Telling About Southern Fluctuations: Elizabeth Spencer at the Back Door by Gérald PRÉHER

“…This paper focuses on Spencer’s portrait of southern manners and interracial relationships and analyzes the novel in the context of its publication. …”
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Psycholinguistic and psychological features of ekphrasis by Svetlana V. Krutskaya, Lilia R. Nurtdinova

“…The paper deals with the psycholinguistic and psychological features of reader’s artistic images in O. Wilde’s novel “The Portrait of Dorian Grey”. The process of reading and images perception is analyzed in the perspective of co-creation. …”
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Qui sont les « élus de l’eau » ? À propos de l’investissement sectoriel des élus locaux by Sylvain Barone, Bastien Sannier, Maylis Razès, Myriam Campardon, Laetitia Guérin-Schneider, Audrey Richard-Ferroudji

“…Based on two quantitative surveys, this article draws a portrait of "water representatives". It analyzes their mandates and functions, their sociological and political profiles, their relationship to water, before placing their sectoral involvement in the wider range of their political.…”
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Les camps d’internement du sud en Algérie (1991-1995). Contextualisation et enjeux by Saphia Arezki

“…It is thus a question of recalling the context in which these camps were open, explaining the decision-making process which led to their establishment while sketching a first collective portrait of the men who were sent there. In doing so, this article hopes to contribute to writing the history of the Algerian Civil War, many aspects of which are still unknown.…”
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Le désert des héros : récits de vies solitaires dans les séries américaines de fiction by Joseph Belletante

“…In a post-critic perspective, this article offers a portrait of human “states of mind” that will restitute the spectator his symbolic autonomy, through singular solitudes or the loneliness of a group as is shown by four television series that are no longer in production (Friends, The Sopranos, The West Wing and Ally McBeal) in order to allow a global interpretation and that correspond to the main genres of fiction broadcasted by the American network (comedy, drama, and dramedy).…”
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Quelques notes sur Pierre Bec éditeur critique du texte occitan médiéval  by Gilda Caiti-Russo

“…To focus on the way people edit medieval occitan texts is like making a scientific portrait of critical editors. Pierre Bec‘s secondary PHD thesis was on the Saluts d’amour du troubadour périgourdin Arnaut de Maruelh. …”
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Constructing the Second Order Poincaré Map Based on the Hopf-Zero Unfolding Method by Gen Ge, Wang Wei

“…Then, the second order Poincaré map in a generally analytical style helps to portrait the double pulse dynamics existing in the tubular neighborhood of the principal homoclinic orbit.…”
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Nan Goldin: I’ll Be Your (Complex) Mirror by Richard PHELAN

“…Published in book form like The Ballad of Sexual Dependency and presented—as a slide show set to music, Goldin’s orchestrated sequences differ from the traditional photographic self-portrait presented as a unit for isolated contemplation. …”
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L’entrée au Parlement des premières députées de la Seconde République espagnole : Clara Campoamor, Victoria Kent, Margarita Nelken, élues de l’assemblée constituante (juillet-décem... by Catherine Saupin

“…The examination of the portrait of the three pioneers ‒ Clara Campoamor, Victoria Kent and Margarita Nelken‒, the study of C. …”
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Rosja Katarzyny II w Zapiskach Louisa Philippe’a de Ségura by Jolanta Kazimierczyk-Kuncer

“…Against the background of his intricately crafted missionary strategy, whose aim was to sign a trade treaty with Russia, Ségur draws a distinctive portrait of the tsarina and her favourite, Potiomkin, skilfully smuggling in a criticism of their reformation activities. …”
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L’image de la France dans Freie Gedanken zur Verbesserung der menschlichen Gesellschaft (1752) de Johann Michael von Loen by Catherine Julliard

“…The first part of the study focuses on the psychological portrait of the French, which oscillates between nuances and stereotypes. …”
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Entre « chic » et « chien » : les séductions de la Parisienne, de Jean-Jacques Rousseau à Yves Saint-Laurent by Emmanuelle Rétaillaud-Bajac

