Extremes of the Avant-garde: H.D. and Rae Armantrout by Natalia Carbajosa

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SIMULATIVE PROCESS IN THE MODERN SOCIETY СИМУЛЯТИВНЫЕ ПРОЦЕССЫ В СОВРЕМЕННОМ ОБЩЕСТВЕ СИМУЛЯЦІЙНІ ПРОЦЕСИ У СУЧАСНОМУ СУСПІЛЬСТВІ... by M. S. Oleshchenko

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Reusing Postmodern Heritage: How Literary Theories Can Help by Maxime Coq, Claudine Houbart

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SEXUAL REPRESENTATION IN THE POSTMODERN PHILSOPHICAL DISCOURSE by Iryna A. Koliieva

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A SUCCINCT VIEW ON ART MUSIC IN THE UNITED STATES OF AMERICA DURING THE 1980s by Tudor FERARU

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POSTMODERN: PRO ET CONTRA. SOCIO-HISTORICAL AND CULTUROLOGICAL DISCOURSE IN THE 1950s-1980s. by Tetyana V. Danylova

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Rhabillez-moi ! Stratégies sur mesure dans la réhabilitation de cinq immeubles de logements postmodernes parisiens by Julien Correia

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METAMODERNISM MAN IN THE WORLDVIEW DIMENSION OF NEW CULTURAL PARADIGM by Y. O. Shabanova

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IMAGE OF HUMAN IN THE POSTMODERN EPOCH by L. M. Mykulanynets

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Ceci n’est pas le territoire: Transcending the Visual and Literary Frame by Dane Coult

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Writing (at) the End: Thomas Pynchon’s Bleeding Edge by Brian Chappell

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EUROPEAN PLASTIC ART IN ANTHROPOLOGICAL DIMENSION: FROM THE CLASSICS TO THE POSTMODERNISM by R. M. Rusin, I. V. Liashenko

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Types of entrepreneurs in the conversion process of economic functions in towns: Paraty case study (Rio de Janeiro State) by Fátima Bayma, Anderson de Souza Sant’Anna, Danila Martins Diniz

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MOUFFE'NİN RADİKAL DEMOKRASİ DÜŞÜNCESİ ÇOĞULCULUĞUN BİR İMKANI OLABİLİR Mİ? by Selçuk Erincik

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BÜYÜK VERİ ÇAĞINDA SİSTEM ESTETİĞİ by Zeynep Hekim Bülbül

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DIONYSUS CULT AS A PROTOTYPE OF AUTONOMOUS GENDER by O. O. Poliakova, V. V. Asotskyi

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Les interventions japonaises au jardin Albert-Kahn dans la deuxième moitié du xxe siècle : vitrine et laboratoire de nouvelles conceptions du jardin japonais by Hiromi Matsugi

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Japanese Popular Culture and Digimodernism by N. B. Afanasov

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ANTHROPOLOGICAL FOUNDATIONS OF THE CONCEPT OF "CRIME" IN HISTORICO-PHILOSOPHICAL DISCOURSE by I. O. Kovnierova

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Travailler avec Robert Venturi, Denise Scott Brown, John Rauch et Steve Izenour by Léo Noyer Duplaix

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