Atopiniu dermatitu sergančių asmenų nerimo, depresiškumo, dėmesingo įsisąmoninimo kaip bruožo ir psichologinės gerovės ryšys: teorinis modelis ir pirminis empirinis bandymas... by Goda Tamašauskienė, Antanas Kairys

“…Įrankiai: Paciento papildomas egzemos matas (POEM), Becko nerimo aprašas (BAI), Becko depresijos aprašas II (BDI-II), Papildomoji lietuviškoji psichologinės gerovės skalė (LPGS-P), Penkių aspektų dėmesingo įsisąmoninimo klausimynas (FFMQ). …”
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Grendel’s Mere, Beowulf’s Dive, and the Visio Sancti Pauli by Rafael Pascual

“…The piece concludes by exploring the implications of its argument for two long-standing interpretative cruces in the poem: Hrothgar’s gaze at the gigantic sword hilt and Beowulf’s supposed ability to dive for hours on end.…”
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More than Mounts the Eye: Coleridge, Byron, De Quincey by Marc Porée

“…Le premier pan de cet article est consacré à une lecture de "Hymn Before Sun-rise, in the vale of Chamouni" (1802), de S. T. Coleridge, poème composé non pas d’après nature, comme tant d’autres paysages de montagnes romantiques, mais sur le Scafell, montagne anglaise de la région des Lacs. …”
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Helen Farish and Feminine Poetic Identity by Adrien GRAFE

“…Quelles sont ses propres options poétiques et théoriques, telles qu’elles apparaissent dans les poèmes du recueil Intimates (2005) ? Et qu’a-t-elle pu hériter du féminisme poétique, de poètes tels que M. …”
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Verbal Rhetoric Skills in Bahmayari’s Storybooks and Mazandaran’s Proverbs by Ali Razzaghi Shani, Ahmad Ghanipour Malekshah, Morteza Mohseni, masoud ruhani

“…The variety of arrays in Mazandaran's proverbs are less and the arrays that were used in them are more simple and sensible: this suggests that speakers of Persian proverbs have more knowledge of literary than the speakers of Mazandarani' proverbs. Of course, the poem form of storybooks proverbs has some impact in this regard.…”
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Towards the poetics of lyrical realism in the histories of Serbian literature by Bojanić-Ćirković Mirjana D.

“…Following the mentioned parameters, we emphasized that the work of the writers of Old Serbia-Anđelko Krstić and Grigorije Božović-grows out of a deep attachment to the nature of the homeland and that on the level of internal form, it contains more poetic determinants of lyrical realists, as well as features of the modernization of prose, such as the psychological aspect of painting the struggle, internal focalized descriptions of the naturalistic style, the lyricalization of the narrative to the genre of the poem in prose, etc.…”
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Ecstasy’s Alembic: H.D.’s Poetics of Magic and Psychoanalysis in World War Two by Jane Augustine

“…Rassemblés autour d’un rêve d’union entre spiritualité et sexualité, ces discours alimentent l’évolution des figures ou personae façonnées par la romancière et poète de sa période imagiste jusqu’à Trilogy, son long poème visionnaire écrit pendant la Seconde Guerre mondiale. …”
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Plato’s Republic to Rivers’Five Spot: Poets Among Painters by Eamonn Wall

“…Dans cet article, Eamonn Wall considère les œuvres de divers artistes et penseurs de l’âge classique à l’époque actuelle, et tente de décrire les diverses méthodologies choisies par les écrivains et leurs commentateurs pour écrire des poèmes et les interpréter. Il sera principalement question ici des poètes de l’École de New York qui, apparue dans les années 1950, comprenait parmi ses membres des poètes tels que John Ashbery, Frank O’ Hara, James Schuyler, Kenneth Koch, et bien d’autres encore. …”
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Les jardins du château de Versailles à travers la poésie contemporaine : un nouvel outil de médiation culturelle ? by Anabelle Machou

“…Le corpus d’étude comprend les poèmes du recueil Poètes en majesté à Versailles, publié en 2013 aux Éditions des Busclats, à l’occasion de la quinzième édition du « Printemps des poètes ». …”
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« ‘A flat dichotomist’ : Critique marlovienne de la méthode ramiste » by Laetitia Sansonetti

