiras: a gênese do conceito de "campo literário" em Pierre Bourdieu e sua recepção no Brasil by Wander Nunes Frota, Enio Passiani

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La connaissance des maîtres allemands anciens en France, de Dominique-Vivant Denon à Henri Focillon by Isabelle Dubois-Brinkmann, François-René Martin

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“This Rude Chivalry of the Wilderness”: Chivalry and Native Americans in Cooper’s and Irving’s American Novels by Pauline Pilote

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Anti-Adhesive Podocalyxin Expression Is Disrupted in Recurrent Implantation Failure by Mustafa Tas

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Endometrial Receptivity–Lessons from “Omics” by Louie Ye, Evdokia Dimitriadis

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SPIRITUALITY AS PASSIONS OF THE HEART. AN EMPIRICAL STUDY INTO THE CHARACTER, CORE VALUES AND EFFECTS OF THE PASSIONS OF THE HEART OF GENERAL PRACTITIONERS by C.A.M. Hermans, L. Kornet

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Reception Centres Above.The Mountain, Emblem of the Paradox of the Integration of Asylum Seekers in Switzerland by Viviane Cretton

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Heine, écrivain français putatif ? by Lucien Calvié

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Simenon, un auteur et ses lecteurs : une économie de la grandeur by Véronique Rohrbach

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Expériences littéraires et émotions esthétiques dans le monde tardo-médiéval germanique by Olivier Deloignon

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Les foyers d’en-haut.La montagne, emblème du paradoxe de l’intégration des requérant·es d’asile en Suisse by Viviane Cretton

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Compte rendu de Millicent Weber, Literary Festivals and Contemporary Book Culture, Cham (Suisse), Palgrave Macmillan, 2018, 272 p. by Mylène Fréchette

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L’odeur du sang et des roses. Relire Johan Huizinga aujourd’hui, dir. Élodie Lecuppre-Desjardin, Lille, Presses universitaires du Septentrion, 2019 by Patricia Victorin

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Artus de Bretagne. Du manuscrit à l’imprimé (xive siècle-xixe siècle) by Matthieu Marchal

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Compte rendu de Esquivel (Patricia), L’autonomie de l’art en question. L’art en tant qu’Art by Michaël Fortier

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Colour reception(s): The Narrative of the Exhibition “Colour Revolution: Victorian Art, Fashion and Design” (Ashmolean Museum, Oxford, 21 September 2023-18 February 2024) by Charlotte Ribeyrol

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Ce qu’Éric Chevillard fait à la critique académique by Denis Saint-Amand, Léa Tilkens

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