Poets and Puppets: Interarts Collaboration in Alfred Kreymborg’s Lima Beans by Yasna Bozhkova

“…First, the article examines how the play creates a distancing effect towards the deliberately mundane story of a married couple, using incongruous elements like the proto-absurdist nonsense of the dialogues, the abstract, Futurist sets, and the groundbreaking acting techniques inspired by puppet theater. Second, it specifically focuses on the blurring of the boundaries between the different arts—drama, poetry, and dance among others—in this play, whose dialogues were conceived as free verse. …”
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CHANGE OF LANGUAGE DEVELOPMENT WITH FINGER PUPPETS STIMULATION IN CHILDREN'S PRESCHOOL by Rukanah Rukanah, Yuyun Farihatin, Yunita Dyah Fitriani

Subjects: “…finger puppet…”
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US Foreign Policy of Chaos under Trump: the Wrecker and the Puppeteers by Pierre Guerlain

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The Humour and Novelty of Congwayndut Puppet Group: An Overview of Performance Studies by Gendot Dekanipa, Aris Setiawan

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THE EFFECT OF PUPPET SHOW ON HOSPITALIZATION IN PRESCHOOL CHILDREN (3-6 YEARS) by Emuliana Sulpat, Amellia Mardhika, Lailatul Fadliyah, Anestasia Pangestu Mei Tyas, Susilo Harianto, Yusrina Ika Ilhami

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Asymmetric Two-Stage CycleGAN for Generation of Faces With Shadow Puppet Style by Jingzhou Huang, Xiaofang Huang, Taixiang Zhang, Jingchao Jiang, Houpan Zhou

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A Study to Adapt “Puppet Interview Scales of Competence in and Enjoyment of Science” to Turkish Culture by Berrin Akman, Erhan Alabay, Mefharet Veziroglu Celik, Pinar Aksoy, Selahattin Gelbal

“…As a result of this study, Puppet Interview Scales of Competence in and Enjoyment of Science were found to be a reliable and valid scale for the Turkish society.…”
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Theoretical and Practical Aspects of Using Anatomically Detailed Puppets while Interrogating Extremely Vulnerable Persons by T. P. Matiushkova

Subjects: “…rules and conditions of using anatomically detailed puppets…”
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From drawings to puppet shows: practical ways in teaching vocabulary to primary school EFL learners by Rizki Maulida Khasanah, Ali Burhan

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Corps mécanique et pensée-mouvement : les marionnettes animales de la Handspring Puppet Company by Noémie Lorentz

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Artistic creation as a path to immersion in literature: on the example of excerpts from texts with the theme of the Shoah by Milan Mašát

Subjects: “…The Puppet Boy of Warsaw…”
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Radium, acier et cœurs vivants. Les marionnettes-automates de Monsieur de Pygmalion mis en scène par Charles Dullin (1923) by Laurette Burgholzer

“…The protagonists of this farce are eighteen "puppets", played by the actors of the Atelier. These puppets are highly technological and anthropomorphic, made of metal, fabric, and animal hearts. …”
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A Robot who could not dance: Generating performative presence among performer, text, and audience through exploring and performing stories by children by Linda Lorenza, Persephone Sextou

“…The university drama students performed their puppet interpretations of the stories for young children. …”
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Recycling Adventures by Craig Miller, Joy Cantrell

“…It uses a fun theatrical approach to teaching using puppets, skits, and hands-on learning activities. …”
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Recycling Adventures by Craig Miller, Joy Cantrell

“…It uses a fun theatrical approach to teaching using puppets, skits, and hands-on learning activities. …”
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Dobre praktyki w zakresie ochrony dziecka w procesie resocjalizacji i readaptacji społecznej jego skazanych rodziców by Anna Dąbrowska, Justyna Kusztal

“…The paper presents assumptions and effects of an innovative social project implemented in cooperation with Puppet and Actor Theatre and Detention Center in Kielce (2015–2019). …”
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A Thin Felt Mattatore between Industry, Intermediality and Stardom by Martina Zanco

“…Michael Twyman argues that “every object tells a story, or at least reveals some information about something” (2008: 25). So what can two puppets made at the end of the 1950s, inspired by the television show Il Mattatore (Daniele D’Anza, 1959) and the likeness of Vittorio Gassman, tell us? …”
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“He'll rail in his rope/robe tricks” : l'injure comme feu d'artifices dans The Taming of the Shrew by Nathalie Vienne-Guerrin

“…Reading this scene in the light of Grumio's commentary and notably the words “ropetricks”, “figures“ and “disfigures”, we show that behind the artifice, behind the comic trick and farce of this scene of insult, Shakespeare presents us with a disfigured Kate, a puppet that is moved by a ventriloquist, Petruchio. …”
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Teatro folk e sciamanesimo in Corea by Giovanni Azzaroni

“…Scholars believe that Korean theater finds its greatest expression in danced ritual dramas, which, until the early 20th century, along with puppet theater, were appreciated by both urban and rural audiences. …”
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Doubleness on the New York Contemporary Experimental Stage: Bodies and Technology by Emeline Jouve

“…Intermediality, or the co-presence or superimposition of different artistic media, creates dual bodies: technological monsters that are half-human and half-video, grotesque minotaurs at once men and puppets. A “place for viewing,” theatre, theatron, is turned by artists into a showcase displaying post-human bodies. …”
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