Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine by Laure Bolka-Tabary

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¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) by Javier Rodríguez Aedo

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Populäre Musik als Gegenstand musikalischer Analyse. Billy Joels New York State Of Mind by Martin Schönberger

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Jan Hemming, Methoden der Erforschung populärer Musik (Systematische Musikwissenschaft), Wiesbaden: Springer 2016, https://doi.org/10.1007/978-3-658-11496-1 by Steffen Just

Subjects: “…Popular Music Studies…”
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L. J. Müller, Sound und Sexismus. Geschlecht im Klang populärer Musik. Eine feministisch-musiktheoretische Annäherung, Hamburg: Marta Press 2018 by Kilian Sprau

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Multikulturelles Virtuosentum. Schuberts Fantasie C-Dur für Violine und Klavier D 934 (1827) by Roberta Vidic

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›Fallende Quintanstiege‹. Ein Modellversuch by Stephan Lewandowski

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Rock and roll et violence en Italie en 1956 by Jacopo Tomatis

“…Popular music histories have paid close attention to the connection between the rise of rock’n’roll in the United States in the 1950s, and a wave of “moral panic” spread by media all around the world. …”
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« Soy feminista y me gusta el perreo » : les conflits de (re)signification dans les politiques sexuelles du reggaeton by Victor Santos Rodriguez

“…The article highlights the centrality of the dancing (perreo) body as a semiotic space where redefinitions of the heteropatriarchal gender/sexuality regime play out, thus making a contribution to the literature on popular music, which is struggling to embrace this epistemological turn. …”
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Popular Song Composition Based on Deep Learning and Neural Network by Jun Kuang, Tingfeng Yang

“…However, automatic composition can improve this problem, allowing more ordinary people to participate in the composition, especially popular music composition, so the music becomes more entertaining, and its randomness can also inspire professionals. …”
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1956: Rock and roll e violenza in Italia by Jacopo Tomatis

“…Le storie della popular music hanno spesso riservato un’attenzione speciale al rapporto tra la nascita del rock’n’roll negli Stati Uniti negli anni Cinquanta e all’ondata di “panico morale” diffusasi in tutto il mondo insieme a esso. …”
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Evolution of sample-based music authorship network by Dongju Park, Juyong Park

“…Abstract Sample-based music—characterized by the adoption of extant audio fragments (sampling) in its creation process—plays an essential role in contemporary popular music, fostering inter-generational connections between the creators that have resulted in a rich and diverse sonic landscape. …”
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Cent ans de silence ? Sur les traces du Parti des Indépendants de Couleur à Cuba dans les expressions musicales populaires d’Oriente (1912-2022) : évolutions et métamorphoses... by Lévana Garçon

“…This article aims to question the silence around the memory of the Partido de Independientes de Color (PIC) massacre following the tracks left by the inaudible voices of Oriente in regional popular music. The goal of this article is to observe how this memory acts from the margins and how it metamorphoses and resignifies the event over time.…”
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Klasyfikacja semantyczna rosyjskich i polskich nazw muzyki rozrywkowej by Rafał Kowalczyk

“…This paper presents a practical application of multifaceted research into the vocabulary of popular music in contemporary Russian and Polish. It contains explanatory notes in the first part and appendixes, i.e. mini Russian-Polish dictionaries, in the second part. …”
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Jacques Gilard y la música popular colombiana by Egberto Bermúdez

“…This work analyzes Jacques Gilard’s important contribution –as well as its reception− dealing with what remains an isolated case in the literary context and which brings up a debate concerning the vallenato and popular music in the Colombian Caribbean coast. From a long series of well balanced essays emerge Gilard’s main arguments about the links existing between vallenatopolitics-power that were rejected by the Colombian establishment, and which are in turn, the starting point of Wade’s exposition about the vallenato, specially his thesis about the emergence of the claiming of the coastal music and culture within the country’s interior.…”
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The Power of Conformity: Music, Sound, and Vision in Back to the Future by Marc Priewe

“…After an overview of the movie’s cultural contexts, the focus shifts to the interplays between sound and cinematic mise-en-scène, with a particular emphasis on popular music. I argue that the film employs music strategically in order to convey a nostalgic view of American culture and society in the 1950s by including certain songs and excluding others, as well as by a score that is deeply rooted in the traditions of Hollywood film music. …”
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Blacking Up : Une histoire du rock au prisme du blackface by Keivan Djavadzadeh

“…On the basis of an analysis of rock music, its origins and its transatlantic circulations, I will examine the racial politics of popular music and postulate a continuity of the blackface cycle. …”
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Le choro, musique métisse et originelle : transferts culturels, hybridations et identité culturelle nationale au Brésil (1870-1930) by Alice Boccara

“…It transcends the limits between popular music and art music while having a special place among Brazilian musics, being considered as an original genre, at the roots of the Brazilian musical identity and that condenses its mixed descents – Amerindian, African, European. …”
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