Analysis of Classical Poets’ Viewpoints about Editing Poetry and manipulating Stories with an Emphasis on Nezami Ganjavi's Works by Yasin Esmaeely

“…In this kind of editing, the poet manipulates and modifies his work and, according to his style and attitude, he makes changes during and after composition. In fact, the poem which is the result of inspiration and intuition, is manipulated. …”
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Cantar i divulgar la victòria contra els bandolers: una anàlisi històrica de la captura i l’execució de seixanta malfactors a Catalunya (1573) by Alejandro Llinares Planells

“…A més, s’evidencia el seu valor propagandístic, connectant els poemes amb la lluita contra el bandolerisme i els conflictes pel pagament de recompenses. …”
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La visió de la societat feudal de l'època de Felip II de França (1180-1223)a través de les cançons de gesta by Xavier Blanco

“…Ens referim també a la considerable difusió d’aquests poemes, que els permetria constituir-se en una mena de contrarelat respecte a la història oficial vehiculada per les cròniques. …”
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Văcăreşti, poeţii by Stănuţa Creţu

“…Ayant une conscience d’écrivain plus modeste, le frère d’Alecu, Nicolae s’est occupé à recueillir dans une archive les écrits de ses proches, mais il nous a laissé, quand même, deux poèmes (Durda et Un pic dă nădejde d-aş şti c-o să-mi vie) qui dépassent le plat style anacréontique de l’époque. …”
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Nilai-Nilai Religius Dalam Kumpulan Puisi Tadarus Karya KH. Ahmad Mustofa Bisri by Ade Rufaida Awalia, Yumna Rasyid, Zuriyati Zuriyati

“…For example, the aspect of religiosity that is often overlooked in a poem that is trying to be communicated using a semiotic element. …”
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La reescritura prismática del orfismo y sus dimensiones en la poesía de Carles Riba, Agustí Bartra y Josep Sebastià Pons by Marta López Vilar

“…Agustí Bartra, in his Ecce Homo (1968), rewrites Orphic motifs (elegy II, for example) to create a civic and metaphysical awareness in man and, in this way, dignifies him. In his poem “Òrfica”, from Els himnes (1974), the myth of Orpheus and Eurydice is rewritten as a new meaning of love as a transcendence removed from the body and converted into a translucent song of waiting. …”
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The Comparison of coherence in the ode of "Jikour" by Sayab and "Along the river “by Nima by mohammadhassan amraee

“…The study and application of the theory of coherence of Holliday and Hassan (1985) in the poem of Nima and Sayab showed that The Nima verse (93.65%), because of the greater interaction between the elements of the coherence of the lexical section and its syntax, is more coherent than the Sayab (88.95%). …”
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« A Single Tone Coming Out Of A Vast, Empty Space » : John Adams, le contemporain au risque de l’anachronisme by Mathieu Duplay

“…While John Adams’s operas often rely on anachronism and temporal distance, his early cantata Harmonium (1980‑81) already raises the question of dissociation and remoteness from the self: first, because it gives pride of place to a famous Emily Dickinson poem about alienation and disaster; secondly, because it also conducts a musical exploration of sound perceived as a paradoxical combination of immediacy and estrangement, presence and emptiness, as if music itself were seen as expressing the quintessence of the contemporary.…”
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Impact of Architectural Sculpture Design on Buildings: A Case Study of Kigezi Region. by Tumwekwase, Boaz

“…Each line, curve, and angle was a verse in a poem of stone and steel, a narrative frozen in the permanence of structure. …”
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Catholic Church Interiors in Fin-de-Siècle Literature by Claire Masurel-Murray

“…In Dowson’s correspondence or in his poem ‘Benedictio Domini’, in Johnson’s ‘Our Lady of France’, in Wratislaw’s ‘Palm Sunday’ and ‘Songs to Elizabeth’, in some of Wilde’s stories, the opposition between inside and outside expresses figuratively the fundamental incompatibility between an ideal of beauty, embodied in the aesthetic experience of the church, and the coarseness of the outside world. …”
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Une reconstruction progressiste du passé : Renaissance et Risorgimento dans « Old Pictures in Florence » de Robert Browning by François Crampe

“…One of the main roles played by Italian history in the works of Robert Browning is to serve as a model for a general political reflection on how societies evolve and on the connections between art and politics, which are as valid as regards nineteenth-century European history as more specifically English debates within the Victorian society. At the centre of the poem ‘Old Pictures in Florence’ stands the figure of Giotto’s Campanile, whose design was left unfinished after the fall of the Florentine Republic, as the symbol of this reflection. …”
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Salaman and Absal in Abd al-Rahman Jami by Halilović Tehran

