Influência dos estilos musicais na atitude dos clientes: evidências experimentais em uma loja varejista by Gabriela Souza Assis, Janaina de Moura Engracia Giraldi

“…Neste experimento, foram testados três estilos musicais (sertanejo, axé e pop rock) e a ausência de música, como grupo controle. …”
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Radiohead et le rock progressif : histoire d’un malentendu by Michel Delville

“…Radiohead’s connections with progressive rock raise a number of basic issues about the genres, sources and influences of popular music, the relationship between mass and high culture, and the position occupied by so-called “alternative” groups on the pop-rock scene.…”
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OK Computer ou l’émergence d’un rock syncrétique chez Radiohead by Benjamin Lassauzet

“…This produced a syncretic piece of work that blurred spacio-temporal landmarks, explored new influences outside the Anglophone pop rock scene, assimilated past musical references to deliver a pessimistic view of the present and an alarming anticipation of the future, while creating a truly original identity for the band.…”
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“aaaaaaaaaaaaaaaaaaaaaaaaaambition makes you look [pretty] ugly”: Mass consumption and computer-generated art in Radiohead’s OK Computer by François Hugonnier

“…In an urban landscape of sedated “consumer-robots”, the band embraces the digital era and fuses pop-rock songs with electronic distortion. A man-machine relationship is developed as a socio-political metaphor and a straightforward report, including the use of computers in the crafting of their art. …”
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SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

“…At the opposite pole we come across synesthetic episodes in pop-rock music or in disco dance music. The Avant-garde is a decisive factor of synesthetic development due to the synergy between music and visual art. …”
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The carbon isotopic signature of the upper mantle is heterogeneous by Yves Moussallam, Kenneth T. Koga, Estelle F. Rose–Koga, Cyril Aubaud, Hyun Joo Lee, Guillaume Georgeais

“…This value has long been held at –4‰ from the study of popping rocks or –5‰ from the study of peridotitic diamonds, with little evidence of heterogeneity due to scarce direct measurements. …”
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