Contribution à une étude des constructions antéposées du type : « En homme intelligent et humain, il partagea tout de suite l'inquiétude de Marcel » (J. Verne) by Denis Vigier

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Das Eigene im Fremden. Kompositorische Postmoderne zwischen Verarbeitung einer Vorlage und ausgeprägtem Personalstil am Beispiel von Sven-David Sandströms Motette Lobet den Herrn by Stefan Vanselow

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Les enjeux interprétatifs de la prédication averbale dans un corpus narratif : énoncés nominaux et représentation fictionnelle de processus énonciatifs et cognitifs by Bernard Combettes, Annie Kuyumcuyan

Subjects: “…verbless sentence and polyphony (represented discourse and viewpoint)…”
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Finding a rhythm within by Jan-Albert van den Berg

“… Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard. In this regard, polyphony serves as the central metaphor in this article. …”
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“Kyrie paschale” in Polish Organ Tablatures from the First Half of the 16th Century – Problems of Style and Attribution by Grzegorz Kos

“…The article includes a proposed reconstruction of a hypothetical sequence of organ and vocal polyphony in which the organ modules preserved in the Polish tablatures are combined with the vocal segments of the Masses by Finck and Isaac. …”
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THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

“… In Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. …”
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Analyser le discours de presse by Alice Krieg

“…It is characterized by polyphony and by the selection and transformation of the statements it carries. …”
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The Requiem in the Age of Confessionalisation. A Review of The Book of Requiems vol. 2 by Simone Caputo

“…Burn and Antonio Chemotti, collects analytical musicological essays on Requiems composed between 1550 and  1650, drawing a comprehensive map of early modern polyphony for the liturgy of the dead, covering regions from Flanders to central Europe and from Italy to the Iberian Peninsula. …”
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Proverbs, commitment, and the evasion of responsibility by Damien Villers

“…This theory will be studied through notions such as polyphony or proverb duelling, and will be questioned through examples in which proverbs create tension intentionally or unintentionally, thus failing to disengage the speaker’s responsibility. …”
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Le journal comme palimpseste ? Une hypothèse sur l’hétérogénéité de la poétique flaubertienne dans Bouvard et Pécuchet by Laure Demougin

“…Despite this fact, and in addition to the claimed influence of the encyclopedia, the very functioning of the novel suggests a polyphony which may lead to a journalistic influence, for example when it comes to the succession of discoveries – which can remind us of the newspaper’s headings. …”
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Urbanisme de rattrapage, marquage territorial populaire et conflits d’odonymies dans les quartiers de Yaoundé (Capitale du Cameroun) by Gaston Ndock Ndock

“…This paper examines the sources and stakes of the conflict of referents in the naming of roads and neighbourhoods in Yaoundé. This observed polyphony is attributed to the coexistence of popular and official registers of urban production. …”
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Recordando o rei David: vivência coral e criatividade musical na Europa pós-carolíngia by Manuel Pedro Ferreira

“…Although referring both to pre-Carolingian mentality and to 16th-century humanism as mirrored in contemporary polyphony, it takes as its main object the liturgical repertory in existence around the 11th century. …”
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THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

“…A change in taste in the mid-18th century based on an appreciation for polyphony eventually determined the elimination of the basso continuo, the particularization of the voices and equalized the importance of the different instruments of the trio. …”
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Towards a contextual theology of conviviality: Tutu, Bonhoeffer and living musical metaphors by A.M. Coates, J. Kunnuji

“…Bonhoeffer’s metaphor of the “polyphony of life” is a product of his milieu and does not fully capture the conviviality implicit in his Christology (being-for-others). …”
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DIE MUSIKALISCHE ANALYSE DES WERKES „MYSTERIUM“ VON KISKAMONI-SZALAY MIKLÓS by Zoltán SZALAY

“…The analysis is based on a number of musical criteria: scales, musical systems (including folk scales, tonal scales, hexatonic and Bartók-style models), melody lines, themes, polyphony, harmony, form, symmetry and rhythm. …”
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Pukka English and the Language of the Other in E. M. Forster’s A Passage to India by Catherine Lanone

“…Echoing foreign words become a pocket of rhythm and sound, the very matrix of a meaning that escapes colonial discourse and points towards a polyphony that remains pregnant with meaning.…”
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Chercheurs en interaction avec le terrain corse by Catherine Herrgott

“…This second phase of collecting, to which I associate the studies on Franciscan sacred polyphony compiled by Marcel Pérès (1996) and the work of the Italian ethnomusicologist Ignazio Macchiarella on falsobordone (1995), lasted some thirty years until the early 2000s and was marked by a strong male pregnancy among both researchers and practitioners/collectors. …”
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History and Memory in the Novels of Gabriela Adamesteanu by Roumiana L. Stantcheva

“…The study shows that Adamesteanu’s thematic polyphony reveals the individual memory of the characters as a testimony of the public memory of separate groups, some of them sharing a more modern worldview, while others preserving traditional stances. …”
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The Roaring Streets: Dickensian London in the Pages of Virginia Woolf by Francesca Orestano

“…This article focuses on Woolf’s portrayal of Victorian urban life in her fiction, especially in The Years (1937), where London sounds are everywhere present and deployed to create the polyphony—an exciting cacophony in modernist terms—of the great city. …”
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Writing (at) the End: Thomas Pynchon’s Bleeding Edge by Brian Chappell

“…Referring to Peter Rabinowitz’s theory of endings, this essay argues that at the conclusion of his novels, Pynchon takes on a voice that speaks more urgently than the pluralism and polyphony that permeate his pages. This move from noise to clarity is a move from spiritualism to spirituality. …”
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