Cognitive analysis of conceptual metaphor and its types in discourse of Shahrnūsh Pārsipur’s The Dog and the Long Winter based on the theory of Fauconnier and Turner by Parvin Gholamhosseini, Parastoo Karimi, Hamidreza Ghanooni, Jahangir Safari

“…Contemporary novels, including Shahrnūsh Pārsipur’s The Dog and the Long Winter (Sag va Zemestan Boland) are more appropriate and opt to be viewed from this theoretical point, due to their metaphorical language and the proximity of their language to the metaphorical pole; they are free from the limitations governing some formal types of literature such as classical poetry and technical prose. The current research is a theoretical in the sense that it is library-based and the data is investigate via the descriptive-analytical method. …”
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Development of Stylistics and Rhetoric in Lithuania by Irena Smetonienė, Marius Smetona

“…On the Art of Good Thinking Necessary for Good Speaking] by Stanislovas Konarskis, “Apie iškalbą ir poeziją” [On eloquence and Poetry] by Pilypas Nerijus Golianskis and others. …”
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Où étiez-vous le 11 septembre 2001 ? by Jean-François LEGAULT

“…», Alan Jackson’s country song « Where Were You (When the World Stopped Turning) », the Wherewereyou.org website and various occurrences in anthologies of fiction and poetry (Ulrich Beck’s 110 Stories and William Heyen’s September 11, 2001 : American Writers Respond), as well as novels (William Gibson’s Pattern Recognition). …”
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The Art and life of Alàgbà Fálétí – A Pic torial, Art and Artifacts Exhibition in Honor of Alàgbà Adébáyọ̀ Fálétí (1921- 2017) curated by Akinsola Adejuwon and Seyi Ogunjobi... by Akinsola Adejuwon

“…Fálétí’s intense dedication to the promotion of the Yorùbá ọmọlúàbí cultural ethos and his deployment of his God-given talents and acquired capabilities in the promotion of Yorùbá literary and visual arts, history, poetry, orature, cinema and indeed 1 This is a review of the 2-week pictorial, art and artifacts exhibition in Honor of Alagba Adebayo Faleti in 2017 at the Institute of Cultural Studies, Obafemi Awolowo University, Ile-Ife, Nigeria, curated by Akinsola Adejuwon and Seyi Ogunjobi.    …”
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S’unir au Prophète. L’expérience matérielle, esthétique et dévotionnelle du Dalā’il al-Khayrāt au Maroc. Approches codicologique et anthropologique by Hiba Abid, Anouk Cohen

“…The Dalā’il al-Khayrāt is part of a well-known tradition of devotional literature in Morocco, available in various genres devoted to the Prophet, such as poetry or collections of prayers and invocations.In these texts, drawn essentially from the Hadiths, prayer for the Prophet is presented as the means par excellence for the one praying to invoke the presence of Muhammad, and to benefit from his power of protection and, above all, his function of intercession on the day of the Last Judgement. …”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…Lacking the economic resources for such a luxury of patriarchal imagination, black nationalist practice most frequently resorts to more figurative embodiments of the gigantic feminine in art, poetry, song, and dance.Gaines’s gigantic female who voices and embodies black American epochal and epical history, Miss Jane Pittman, is cast as novel and film (1974) at the height of the black nationalist moment, when metaphorical she/males emblematizing the masculine heroism of black nation-building are proliferating all over the place in black popular culture. …”
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“Ethereal Journeys” of a Wanderer in William Cowper and Yahya Kemal Beyatlı by Şafak Altunsoy

“…Then, the study elaborates on the significance of the recurrent images related to home and evening since the concept of ‘home’ serves as a powerful metaphor, representing the coexistence of opposite realms in the poetries of Cowper and Beyatlı. Similarly, the transitional moment of evening symbolises the gradual shift in the speakers’ perception as they navigate between different imaginary spaces through observation and imagination, which creates the idea of journey/ wandering and a constant desire for searching in the poems by the two poets. …”
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