Gökalp Altan, Têtes rouges et bouches noires et autres écrits, Paris, CNRS Éditions, 2011, 542 p. by Gilles de Rapper

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Tozaj Neshat, Ils n’étaient pas frères et pourtant… Albanie 1943-1944, Paris, Société des Écrivains, 2004, 238 p. by Gilles de Rapper

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The pattern of antibiotic utilisation among intensive care unit patients hospitalised in a Gauteng (South African) provincial tertiary hospital: Comparing findings before and durin... by L Spinickum, Z Booth, S Leigh-de Rapper

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The antimicrobial susceptibility patterns of diabetic foot ulcers in the South African public healthcare sector by M J Turner, S Leigh-de Rapper, T P Mokoena, S van Vuuren

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L’alternance codique dans le rap algérien et tunisien by Felix Wiedemann

“…This article examines how the Algerian rapper Lotfi Double Kanon and the Tunisian rapper Balti make use of Arabic, French and English in their songs. …”
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Le jeu vidéo au défi de l’œuvre d’art by Pascal Krajewski

“…Car cette cartographie n’est pas sans rapper l’esthétique goodmanienne, qui offre cinq critères d’articité : densité syntaxique, densité sémantique, saturation relative, exemplification et référence multiple et complexe.Dès lors, s’il est bien convenable de parler du jeu vidéo comme d’un art, il devient concevable de chercher les qualités propres de l’œuvre d’art vidéoludique, ses spécificités, qu’elle ne partage avec celle d’aucun autre médium. …”
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Trouble dans le gangsta-rap : quand des rappeuses s’approprient une esthétique masculine by Keivan Djavadzadeh

“…This article traces the process through which female rappers in the 1990s reclaimed gangsta-rap music, a genre that emerged in the 1980s. …”
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HipHop und Postkolonialismus by David Chemeta

“…By analyzing the linguistic evolutions of hip hop in Germany using concepts from Postcolonial Studies, I seek to highlight the way many rappers with migration backgrounds, as well as part of the people from migration backgrounds living in Germany, have deconstructed the classical idea of “germanity”, often in order to reshape it into a more hybrid form.…”
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La « jeunesse » comme répertoire critique by Jeanne Lamaison-Boltanski

“…Asserting rap and Rasta cultures in Burkina Faso thereby contributes to the definition of a new African subject, and to the distancing of links based on primogeniture; it favours new affiliations with other groups, stemming from other political principles, based on Pan-Africanism (or blackness), Sankarism, or globalised representations of “youth”. For Rastas and rappers in Burkina Faso, the “youth” category therefore becomes a major operator in the development of their capacity for local political and social criticism, which is inseparable from criticism of what they call korocracy, that is to say the power of firstborns.…”
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Comme une bitch ? Exploration des variations d’usage et de sens entre « bitch » et « chienne » en tant qu’insultes sexistes by Aure Espilondo

“…This possibility is assessed through a case study on the usage of “chienne” and “bitch” by three French female singers and rappers: Aya Nakamura, Tracy de Sá, and Liza Monet. …”
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C’est la cité ! by Philippe Woloszyn, Paul Girard

“…The study of the discourse developed in this audiovisual document aims to bring out the linguistic and metalinguistic patterns defining the socio-cultural framework of the Clairière des Aubiers, while the study of the images is intended to provide keys for interpreting the singular iconic relationship between rappers and the landscape in their daily lives. In doing so, we study the capacity of a medium such as this video clip to reveal all or part of the social reality of a residential area through its portrayal of an ambience and, by the same way, the role of the landscape in the construction of the revealed living environmental identity.…”
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Jerry ou comment faire parler autrement les murs by Sterlin Ulysse

“…Through graffiti, he denounces and claims what the rappers denounce and claim through words. Jerry has never wanted to stay in the shadow. …”
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O rap de intervenção social em Maputo, Moçambique by Luca Bussotti, Julio Chinguai

“…Mediante uma reconstrução histórica baseada, essencialmente, em fontes orais e, uma segunda parte, centrada em entrevistas e na análise do discurso de algumas canções de rappers moçambicanos engajados, o artigo aqui apresentado pretende analisar como é que este género musical se difundiu na cidade de Maputo e quais as suas tendências atuais. …”
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