Zu einigen Paradigmen musiktheoretischen Denkens der 1920er Jahre by Felix Wörner

“…The increasingly ideologically charged music theoretical discourse of the 1920s is characterized by polyphony and contrasting positions. On the one hand, influential views emerge in interaction with current compositional tendencies; on the other hand, the effort to redefine conventional music-theoretical categories in terms of content can be discerned. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…The Poetics and Politics of Polyphony: Towards a Research Method for Interactive Documentary, Aphaville issue 15, Summer …”
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"He told me to hold my tongue" : de la violence physique à la subjectivation politique dans The History of Mary Prince by Frédéric Regard

“…I argue that it would be even more infesting to include Pringle himself in the play of this ’interval’ between Prince’s martyred body and her voice. The implicit polyphony of the History is its democratic signature; it also turns a simple testimony of inhuman treatment into a major literary artifact.…”
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The Fundamenta compositionis Jean Kuhnaus 1703. Edition, Translation, and Commentary by Frederik Kranemann, Derek Remeš

“…The Fundamenta is thus an excellent resource for historically informed analysis and composition at the turn of the eighteenth century, before thoroughbass accompaniment displaced vocal polyphony as the dominant pedagogical paradigm in compositional instruction. …”
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Polyphonic discourses in the Hong Kong press: a diachronic analysis of media attitudes towards the One Country, Two Systems policy by Qingyu Gao, Dezheng Feng William

“…Situated in the unique context of Hong Kong, the study sheds new light on the complex and diverse trajectories of discursive shift, which together constitute a “polyphony” of media attitudes.…”
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parody and women's discourse in Tahmineh's Story novel by Abdollah Hasanzadeh Mirali, Fatemeh Zamani

“…This article is trying to answer the question that how the intertextual relations of this work with Shahnameh have led to polyphony and women's discourse in Tahmineh's story novel. …”
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Displacement and Articulation Rhetoric in Sa'adi's Golestān by Omer Mohammad Saeed, Parsa Yaghoobi Janbeh saraei

“…Some of these cases, while creating diversity, contain the type of openness and polyphony, which help to draw the attention of listeners/readers. …”
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Josquin’s Motet “In amara crucis ara” in the Green Codex of Viadrina by Wojciech Odoj

“…Besides the works of such masters of polyphony as Brumel, Compère, Isaac, Senfl, Adam of Fulda, La Rue and Obrecht, the codex contains a tiny motet by Josquin des Prez: In amara crucis ara (fols. 224’–225). …”
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Im Niemandsland zwischen strengem Satz und Historismus. Zur Krise der Kontrapunktlehre im mittleren 19. Jahrhundert by Florian Edler

“…Heinrich Bellermann reacted to this multitude of problems by redefining the rules of vocal polyphony. He did so by reinstating modal fundamentals as the defining principle. …”
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The Polyphonic Structure of John Lyly’s Plays by Francis Guinle

“…Les pièces de John Lyly sont particulièrement intéressantes du point de vue musical, non seulement parce qu’elles comportent de nombreuses chansons, ce qui se comprend aisément puisqu’elles sont écrites pour une troupe formée des enfants de deux chapelles, mais aussi parce que l’on peut y discerner une polyphonie vocale constituée par les voix des différents groupes de personnages. …”
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Guerre, folie et écriture : la métaphorisation du trauma colonial dans Les jardins de cristal de Nadia Ghalem by Anissa Talahite-Moodley

“…En effet, ce roman fait remonter à la surface le trauma enfoui dans la mémoire collective de la guerre d’indépendance algérienne au moyen d’une structure narrative et de procédés textuels privilégiant la polyphonie. La dimension intertextuelle de ce roman souligne également la remontée vers la conscience de ce qui a été réprimé ou refoulé. …”
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Kompositorische Effizienz und dramaturgische Vielfalt. Der Fabelzusammenhang in der Filmmusik Ennio Morricones und die Beziehungen zu narrativ wirksamen Topik-Reihen by Robert Rabenalt

“…Dabei werden heterogene musiksprachliche Elemente integriert: portugiesischer Fado, klassisch geprägte Orchestermusik mit schlichter Polyphonie und vereinzelte Elemente der Neuen Konzertmusik. …”
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Nietzsche : un éducateur masqué ? by Julie Dumonteil


“…Les procédés littéraires variés (fiction, mise en scène, polyphonie du dialogue, intertextualité) qui sous-tendent son discours sont autant de jeux de masques dont use le jeune enseignant pour transmettre ses réflexions. …”
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