The Functoin of Binary Opposition in Validation of Lasting Persian Couplets by Hamid Jafari GhariyehAli

“…Therefore, key questions are how binary oppositions function in composing lasting couplets and to what extent they convey the poet's perspective. Results of our analytic and descriptive interpretations reveal that poets are deeply concerned with asymmetric elements that make up the overall message of the literary work. …”
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“Fearing your own queer self”: Depictions of Diasporic Queer Experience in Grace Lau’s Poetry by Joanna Antoniak

“…The intersection of migrant and queer experiences constitutes one of the core motifs of The Language We Were Never Taught to Speak (2021), the debut poetry collection by Grace Lau, a Chinese Canadian poet. Through a series of interconnected vignettes, Lau provides an insight into her experiences as both a Canadian and a Chinese immigrant, a lesbian and a failed model child, an aficionado of traditional Chinese culture and an enthusiast of contemporary Western popular culture. …”
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Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music by Elham Omomi, Morteza Rashidi Ashjerdi, Mehrdad Chatraei

“…The present authors have aimed to reveal the subtleties and techniques of Zarūī's humor and extract frequent features in determining the poet's stylistic identity. The research method is descriptive-analytical and library-based. …”
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Perception and treatment of melancholy in the writings of Hildegard of Bingen (c. 1098-1179) by Eglė Sakalauskaitë-Juodeikienë

“… Hildegard of Bingen (c. 1098-1179) was a medieval nun and an abbess, a mystic, a composer, a poet, an author of medical treatises, and one of the few women at the time who wrote both theological and scientific texts. …”
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Analysis of imaginary schemas in Moulanaʼs poetries based on ‘cultural linguistics perspective. (Case study: Water&Fire) by Fariba Sadeghi, Roya Sedigj ziabari, Reza Kheirabadi

“…The aim of this study was to achieve cognition through the use of volumetric, motion and power schemas in Moulana’s poems, so that by examining the function of these schemas, a more accurate knowledge of the individual and social personality of this poet can be obtained. One of the most important achievements of this research that can be mentioned: These two elements find supernatural properties in literary concepts and metaphorical functions, especially mystical themes, when placed along a verse, and depict a kind of long-standing contradiction between reason and love. …”
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Representation of scales and prosody proportions of Maulana Khalid Naqshbandi's Diwan based on Persian, Kurdish and Arabic poems by Seyed Asaad Sheikhahmadi, Sohila Salimizand

“…He used his Sufi thoughts and beliefs in his Persian poems in the style of Iraqi style poets and used weights in their works.…”
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Phrases constructed with turkish organ names in the hamdullah hamdî's yusuf u züleyhâ by Züleyha

“…Masnavis are important in that they convey the messages the poet wants to say to the society in a detailed and comfortable way. …”
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Ecological Grief and Anxiety: The Voice of Native American in Joy Harjo’s Selected Poems by Epata Puji Astuti, Tatang Iskarna

“…The study presented in the present article aims to scrutinize three selected poems by Joy Harjo “Remember”, “Praise the Rain”, and “I am a Prayer” to see how the poet expresses her ecological grief and anxiety. …”
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« ‘A flat dichotomist’ : Critique marlovienne de la méthode ramiste » by Laetitia Sansonetti

“…In his theatre, but also in his narrative poem Hero and Leander (1593), Marlowe pastiches Ramusian speech to reverse the revolution La Ramée claimed he had accomplished : he shows that logic is at best the servant of rhetoric, not the other way round, and triumphantly asserts the superiority of the poet’s rich art of persuasion over a simplified dialectics.…”
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The Typewriter in the 21st Century: Understanding the Nostalgic Aesthetics and Politics of Tyler Knott Gregson’s Instapoetry by Jyoti, Nina Caldeira

“…One of Instapoetry’s merits is its ability to induce a sense of nostalgia with the help of evocative aesthetic modalities deployed by a poet during an Instapoem’s formulation. Some of these aesthetic modalities include the typewriter font, black and white images, sepia or Polaroid images, vintage stationary, calligraphy, and textured paper. …”
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Babachahi and Linguistic Components of Postmodern Poetry by Mohammadamin Ehsani Estahbanati, Mohammad reza Sarfi

