From Bestial to Human: Neo-Mythological Reinterpretations of the Image of Delilah in Russian Literature at the Turn of the 20th-21st Centuries by Nataļja Šroma

“…The article examines one of the eternal images of the world culture in a diachronic aspect, namely the interpretation and reinterpretation of the image of Delilah in Russian literature, primarily in poetry, from the 19th century to the present day. …”
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The paradoxical simile, A stylistic feature in the poems of Seyyed Hasan Hosseini and Qeysar Aminpoor by Sayyed Ahmad Parsa, Behnam Bastami

“…The poetry in sixties has some certain features because of the socio-political environment, and especially the war. …”
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‘Je n’ai rien à dire. Seulement à montrer’ : le travail photographique et poétique de Natalie Czech by Vanessa Desclaux

“…This text introduces the work of German artist Natalie Czech, whose visual practice stages a meeting point between photography and poetry. For several years Czech has invited spectators to share her affection for the poetic texts that she appropriates. …”
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Autour de Christine de Pizan : entre lyrisme courtois et engagement politique by Claire-Marie Schertz

“…Each of them belongs to a different literary genre (lyric poetry, allegorical poetry, epistolary genre and didactic treatise). …”
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Rumi and Adding "-i" Suffixes to Words Ending in the [i] Vowel by Hamidreza Tvakkoli

“…Although there has been a tendency to avoid this phonetic occurrence, Dari Persian has shown evidences of this phenomenon for a long time. In Rumi's poetry, these pieces of evidence are abundant and appear more as forms of defamiliarization that show distinction and emphasis. …”
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Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? by Sara R. GREAVES

“…The second part of the article deals more specifically with Auden, and the text is discussed in relation to Auden’s poetry as a whole as a rewriting of Dante’s Inferno, including his system of ‘contrapasso’ in the treatment of sinners, thereby shedding light on the poet’s quest for a language of (spiritual) healing. …”
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« A Woman’s Answer » : Adelaide Procter et la poésie face au genre by Fabienne Moine

“…Converted to Catholicism in 1851, Procter, as a Tractarian, uses her poetry, both religious and feminist, as a weapon against the construction of political and poetical patterns. …”
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Po drugiej stronie słowa: granice języka, który nie jest granicą świata by Bogusław Jasiński

“…Meanwhile, on the example of Homeric poetry and the songs of Psalm 29, we examine how the word can be at the service of being. …”
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Blütenmeere jenseits naturalisierender Literaturgeschichte by Jonas Hock

“…In his book Epochen der italienischen Lyrik (Epochs of Italian Poetry, 1964), Hugo Friedrich presents Mannerism as a clear decline from the previously effective classical principles, thus largely following a paradigm of decline that his Structure of Modern Poetry (1956) seems to oppose. …”
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Comparing musical ambiguity in Hafiz's poem with two same-style previous poets; Khajou and Amir Khosro by saeed ghaseminia, esmat esmaeili

“…For this purpose, first we have extracted musical ambiguity of the three Divan, then we have separated mutual ambiguities and have written brief description of semantic and structural features of each of them, and by doing so, we have demonstrated that hafiz in his feature style, has paid special attention to khajou's poetry and Amir Khosro's Poetry.…”
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Deviation in Bidel Dehlavi`s lyrics based on Leech`s pattern by Mahdai Sharifieyan, Mostafa Mortezaei

“…Deviation is a remarkable provision to defamiliarity and prominence in the poetry which the ports have used. Bidel has used this provision and theme in his poetry. …”
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Another Life (1972), de Derek Walcott, ou les lettres du mal-voyant by Kerry-Jane Wallart

“…These verses of an unfit seer quickly veer towards a tribute paid to a genre, painting, which is not so much opposed to poetry as made to echo it through graphics which, in Rimbaldian fashion, take on colours.…”
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The Harmony of Meter and Emotion in the Odes of Anvari Abivardi (With a Look at the Poems of His Master, Abol Faraj Runi) by Maryam Khalili Jahantigh, Mohammad Barani, Leila Shakibaei

“…The use of the above cases in Anvari’s poetry has led to the rise of emotions in both individual and social aspects, giving his poetry the opportunity to get out of the shadow of pure imitation and praise. …”
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سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة) by Baraa Khaled Hilal

“…The expected outcomes of the study includes but not limited to, continuation of the traditional form of the poetic ego in modern poetry, and emergence of new forms of the poetic ego weak female ego.   …”
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سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة) by Baraa Khaled Hilal

“…The expected outcomes of the study includes but not limited to, continuation of the traditional form of the poetic ego in modern poetry, and emergence of new forms of the poetic ego weak female ego.   …”
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The Role of Lyrics in Estonian Literature: Three Exemplary Cases by Anneli Niinre

“…These also represent three ways a text can function: “Mu isamaa on minu arm” was first written and published as a poem and later set to music; The Last Relic represents a case where texts were initially written as lyrics and later published in a collection of poems; “Song of the Northern Land”, by Enn Vetemaa, was meant to be and has remained a song and has not been included in poetry collections. …”
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Decoration, Deviation, and the Selected Edition: Some Poems of Lionel Johnson (1912) by Jeremy Valentine Freeman

“…By radically abridging the collected writings of Johnson and distilling them into a marketable form, Mathews constructs particular ways of reading the poetry book of the fin de siècle and of creating a poetry book that could function as a seductive short encounter for the reader. …”
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Nominals with zero suffixation in Anna Akhmatova's early poems by T.A. Korneyeva

“…Particular attention was paid to the role of nominals with zero suffixation in the poetic space organization of two poetry collections: “Evening” (‘Vecher’) and “Beads” (‘Chetki’). …”
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A Critique on the Book Nargesi Abhari’s Divan Correction by Ali Jalali

“…Sometimes spelling mistakes also prevent Nargesi poetry from being understood. The present article points out the weaknesses and errors of this correction and points out the need to revise it in another edition.…”
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The Rhythem of Prose in Beyhaqi's History by قدسیه رضوانیان, مرضیه حقیقی

“…Rhythmic prose is seen evidently in Khaje â Abdollah â e â Ansari's Monajat Nameh and Sa'di's Golestan and other rhymed prose, that in there, rhyme and other abstract and verbal elements promote prose to poetry. But Beyhaqi's history isn't like them although it also uses from these elements. …”
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