Cesta pekelného notáře z Mexika do Kuksu by Pavel Štěpánek

“…The tradition continues till the end of the 19th century, as we can see by the mutilated expressions of that name in the poetry (documented in Beethoven and, after all, Heine) and even in the Bohemian Glass. …”
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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…According to the classic formulation of Johan Huizinga’s Homo ludens (from 1938), culture itself would derive its fundamental features from the elementary structure of play. To him, poetry, law, war, music, religion and everything we regard as serious, sacred and respectful derive at some level from ancient sacred games, and still keep their elementary features. …”
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“God’s Grandeur” by Gerard Manley Hopkins. A Poetic Path into the Depths of Contemplation by Marcin Godawa

“…The present paper concerns the question of how Christian contemplation, in the sense of a simple loving gaze on God and His works, could be prepared and supported by poetry by using the properties of poetic speech in the field of semantics, syntax as well as sound effects. …”
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After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

“…In this article, I first analyze the primordial link between lyric poetry and trauma, existing from the Greek origins of the genre. …”
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Transparency, Translucency, and Obscurity in the Victorian Monologue by Jean-Charles Perquin

“…In other words, the reader reconstructs the speech in the back of the voiceless listener’s mind, thus adding to the natural difficulty of poetic language. If poetry rests on the maximal use of the possibilities of language, the genre of the dramatic monologue adds to that condition the indirection of speech, i.e. the fact that the addressee has to miss the message the reader has to understand in order to build an intricate mesh of misunderstandings. …”
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Une grammaire occitane jamais publiée : La Gramatica Auvernhata de Benezet Vidal by Jean Roux

“…Disciple of the College of Occitania he promoted and diffused the spelling developed by Estieu and Perbosc in this province. Besides novels and poetry, he devoted himself to the writing of two two works with pedagogical aims, Lo libret de l’escolan auvernhat (the booklet of Occitan schoolboy) published in 1936 and a Gramatica auvernhata (Auvergnate grammar) written in 1943 but never printed. …”
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Vivimos en una noche oscura ou la voi(e)x de la révolte chez César Muñoz Arconada by Claude Le Bigot

“…However, Arconada did not adopt the style of proletarian poetry. By choosing the long verse form, he gives his speech an unprecedented epic breath, anxious to bring language revolution and social advancement together.…”
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TEXTURE OF THE GENRE “VÈ” by Triều Nguyên

“…At the same time, the author of this paper also compares the structure of “Vè” to that of some other types of narrative folklore (such as poetry, “Trạng” stories, fables, etc.). Today, there is limited research about “Vè”, so the problem that this paper addresses will be quite useful, and it is important to learn more about this genre.…”
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Au rendez-vous allemand (1) by Agnès Bouvier

“…Herder’s History of Hebrew Poetry, published in 1783, was translated in 1845.  …”
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THE PHENOMENON OF “SIMULACRUM” IN THE WORKS OF TITUS LUCRETIUS CARUS by Mariia A. Oleshchenko

“…It was illustrated by the author of article, that the poetic work "On the Nature of Things", not just a poetry, but also deep philosophy and naturalistic system. …”
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Peut-on lire Only Revolutions de Mark Z. Danielewski ? by Alexandre Palhière

“…While shedding light on the relations between myth, history and story within the crucible of poetry, Mark Danielewski also seems to renew this questioning thanks to his use of technological progress, the multiple possibilities it has given allowing him to redefine the link between the writing and reading processes.…”
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Translating Merwin: Navigating Nature, Place, and the Apo Koinou by Helmbrecht Breinig

“…The paper emphasizes the need for retaining the semantic and philosophical openness of Merwin’s poetry but also the importance of following the various thematic focuses and formal features of his later works, notably in The Shadow of Sirius. …”
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Midiologia, linguagem e poesia by Luciano Barbosa Justino, Simone Dália de Gusmão Aranha

“…However we believe this necessity – although altogether critical – must be con- nected with a reflexion over the technical processes that have directly influenced literature throughout the centuries it has existed. We also think that poetry, main- ly because it has dialogued on a non-stop basis with such processes, has much to tell us about what we hold, following the track of Régis Debray (1995) and Lévy (1997), to be the three ages of intelligence, centered on voice, writing and on digi- tal video.…”
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CORNEL ŢĂRANU – VALENTIN STREINU: MUSICAL-POETIC CONNECTIONS by Ciprian Gabriel POP

“… The present article offers a brief overview of the ways poetry is mixed with music in the work Saturnalia (Romanian: Saturnalii) by Cornel Tăranu. …”
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"Under Ben Bulben" : la montagne chez W.B. Yeats ou la rencontre du moi et du Soi by Michel Dufour

“…Though it is not generally considered one of Yeats’s main symbols, the mountain occurs frequently in his poetry, particularly in the last poems. By focusing on “Under Ben Bulben”, Yeats’s concluding poem, and by comparing various mountains in Yeats’s work – Oriental and Western, Italian and Irish – this article analyses the mountain as the place where the ego encounters a wider psychological dimension, the (Jungian) Self. …”
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Sana’a and Women in Al-Maqalih’s Book of Sana’a Yemen by Muhammed Jubran AL-Mamri

“…This study finds that Sana’a is metaphorically used by Al-Maqalih as poet’s beloved, as Ageless (Eternal Beautiful woman) and as a revolutionary and fighter woman, as Eve the wife of Adam (Ghaiman), the mother of poets and poetry, as a nymph, and an older woman. …”
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Caliban’s Cave: Theatre’s Scandalous Ethics by Liza Kharoubi

“…Turning the Platonic allegory inside out, I envision Theatre as Caliban’s Cave rather than Prospero’s cell, giving precedence to the slave over the master, to the poetry of shadow over luminescent power. I argue for a philosophy of the Cavern, an attempt to think from the shadows, for which theatre provides a reliable prototype. …”
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L’Émergence de l’esthétique photographique par Viollet-le-Duc et Ruskin by Arnaud François

“…In images, one finds that photography represents a praise of matter and of previous life. This poetry is also integrated into a structure of perception corresponding to photography: 1. the fragmentation of space, 2. the incarnation of the point of view by the dark room, 3. the urban condition of the building’s vision, 4. the homogeneity of the details and the photographic grain. …”
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İBN KUTEYBE (v.276/889) VE TARİHÇİLİĞİ by M. Bahaüddin Varol

“…His books contain numerous sciences such as language, dictionary, poetry, Qur’an and Hadith as well as Islamic jurisprudence and history. …”
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“A Made Up Thing” Full of Depth: The Queer Belonging of Robert Duncan and New Narrative by Robin Tremblay-McGaw

“…This essay argues that Robert Duncan’s conception of his poet self as “a made up thing and at the same time a depth in which my being is” from The Years as Catches links his poetics to his sexuality and that Duncan, at the center of the San Francisco Bay Area “poetry wars,” becomes a source of grand permission in “queer belonging” for New Narrative writers, specifically Robert Glück and Bruce Boone. …”
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