Composed for Solo Guitar or String Orchestra? The Fluid Incarnations and Pedagogical Opportunities of Wallace Stevens’s The Man with the Blue Guitar by Bart Eeckhout

Subjects: “…American modernist poetry…”
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(im)Material Geographies: From Poetics of Terraforming to Earth Scripts by Tymon Adamczewski

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‘Gay Strangers’: Reflections on Decadence and the Decadent Poetics of A. Mary F. Robinson by Ana Parejo Vadillo

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Quest Narratives and Heroine Journeys: the road to freebirth and the joy of undisturbed physiological birth by Gemma McKenzie

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Langston Hughes chez Pierre Seghers : récit d’un engagement poétique by Annick Ettlin

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La reescritura prismática del orfismo y sus dimensiones en la poesía de Carles Riba, Agustí Bartra y Josep Sebastià Pons by Marta López Vilar

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« Les Arcadies de Sir Philip Sidney et de Tom Stoppard » by Anne-Valérie Dulac

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Iraklı Şair Ma´rûf er-Rusâfî’nin Gözünden Hülâgû’nun Bağdat İstilası by Adnan Arslan

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A poesia das autoras negras doslam: escrever e viver by Ana Paula Macedo Cartapatti Kaimoti

Subjects: “…slam poetry…”
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Mahremî’nin Şehnâme’sinde Mardin Kalesi’nin Fethi by Esma Şahin Öztaş

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La écfrasis en el Libro de Alexandre, un proyecto de edición digital para el estudio de la poesía clerical castellana del siglo XIII con minimal computing by Gabriel A. Calarco

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“All the strains / Criss-cross”: Irish Memory and the First World War by Fran Brearton

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Elements epics dins l’eglòga ? Garros, Ader, Fondeville by Philippe Gardy

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De quauques ambigüitats dens lo Calvinisme de Bearn de Fondeville by Jean-François Courouau

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Introduccion by Jean-François Courouau

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Le Béarn, terre d’expérimentation de la Révocation by Philippe Chareyre

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Expressões retóricas do amor no Cancioneiro Geral de Garcia de Resende by Geraldo Augusto Fernandes

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Lo protestantisme vist per Fondeville by Philippe Martel

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Lo Calvinisme de Bearn : de pleiteis a intermèdis, un jòc non acabat by Patricia Heiniger-Casteret

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Robert Duncan’s Long Poem Debates and his Poetics of Grand Collage by Rachel Blau DuPlessis

Subjects: “…20th century United States poetry…”
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