Investigation of phonological and lexical balance in Anvari's sonnets by Vahid Alibaygi sarhali, Omolbanin Nikkhahe Noori

“…The music of poetry is one of the most beautiful and appealing elements of poetic texts, which is found in Anvari's sonnets, which is accompanied by repetition and balance. …”
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Tone, the driving force in Qaisar Aminpour's Ashura Elegies by Seyed Mehdi Mousavi nia, Gholamreza Kafi

“…Elegy has always been a popular genre, especially in poetry. This type of composition, due to its special subject matter, has special features and crafts to convey the message and relate to the audience. …”
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Tsalsol /Chain Rhyme by Elham Zadafshar

“…As a rhetorical device, the interlocking or chain rhyme which is called Tasalsol in Persian poetry, can be observed in both verbal and conceptual continuity of verses. …”
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Hardy, Galileo and the Art of Transgression by Nathalie Bantz-Gaszczak

“…His short stories and his poetry were no less daring but, as less widespread genres among the general public, they attracted less attention and his poetry suffered no censorship. …”
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Ovid Among the Floating Garbage: Derek Mahon on Recycling and Exile by Peter Kelly

“…In the works of both Ovid and Derek Mahon, we encounter deeply entangled or rhizomatic poetry with multiple points of entry and departure. …”
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The rhetorical aspects of the syntactic element of interjection in the poems of Akhavan_sales by Nasser Alizadeh Khayyat, Azam Roohi Kyasar

“…By examining the structureshighlighted in the poetry of the Akhavan as well as examining the emotions on them, one can receive the intensity of his interest or hatred towards the subject.…”
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Le jardin Mallarmé : « les fleurs d’abord » by Virginie Pouzet-Duzer

“…It shows that one of the evocative aspects of Mallarmé’s poetry has to do with the disappearance of these gardens, while flowers and bunches of flowers flourish.…”
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‘Wisdom is a gift given to the Wise’: Florence Farr (1860–1917): New Woman, Actress and Pagan Priestess by Muriel Pécastaing-Boissière

“…Farr’s method was inspired by her Golden Dawn rituals, when she already combined poetry and contrapuntal music, according to the theory of harmonic convergence. …”
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Analysis of Lexical Balance in Sana'i Sonnets by Omalbanin Nikkhahe noori, Mostafa Salari, Behroz Romiyani

“…Application of vocabulary redundancy in an artistic way in prosodic texts causes disorder in poetry. This factor (vocabulary redundancy) raises the issue of vocabulary equilibrium which is quite remarkable in Sana'i sonnets. …”
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Cohesion in Moghanehee Distiches of Khaghni and Hafez Based on Halliday’s Systemic Functional Theory by Tahereh Babakhani, Ali Heidary, Masud Sepahvandi

“…This text based approach possesses various tools in order to demonstrate cohesion in the text to transfer the connotation in speaker/writer’s mind which is considered as independent variable in this study, whereas the impact of Khaghani on Hafez in literal and meaning to create inner and outer structure of Moghanehee (a type of love poetry) has been chosen as dependent variable. Khaghani (1140-1215) was one of the most important poets had written Moghanehee poetry after Sanaee( 1094-1166) and Attar(1121-1239) and prior to Mawlavi (1270- 1339) and Hafez(1348-1413). …”
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Writing papers: literary and scientific by Kun Hwang

“…For William Carlos Williams, practicing medicine and writing poetry were two parts of a single whole, not each of the other. …”
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Odia Ofeimun at 70: The Poet Ages by Toyin Falola

“…Odia, who among us does not know that before the arrival of thunder there is rain? You are the food of poetry that erodes their madness and wipes their lies. …”
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Examining the magic of proximity in Shafi’i Kadkani’s A Mirror for Sounds by mina zadkhoot, Heydar Hasanloo, nazhat noohi, Hosein Arian

“…In addition, the most literary use of "magic of proximity" in poetry, after alliteration, is to induce feelings, and the magic of proximity has an effective role and a high position in shaping and strengthening the inner music of Shafi’i Kadkani's poems.…”
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Ion Pillat descoperă Balcicul by Carmen Brăgaru

“…At a certain moment the town of Balcic compelled recognition in the gallery of blessed spaces for Ion Pillat’s poetry. Nevertheless the posterity knows only few details about the poet’s life and work there. …”
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Las Leys d’Amors. Redazione lunga in prosa, edizione critica, a cura di Beatrice Fedi, Firenze, Edizioni del Galluzzo per la Fondazione Ezio Franceschini, « Archivio romanzo » 35,... by Walter Meliga

“…Leys d’Amors, troubadours, occitan lyrical poetry, Toulouse, Concistori de la Gaya Sciencia de Tholoza…”
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Orfeo y Dionisos en el origen de la poesía en María Zambrano y José Lezama Lima by María Carrillo Espinosa

“…Based on a clear rejection of Aristotelian logic, both propose a return to the mythical world through Orpheus and Dionysus. For both of them, poetry is due to Orphic rituals, such as the descent into the underworld, the Dionysian inebriation and the creation of transient images.…”
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„Ближайшая станция европейской культуры…”: полонофилия 60-х годов by Kristina Vorontsova

“…The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev, Boris Dubrovin and Emil Janvarev’s poetry. The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds).…”
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Как научиться не писать стихи (текст-перформанс) by Pawel Arsen‘ev

“… How to learn not to write poetry This text is a free and intradiegetic interpretation of what took place at dusk on the 15th of February in the city of Giessen, in the German federated state of Hesse, at one of the last conferences of Slavists on the very brink of the pandemic era. …”
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Bouées, portulans et cartes en TO : L’idéal cartographique dans les Maximus Poems de Charles Olson. by Vincent Bucher

“…For Charles Olson, places represent an ideal foundation for his poetry in so far as they free it from ego, history and nature by virtue of their being the compound of social and environmental forces. …”
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Écritures, espaces et imaginaires cubains depuis l’exil by Michèle Guicharnaud-Tollis

“…Based on various texts (autobiographies, testimonies, poetry and fiction novel), we will study how the Cuban writers consider their own exile, then the use of different literary strategies which they implement to conceal or, on the contrary, to reveal the emergency of their new wandering and « transcultural » identity.…”
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