“…Elaborated in the context of a monarchist society opening up to modern capitalism, this portrait became more complex and visible in the following century as the city itself changed very fast along with the explosion of the popular press and shifts in symbolic and aesthetic regimes. …”
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Automatic detection method of software upgrade vulnerability based on network traffic analysis by Jinhui TENG, Yan GUANG, Hui SHU, Bing ZHANG

“…During the software upgrade process,the lack of authentication for upgrade information or packages can lead to remote code execution vulnerabilities based on man-in-the-middle attack.An automatic detection method for upgrading vulnerabilities was proposed.The method described the upgrade mechanism by extracting the network traffic during the upgrade process,then matched it with the vulnerability feature vector to anticipate upgrading vulnerabilities.In a validation environment,the man-in-the-middle attack using the portrait information was carried out to verify the detection results.In addition,an automatic vulnerability analysis and verification system based on this method was designed.184 Windows applications samples was test and 117 upgrade vulnerabilities were detected in these samples,which proved validity of the method.…”
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Le jardin comme post-paysage et projection imaginée by Jean-Simon DesRochers

“…The analysis of post-landscape allow us to precise the relationship of humans with their perception of the environment and the interactions they wish to promote, but mostly, it presents a portrait of the relation between humans and the perception of their own conscience.…”
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Captation spéculaire et mise en abyme dans le film Jane Eyre de Franco Zeffirelli by Isabelle Van Peteghem-Tréard

“…The director thus emphasizes the question of representation and its various metafictional modes as Jane Eyre—the movie— can be seen as a portrait of the artist. Drawing can be regarded as the cinematic equivalent of narration in Charlotte Brontë’s work and also as empowerment for the female subject who ultimately becomes a creator.…”
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« Je ne suis pas homme de lettres ni littérateur de profession » : la question de l’auteur.e dans les autobiographies de courtisanes du XIXe siècle by Lola Gonzalez-Quijano

“…Based on a collection of autobiographies by courtesans, this article shows how this literary sub-genre, by its necessary collaboration between these women and men of letters, blurs the boundaries between masculine and feminine writing, autobiography and novel, literature and advertising. The portrait of the courtesan as a victim of (business)men is thus as much the reflection of female writing about prostitution, than that of a prostitution feeling among male writing proletariat at that time of press and edition development.…”
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„Mała Wiera” (1988) – „czegoś tak obrzydliwego w naszym kraju jeszcze nie było…”. Оburzeni przeciw oświeconym. Przyczynek do studium nad mentalnością „homo sovieticus” u progu nowe... by Maria Natalia Kistowska

“…This large body of voices stands up against – in their opinion – shameless and vile erotic scenes and against those few home truths which are presented. The portrait of homo sovieticus is fished out from fragments of the letters. …”
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Can Brexit be photographed? Six photographic projects raising critical questions about Britain’s exit from the European Union (2016-2020) by Mathilde Bertrand

“…Echoes and correspondences between them help paint the portrait of a divided United Kingdom while reasserting strongly the values of inclusion, tolerance and diversity that have been damaged in this difficult period.…”
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La matière des images dans The Duchess of Malfi by Anne-Valérie Dulac

“…Much like the poisoned portrait in The White Devil, some of the painted and sculpted images that appear in The Duchess of Malfi seem endowed with equally terrifying power over whoever looks at them. …”
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Photography and Archive Fever in Richard Kalinoski’s Beast on the Moon (1995) by Laurence Petit

“…The play, which addresses the 1915 Armenian genocide, revolves around an object which, along with an old coat, works as the one and only familial “archive”, namely a central family photograph whose heads were actually cut out by Aram Tomasian after he witnessed the terrible massacre of his entire Armenian family and fled to America. The family portrait, which in the course of the play suffers both a decapitation and an indirect crucifixion but somehow manages to survive, becomes the repository not just of individual destinies – or of one individual’s destiny – but of the diasporic fate of a whole people, the Armenians.…”
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