Evolution of Radif (identical ending syllable) in Couplet Poem Based on Literary Types by Mahdi Dehrami

“…In different literary genres, use of the identical ending syllable is different. In the lyric poems, Poets used less than mystical poem.…”
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Image Creation Methods in Children's Poetry of the 1990s in Iran by Alireza Emami, Narjes Moghimi

“…The result of this research indicates that, in the children's poetry of the 90s, the poets have most used repetition, both in form of alliteration and word repetition), followed by proportion, contrast and description. …”
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Existential Anxiety in connection with Gothic Aesthetics in Forūgh Farrokhzād's Poetry by Ghodsieh Rezvanian

“…Forūgh Farrokhzād is one of the few controversial poets in Persian literature whose depth of thought has not been thoroughly explored because of being a woman and presenting a critical and rebellious new face of a woman with "inky fingers". …”
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The Pathology of Aljmea fi Tarikh Alarabi Alhadis by farhad Rajabi

“…From the very beginning, the study of scholars, poets, and writers’ lives and keeping written records of their literary works and commentaries were considered the first steps towards literary historiography. …”
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"Mulâtresses pionnières : trois autrices martiniquaises d’avant la Négritude" by Roger Little

“…Encore moins les autrices qui l’ont précédé : Drasta Houël, poète (Les Vies légères, 1916) et romancière (Cruautés et tendresses, 1925), et les cousines Suzanne et Renée Lacascade, autrices respectivement des romans Claire-Solange, âme africaine (1924) et L’Île qui meurt (1930). …”
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The Role of Iranians in Emergence of Arabic Prosody by احمد امیدوار

“…In this study the issue has been examined independently and it has been concluded that many poems have been written by Iranians before the invention of Arabic prosody and they were familiar with the rules of poetic rhythms, and Khalil Ibn Ahmad either has been directly influenced by the Iranians due to the fact that there were many Farsi speakers in the places such as Basra and Khorasan where he lived in, and also because of his relationship with Iranian scientists such as Ibn Muqaffa, or he was influenced by them indirectly as it can be examined in the field of learning poem industry from Iranians, and writing poems like theirs. Also, the Arab poets have learned some of the Specific meters of Persian poetry and Khalil has studied these poems and meters, and he has introduced them in prosody science.…”
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Hyperperformer le stéréotype : l’écriture d’une scène de sexe dans The Compleat Purge de Trisha Low by Anne-Lise Solanilla

“…It is emblematic of the way in which North-American post-conceptualist poets have seized their conceptualist heritage: they appropriate the words of others in order to reproduce them, to copy them, to pastiche them, in an impure way. …”
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Hopkins in the Age of Maxwell by René Gallet

“…Hopkins s’en prend plus à l’épistémologie idéaliste illustrée, selon le poète, par Tait, qu’à la pensée davantage matérialiste d’un Tyndall. …”
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Hopkins in the Age of Maxwell by René Gallet

“…Hopkins s’en prend plus à l’épistémologie idéaliste illustrée, selon le poète, par Tait, qu’à la pensée davantage matérialiste d’un Tyndall. …”
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Clash of Past and Present: Production of Historical and Representational Spaces in Oscar Wilde’s Poetry by Emre Çakar

“…Within this framework, it can be said that Wilde is one of the leading poets who shaped the fin de siècle poetry. In this study, French thinker Henri Lefebvre’s (1901-1991) theory of space is applied to discuss the function of space in Wilde’s poetry. …”
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May Sinclair’s Literary Criticism: A Commitment to Modernity by Isabelle BRASME

“…A prolific novelist, Sinclair also wrote extensively on ways in which literature could participate in the modern movement, from the Brontë sisters to the Imagist poets, and is perhaps best known for first applying William James’s metaphor of the “stream of consciousness” to literary technique in her analysis of Dorothy Richardson’s first three instalments of Pilgrimage. …”
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Réceptions croisées du Cancioneiro alegre de poetas portuguezes e brazileiros (1879) de Camilo Castelo Branco : la formation d’un espace littéraire luso-brésilien sous tension... by Sébastien Rozeaux