“…Some components of postmodern poetry are as follows: in postmodern poetry, meaning is avoided and any type of meaning domination or strange narrative, based on strength of the poet in terms of meaning, is denied; belief in certainty and seriousness as features of art and poetry of the modern period do not exist in the postmodern artistic and literary school of thought; Form, structure, and meaning would be disarranged through schizophrenic images governing the poem, and its linear structure would be overshadowed. …”
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Le conflit renaissant de la figure et de l’abstraction dans Labyrinthe, journal mensuel des Lettres et des Arts (octobre 1944-décembre 1946) by Blandine Delhaye

“…Those who most assiduously frequented the editorial office in the Place du Molard in Geneva and took part in the conception of the journal were Swiss poet and painter Roger Montandon, Genevan philosopher Jean Starobinski, and artists Giacometti, Balthus and Brassaï. …”
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Tone, the driving force in Qaisar Aminpour's Ashura Elegies by Seyed Mehdi Mousavi nia, Gholamreza Kafi

“…Composing poetry about Ashura, as one of the manifestations of love for the family of Prophet Mohammad (PBUH), has especially has received more attention after the victory of the Islamic Revolution, and many poets have experimented in this field. In this relation, the poems of Qaisar Aminpour as one of the poets of this group received much attention. …”
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RUKUN NASUTION (1928-1998) AND HIS POETRY CORPUS: A Preliminary Study by Hasan Asari, Yusnaili Budianti

“…This study is an initial survey that aimed to introduce the poet called Rukun Nasution and map the corpus of his poetry. …”
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Investigation and Analysis of the role of rhyme in the use of Arabic words in Persian poetry by Tahereh Ghasemi

“…Concerning the significant role of rhyme in poetry, especially in odes, poets chose words from Arabic when they faced hassles in matching the rhyme. …”
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Ovid Among the Floating Garbage: Derek Mahon on Recycling and Exile by Peter Kelly

“…This article questions why Mahon turns time and again to Ovid when grappling with environmental destruction and when seeking to establish what role if any the poet has in cataloguing and combatting the climate crisis. …”
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« J’ai lu votre livre » by Marion Marx

“…Thanks to the female gaze, the poetic evocation of a lesbian love, from its blossoming to its wilting, then to its death, opens up a reflection on a triple isolation: that of the lesbian woman, that of the creative woman, that finally of the elderly woman – three images of women stifled in their desire and their creative impulse, which merge in fine, in an autobiographical burst, in a troubled and double image: that of the author and, like a reflection in the mirror, of the poet Sophia Parnok, her former partner. Thus, the article shows how this epistolary meditation was able to offer Marina Tsvetaeva a space for intimate, salutary and above all, free expression – as evidenced by its form, at the crossroads of the letter, the prose poem and the essay – thereby outlining the contours of a feminine and lesbian « creative constellation », certainly imagined, but intrinsically restorative.…”
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TROIS POÈMES DE STÉPHANE MALLARMÉ: A DEBUSSY-RAVEL COMPARISON by Attila FODOR

“…Despite their large number of mélodies and a particular affinity for the symbolist poet, the relatively unnoticeable examples of settings based on his oeuvre shows an avoidance of the greatly musical and hermetic verses, characteristic for his mature style. …”
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Cash in the Pot of Gold A Critical Review on the Book “Saadi's Arabic Poetry Based on Applied Criticism” by Mohammadreza Najjarian, Nafise Raisi Mobarake

“…The research in Saadi's Arabic poetry is not at par with the Persian poems of this famous Iranian poet, either in terms of quality or quantity, this is more obvious in the correction and description of the text of these poems. …”
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The rhetorical aspects of the syntactic element of interjection in the poems of Akhavan_sales by Nasser Alizadeh Khayyat, Azam Roohi Kyasar

“…In the present paper, the analytical – descriptive, the issue of exclamations (addressing sentences) together with component roles and different aspects thereof such as addressee delay, omitting interjections, repetition in interjection, combining interrogative and addressing sentences were studied in the works of Mehdi Akhavan Sales (Prominent contemporary poet). Also, the impacts of such components on the rhetorical aspects of the verses in four poetry collections of his (namely: Zemestan (winter), the end of Shahnameh, from this Avesta, Swahili and Khoziat) were taken into account. …”
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