“…In his theatre, but also in his narrative poem Hero and Leander (1593), Marlowe pastiches Ramusian speech to reverse the revolution La Ramée claimed he had accomplished : he shows that logic is at best the servant of rhetoric, not the other way round, and triumphantly asserts the superiority of the poet’s rich art of persuasion over a simplified dialectics.…”
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‘I roll my cigarette, and cycle to my club’: Playing with Stereotypes and Subverting Anti-Feminism in New Woman Writers’ Contributions to Punch by Katy Birch

“…This article will focus on two pieces, published in Punch just over a decade apart, by women who were committed to the cause of women’s rights: Rosaline Masson’s poem ‘The Reason Why’ (1898) and Evelyn Sharp’s short story ‘The Wreck of “The Ark”’ (1909). …”
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Carolina Maria de Jesus e a autorrepresentação literária da exclusão social na América Latina: olhares reversos aos de Eduardo Galeano e Octavio Paz by Larissa Paula Tirloni, Marcelo Marinho

“…These out - of - sight people are called “ninguneados” by Octavio Paz, while Galeano pays a tribute to th em in a denouncing poem that presents, from an external point of view, some aspects of their silenced life. …”
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« J’ai lu votre livre » by Marion Marx

“…Thus, the article shows how this epistolary meditation was able to offer Marina Tsvetaeva a space for intimate, salutary and above all, free expression – as evidenced by its form, at the crossroads of the letter, the prose poem and the essay – thereby outlining the contours of a feminine and lesbian « creative constellation », certainly imagined, but intrinsically restorative.…”
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The function of the music of poetry in “the Story of Sheikh San’an” from Manṭiq-uṭ-Ṭayr by Javad Mohaghegh Neyshabouri, Hosein Yazdani, Ali Pedram mirzaei, Fateme Kouppa

“…There will be always a connection between artistic creativity in a poem on one hand and the meanings and concepts conceived by the poet on the other hand, created either consciously or unconsciously. …”
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Extremes of the Avant-garde: H.D. and Rae Armantrout by Natalia Carbajosa

“…La comparaison de ces deux auteurs de poèmes comme de textes en prose révèle une commune atypicité, une profonde singularité qui n’aura pas été sans déconcerter leurs contemporains. …”
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Unsaying: Mystical Aspiration and Negativity in Paul Auster’s Poetry by François Hugonnier

“…La seconde chute de l’homme, celle engendrée par l’expérience de la babélisation, est une préoccupation centrale de Paul Auster, qui exprime une position ambiguë sur le pouvoir des mots. Dans ses poèmes, le langage est systématiquement présenté comme un instrument inadéquat. …”
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The relationship between Islamic theology and poetry by Nasufović Sead

“…These restrictions are depicted in the form of the necessary respect and adherence to the norms of Islamic belief and religious laws, which the poet must not renounce, nor express himself poetically in terms of content, while the form of the poem itself is left to the poet's full freedom of choice. …”
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Stylistics Comparison between MosibatNameh and Mantegh Al-teir of Attar and MasnaviManavi (Case Study: Poetry techniques) by Mostafa Mirdar Rezaei, SIAVASH HAGHJOU

“…This quantitative-statistic based, first analyzes and compares two groups of single literary techniques (simile, poem, metaphor, metonymy, and amphibology) and combined Techniques (metonymy metaphor, metonymy amphibology metaphor, simile metonymy amphibology metaphor) in five hundred bits of two logical and ritualistic Masnavi (Mosibatnameh and Mantegh Al-teir) and then in the same amount of Rumi's MasnaviManavi and then analyzes them. …”
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The Women’s Land Army (1944): Vita Sackville-West’s Non-Fictional Wartime Writing by Christine REYNIER

“…However, her fiction and her non-fiction remain underexplored by academic criticism even as her novels The Edwardians (1930), All Passion Spent (1931), her award-winning poem The Land (1926), her travel writing (Twelve Days in Persia, 1927) and her work on her garden, Sissinghurst, remain quite popular.This paper means to focus on a little-known work of non-fiction Vita Sackville-West published towards the end of the Second World War, The Women’s Land Army (1944). …”
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The ‘Nothing Lasts!’ Motif in Stoyan Mihaylovski’s Sonnets by Kalin Mihaylov

“…While this idea, among others in Mihaylovski’s collection, is consistent with ancient philosophical traditions, associated with Horace and his poem ‘Exegi monumentum’, the Bulgarian poet deals with it in an opposite vein: it makes no sense to erect a verbal monument untouched by a human hand. …”
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