“…This study is based on the cross-analysis of the reception, in Portugal and in Brazil, of a jocose and humorous poetry anthology in which Portuguese man of letters Camilo Castelo Branco included a few compositions by Brazilian poets. Despite the high expectations surrounding the publication of the work in Brazil, the Cancioneiro alegre de poetas portuguezes e brazileiros, published in 1879, was the target of very harsh criticisms, so much so that, a few months later, a pamphlet came out, in which the Portuguese writer himself replied to his detractors, whether Portuguese or Brazilian. …”
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Biblical Turns of Phrase, Repetition and Circularity in Oscar Wilde’s Salome by Sébastien Salbayre

“…Written in French and translated into English by Lord Alfred Douglas with the help of the author himself at a time when novelists, poets and playwrights celebrated artifice and started revolutionising the forms of their art, Oscar Wilde’s Salome (1893) created a new language and located radical representational possibilities. …”
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Die kryptographischen Botschaften in Gottfrieds von Straßburg Tristan by Peter Andersen

“…On explique le plus souvent cette rupture par une mort précoce du poète. Dans les vers existants, on a progressivement découvert des acrostiches qui sont mis en exergue graphiquement par des initiales : le nom suivi DIETERICH (1809), les noms incomplets et disséminés sur les deux tiers du poème TRIS et ISOL (1925) et l’acrostiche incomplet GOTE, interprété comme la première partie de GOTEVRIT (1963). …”
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How the Internet is Transforming the Bombay Poetry Scene by Manon Boukhroufa-Trijaud

“…As the postcolonial city of Bombay turned into Mumbai – i.e. a modern-day megacity –, notable literary changes followed, from the dissolution of its traditional poetic scene – as poets dispersed to distant suburbs, neighbouring cities, or even abroad – to the disappearance of an already fragile ecosystem of publishing collectives. …”
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The comparison of sunrise and sunset images âin âShah-namehâ and âKhosro and shirinââ by نجمه نظری, معصومه مظفری

“…Ferdosi and Nezami have created various and âcolorful images of describing coming morning and nights that âthinking about them makes the reader familiar with two âoutstanding poets and their poems literal value. â In this survey, images have been researched from âdifferent aspects the way of using colors, aristocracy and âmilitary elements and also elements taken by nature.â…”
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An “Objectivists” Anthology: from Manifesto to Tradition by Fiona McMahon

“…Il s’agit dans cet article de présenter An “Objectivists” Anthology (1932) du poète américain Louis Zukofsky en évaluant l’aspect polémique du discours qui le définit, et ce d’abord au regard de son évolution en tant que projet éditorial (1931-32). …”
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A comparative study of rhetorical imagery in the story of Bahram Gur in Ferdowsi's Shahnameh and Nezami's Haft-Peykar by Fatemeh Shahmoradi, Jamileh Akhyani, Farideh Vejdani

“…To this end, we have examined and compared the imagery created by the two poets in the two categories of “imagery describing actions” and “imagery depicting the setting”. …”
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Study of Moinuddin jovini's Prose style in Developmental Stylistic Point of View by Narges Rezvani Moghadam, Iraj Mehraki, Azar Daneshgar

“…For some writers, stylistics is the only way that can scientifically show the individual differences between poets and writers and describes and expresses the author through the study and analysis of lexical features, syntax, sentence structure, virtual language, linguistic body. …”
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A Critical Analysis of Imagery in My Heart Leaps Up: Illuminating Wordsworth's Nature Poetry in the Context of Ecocriticism by Muhammad Haroon Jakhrani, Muhammad Hassan Shaikh

“…Additionally, the researcher compares My Heart Leaps Up with other nature poems by Wordsworth and other Romantic poets, which helps us to identify particular stylistic and thematic features of the poem. …”
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