Modlitwa i gestyka religijna w poezji Jesienina by Jerzy Szokalski

“…The theme of this essay is to present some religious practices in the lyric poetry of Sergei Yesenin, especially the rites of the Orthodox Church along with many accompanying manifestations of the spiritual life and all kinds of gestures (mostly very distant) associated with the sphere of human religiosity. …”
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La scène traumatique de Sarah Kane by Élisabeth Angel-Perez

“…Finally, her latest plays essentialize her ash-poetry by exploring a theatre of paradox : trauma pierces holes in the fabric of life and obliteration is all there is to see onstage.…”
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Écrire et intervenir en scientifique queer de couleur : une épopée des réseaux by Marc Jahjah

“…This article sketches out a number of avenues, linking theory, narrative, ethnography, fiction, poetry and the literary arts to discover new personal and collective resources. …”
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Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk by Daniel Jean

“…As a part of his agenda for reinventing Verse Drama for the contemporary stage, which he set out on in wake of WW2, Eliot presented the play as an attempt to make verse acceptable on the stage by using a fashionable form of drama, and by leaving out all poetry. This paper proposes to read the play - irrespective of its author’s prescriptions - as an attempt at underling, by the way of verse as an efficient element of metatheatrical discourse, the very artificiality of theatre.…”
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Tony Lopez : le retour du réel by Helene Aji

“…Tony Lopez’s poetry is to be inscribed within the context of Postmodernist interrogations as they were shaping up in the late 1990s around the notions of merchandisation, consumerism, the lessening power and meaningfulness of the signified through the intense circulation of signifiers. …”
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Articulating Cognitive Schemas and Metaphors of Motion in the Poem Mosafer of Sohrab Sepehri by Zohreh Niksiyar

“…One of these schemas is the motion schemas that the present study examined in Sohrab Sepehri's poetry. The results indicate that the symbolic and mystical poem "mosafer" is full of abstract themes and is a general schema of the concept of travel. …”
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Juliette Dissel (1902-1962) : la passion du théâtre occitan by Joëlle Ginestet

“…Guided by two mentors, abbot Salvat from the Collègi d’Occitania and Armand Praviel a journalist, book reviewer and Jòcs Florals Academy maintainer, she used to perform during occitan poetry shows and was mainly known for his moving « poems recitation ». …”
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A Shared Passion for Nonsense: Laura E. Richards and Margaret Atwood by Michaela Keck

“…Yet where Richards purportedly relates her children’s poetry to the domestic sphere as the proper site to express nonsense and wields it as a creative educational practice, Atwood’s fiction self-reflectively insists that nonsense constitutes a powerful political instrument and weapon in and beyond the nursery.…”
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Textes savants et pratiques numériques : le projet Poésie biblique latine antique et médiévale (PoBLAM) by Bruno Bureau, Inès Burri

“…Although all the projects deal with a common subject, Latin and medieval biblical poetry, we had to adopt very different approaches because of the differences in their nature: they are in fact a hypertext, a scholarly edition and a database. …”
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Ọ̀rọ̀ Lẹyẹ ń Gbọ́! A Deserving Tribute to Alàgbà Adébáyọ̀Mosọbalájé Ajíbádé Àkàndé Fálétí (Ọdẹ Àdàbà) by Félix Ayoh’Omidire

“…On the whole, Adébáyọ Fálétí was recognized as a singular man of culture ̀ whose imprints in the sand of the Yorùbá cultural terrain have forever become indelible, thanks to his intense dedication to the promotion of the Yorùbá “ọmọlúàbí” cultural ethos and the use of his God-given talents to promote Yorùbá history, poetry, orature, cinema and the Arts in general. …”
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Évanescence du joi et joie de l’évanescence : éthique et esthétique courtoises dans le Roman de la Rose de Jean Renart by Corinne Cooper

“…However, the experience of joi, which is at the heart of the love poetry of the troubadours and of the theme of love from afar, seems singularly absent from this fairy-tale-like novel. …”
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Le personnage de la Finlandaise dans le récit Parmi les falaises (1924) de Maria Boretskaïa, au prisme de la tradition littéraire by Olga A. Simonova

“…The second, which is much more ephemeral, is the representation of the Finnish woman associated with nature, as in the poetry of the Romantics and Symbolists. In her story “Among the Cliffs” (1924), the Bolshevik writer Maria Boretskaya created a Finnish female character free from these connotations. …”
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RHYMING WORDS IN XUAN DIEU’S POEMS OF LOVE by Đặng Thị Lành

“…Therefore, reduplication is considered an effective means of expression in literature and art, especially in poetry. Each writer or poet has his/her own ways of using reduplication, which forms the writer’s uniqueness and creativity in word forming. …”
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Escrituras femininas de l’après 68 : Rosalina Ròcha by Maria-Joana Verny

“…This article focuses on one of them, Roseline Roche, author of several collections, first of poetry and then of prose, and talented editor of the literary review Jorn, before taking refuge in silence, discouraged by the lack of criticism of her texts. …”
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Maria Zambrano et Ramon Xirau : une certaine France, bergsonienne, dans les valises de deux philosophes républicains espagnols by Ricardo Tejada

“…In both Spanish figures, Bergson allows them to "probe the mysteries of life, mysticism and poetry, while having a combative and rebellious ethics".…”
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Anna Akhmatova in the Perception of Lithuanian Prose Writer, Translator Juozas Tininis by Aliona Sofia Ivinskaia

“…Tininis identified the stages of her creative evolution and thus brought the Lithuanian reader to one of the important features of her poetry: cyclization. A cursory analysis of Tininis’ translations of Akhmatova’s poems indicates that the Lithuanian author chose for translation those poetic fragments that, in his opinion, illustrate the main feature of Akhmatova’s style: laconicism in revealing the complex emotional world of a person. …”
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« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » by Laurence Estanove

“…Through a series of embedded effects, Hardy's dramatic monologues thus become « theatres of the voice » (Henri Meschonnic), showing that Hardy's poetry truly signals the transition from Victorian literature to Modernism.…”
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Le corps-écriture dans l’œuvre de Franz Kafka et du premier Henri Michaux by Isabelle Benguigui

“…This study seeks to define how contemporary French poetry has appropriated Kafka’s literary legacy, as Michaux himself claimed to reconnect the ills of body and soul with the resources of poetic expression.…”
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“I am air and fire...”: On the Interpretation of Anna Akhmatova’s Poem Cleopatra by Galina Mikhailova

“…This article suggests focusing on the literary sources of the poem (Shakespeare’s tragedy Antony and Cleopatra and Horace’s ode), exploring Akhmatova’s working notes, different versions of the lyrical heroine in her poetry, as well as the reproduction of her image in poems dedicated to her, testimonies of memoirists, essays, and philological observations of Akhmatova’s contemporaries. …”
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Variable factors in literary critical evaluation (on the examples of selected literary critical polemics from the 1930s and 1940s) by Martin Makara

“…These include Hmly na úsvite (Mists at dawn, 1930) by Milo Urban, Kus cukru (A lump of sugar, 1934) by Peter Jilemnický, Cesta zarúbaná (Blocked road, 1934) by Fraňo Kráľ, Kamarát Jašek (My friend Jašek, 1937) by Dobroslav Chrobák, and the poetry of Slovak Nadrealism.…”
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