“…The second version is a Hermetic story translated from Greek into Arabic by Hunayn ibn Ishaq and first told by Jami in a poem of over a thousand lines. In this story, Salaman is the king's son, in love with his nurse, Absal. …”
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Ideea de bine comun și criza sistemelor simbolice de interpretare a lumii în Țiganiada lui Ioan Budai-Deleanu by Mianda Cioba

“…Central to this argument is the idea that the authorial intention is responsible for the work’s unity and semantic coherence, illustrated by the subordination of the first part of the poem, a panoramic view of epic-heroic genres treated in the burlesque key, to the second (chants X–XII) containing an objective debate on the values of civil life and optimal methods of governance. …”
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Problema protocronismului. Precizări by Edgar Papu

“…., he discovers that the writings of the noble scholar Demeter Cantemïr (prince of Moldavia), entitled Hieroglyphic History (1705, published in 1883), foreshadows the Byronian type of Romanticism (illustrated by many masterpieces as Alfred de Vigny’s Moses, Mihaïl Lermontov’s The Demon, Eugene Onegin by Aleksandr Pushkin, Mihaï Eminescu’s poem The Morning Star or Thus Spoke Zarathustra by Friedrich Nietzsche). …”
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The Association between Atopic Dermatitis Severity and Mood Disturbance among Adults: A Cross-sectional Study by Farah F. Albakr, Maee M. Barakeh, Layan F. Alsanad, Sultan B. Obaid, Feras Alhawas, Seham Alsalamah, Shahad B. Obaid, Alya Alsuwayhib, Abdullah O. Alangari, Sulaiman O. Obaid, Eman Almukhadeb

“…Patients visiting the dermatology clinic during the study period from March 2023 to August 2023 were asked to fill out an online based self-administered questionnaire to assess AD severity and psychological distress using the Patient-Oriented Eczema Measure (POEM) tool and the Patient-Reported Outcomes Measurement Information System Itch Questionnaire Mood and Sleep instruments respectively. …”
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Requiem – Alàgbà, Dr., Prince, Mosọbalájé Ajíbádé Àkàndé Adébáyọ̀ Fálétí, OON, DLitt., FNAL, JP, a.k.a ‘Pa Fálétí’ to Some; ‘Bàbá Fálétí’ to all and Sundry.... by Pamela J. Olubunmi Smith

“…With even greater gratitude to the dear friend who, as the story goes, having read, at Fálétí’s request, a lengthy poem Fálétí had penned in English, advised his B.A. honors-in-English friend to start writing in Yorùbá. …”
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L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe by Solange Ayache

“…Departing from Ovid’s poem which is itself a reworking of the original fable, as well as from the feminist takes on the story during the second half of the twentieth century, Laurens’ dramatic writing offers a new approach to the language and figure of the Barbarian, a traditional paradigm of the Other. …”
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Des métamorphoses de l’aura by Alain Naze

“…Si la résorption du caractère expressif de la réalité au sein d’un univers instrumental, pour Pasolini, empêche de recourir encore à la transparence des grands poèmes du cinéma classique, de même que la disparition des grandes figures du narrateur, pour Benjamin, coupe la voie vers la narration en ses formes traditionnelles, pourtant, tous deux s’accordent pour reconnaître que, loin de devoir déplorer cet état de fait, il s’agirait de prendre acte de l’appareillage spécifique de notre époque, notamment en exhibant – à des fins, politiques, de démystification – l’intégration de la technique cinématographique à notre réalité.Des types spécifiques de récit restent donc possibles pour notre époque, signe que le récit en tant que tel est capable de résister à la perte d’autorité de ses formes traditionnelles, qui auraient eu à subir l’apparent dépérissement moderne de l’aura. …”
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Schiller’s Response to Voltaire in 'Die Jungfrau von Orleans': Enlightened or Romantic? by Ritchie Robertson

“…Nor is it adequate to contrast Voltaire’s poem with Schiller’s play as the antithesis of Enlightenment versus Romanticism. …”
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The book graphics of Vilnius printing houses in XVI-XVII centuries by Jolita Liškevičienė

“…Kazimieras and consisted of 24 emblems (copper engravings) with lemmas expressing the virtue of the saint in one word, and a poem of 12 lines. During this period, one could find not only provincial elements but also features of professional book decoration. …”
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