“Memory and Desire”: T.S. Eliot, Reaction, Nostalgia, and Poetic Reserve in The Waste Land by Philippe Birgy

“…It first reviews the state of the art and recasts the different critical positions in a historical and cultural perspective, then reflects on what passes off as the fundamental rift between the commentators of Eliot, depending on whether they prescribe a close stylistic scrutiny of Eliot’s poem or a general contextualisation as the premise of their literary assessment. …”
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The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

“…Déserts (1954), albeit only in intention, La procession de Verges (1955) and Poème électronque (1959) pioneeringly investigate different ways of understanding music in relation to moving images: from the fictional work to the documentary film, and to the multimedia experience. …”
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Zur Deutung von Dokumenten kompositorischen und analytischen Denkens. Béla Bartóks Arbeit mit zyklischen Themen by László Vikárius

“…Works from the three essentially different periods of Bartók’s œuvre, the early symphonic poem Kossuth (1903), the first Violin Concerto (1907/08) together with closely related compositions as well as the Music for Strings, Percussion and Celesta (1936), are considered from the perspectives of the compositional process and motivic-thematic relationships.…”
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«Li sens conmence contreval a filer…». Imaginaire du sang et hétérodoxies épiques dans La Bataille Loquifer by Carlos F. Clamote Carreto

“…Hence the fact that in Old French, blood becomes an hypostasis of sens (meaning) by means of a marvelous homophony which seals as one the common fortune of both the substances and determines the particularly striking and unique poetics of blood which we can detect in the study and analysis of an atypical epic poem composed somewhere between the end of the 12th century and the beginnings of the 13th century, La Bataille Loquifer.…”
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Proserpine upon the Coin: Melville’s Quest for Greek Beauty in “Syra” by Bruno Monfort

“…When Melville visited the Greek island of Syra in 1856, he discovered a thriving harbor city with no ancient monuments to speak of, and little to remind the traveler of the glories of Ancient Greece that Shelley or Byron used to celebrate. Melville’s poem resists the still persistent hellenomania of the period: old stones and antique statues vanish from the poet’s field of vision as he comes to realize that the humble people he meets, traders, innkeepers or street-cleaners, have inherited the noble features transmitted through the ages from the days of Ancient Greece. …”
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Reading “Guillelme l’Amïable”: Hypertextuality and La Prise d’Orange by Lucas Wood

“…The Old French epic poem La Prise d’Orange (late 12th-early 13th c.) systematically treats the conventional motifs, narrative patterns, characters and style of the chanson de geste with a comedic irreverence and an ironic distance that have led it to be labeled “the courtly parody of an epic,” but the text remains fundamentally organized by the generic paradigm from which it pointedly deviates. …”
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Mathematical Modeling of Feelings in Viewpoint of Analysis of Olvido Poetry with Fractional Operators by Mustafa Ali Dokuyucu, Burak Armağan, Ülkü Eliuz, Ahmet Ocak Akdemir, Mehmet Emir Köksal

“…A mathematical model of the feelings described in Olvido’s poem has been created to establish an important connection between fractional operators, which are an effective tool in the explanation of many physical and applied phenomena, and literary works that try to describe human life and feelings. …”
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Satire`s techniques in Akbar Eksir`s poets by Yahya Sheikhi, Ahmad Ghanipour Malekshah, SIAVASH HAGHJOU, aliakbar bagheri khalili

“…Humor is one of the most effective critical strategies in poem and prose. Some humorists use this kind of literature in order to reveal and reform the discursive, behavioral and intellectual deficiencies of a person or society. …”
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Contribuţii privitoare la viaţa şi activitatea lui Ienăchiţă Văcărescu by Eugenia Dima

“…Starting from previous researches connected to the Wallachian version of the Erotokritos by Vincenzo Cornaros, the author considers that the poem [Într-un copaci zarifior], attributed to Ienăchiţă, is extracted from the translation of the Erotokritos by Alecu Văcărescu and therefore the verses belong to his son. …”
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Virginia Woolf’s “Modernist Renaissance” in “Anon”: A Singular Counter-History by Anne Besnault

“…In the months preceding her death, the Second World War was putting all ideas of renewal at bay: to rewrite Britain’s cultural history, whether in the form of a play-poem with Between the Acts (1940) or in the form of a critical literary history had become an urgent act of hope in the midst of despair. …”
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“Significant Negatives”: Genre and Ethics in Alice Meynell’s Familiar Essays, 1893–1909 by Rachel O’Connell

“…As Meynell’s imagination took on “essay-shape” she discovered an alternative to the structured world of the poem. Meynell’s use of the genre of the familiar essay constituted an exploration of the position of retreat—the refusal to impose. …”
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The place of Balance in rhetorics and the âinvestigation of its status in Anvariâs divan by مهری گلشنی راد

“…Balance is one of the verbal devices in ârhetorics that creates more music in a poem and results in its âcharm and charisma. Balance forms from the contrast âbetween the balanced and sometimes parallel rhymes. …”
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A Study on Translation of the Book Entitled “Semantic & Artistic Aspects of Contemporary Arabic Poetry” by Ali Bashiri, Alireza Kaveh Nooshabadi

“…This book was published in 1391 and translated by Seyyed Hossein Seyyedi, and was titled artistic and semantic aspects of contemporary Arabic poem of Taraneh Mashhad publications. One of the most important relationship bridges among languages, cultures, and literature of various countries is the translation. …”
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De la littérature latine à la littérature française : une transition victime du cloisonnement académique by Lucile Jaeck

“…Les premiers poèmes vernaculaires mis par écrit nous offrent déjà quelques chefs-d’œuvre de notre littérature, que ce soit dans le domaine hagiographique (Vie de saint Alexis), épique (Chanson de Roland) ou lyrique (œuvre de Guillaume IX d’Aquitaine). …”
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Investigating the Relationship between Imaginary System and Cultural Origin of Vargheh and Galshah Systems Based on Gilbert Durand's Theory by Aiasghar Rahnama, Esmat Esmaeli, Seyyed Hasan Tabatabaei

“…This element is considered to be the main building block of lyrical and epic literature. The lyrical-epic poem of Vargheh and Galshah Ayouqi has been written following the structure and story of Arwa and Afra in Arabic, and according to its Arabic origin, it has revealed many cultural and social elements of the mentioned society. …”
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ROGER BASTIDE E A PESQUISA DA UNESCO EM SÃO PAULO: introdução a uma crítica by Levy Cruz

“…O uso de amostras intencionais e assistemáticas, privilegiando informações prestadas por famílias tradicionais e por estrangeiros e descendentes; o trabalho de campo baseado principalmente em conversas informais em circunstâncias aleatórias; e a análise dos dados, sem uma organização adequada dos mesmos e sem os testes necessários, levaram a amostras com vieses que põem em cheque a representatividade dos resultados referentes ao universo pesquisado. …”
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Entre poésie et politique by Gérard Raulet

“…At the other end of the political spectrum is a poem by the communist author Johannes R. Becher. …”
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Les Noces Chymiques de Johann Valentin Andreae dans Die Geheimnisse et Das Märchen de Goethe by Annie Zdenek

“…He did not carry it out but the reading of this esoteric tale led him to the writing of the poem Mysteries (1784-1785), which remained unfinished and was characterized by the rose and the cross. …”
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Caliban’s Gait: The Postcolonial “Progress” of American Exploratory Poetics in William Carlos Williams’ The Great American Novel by Zachary Finch

“…Cet article analyse les traits calibanesques des tactiques poétiques radicalement anti-européennes de Williams pour montrer que le caractère expérimental de ses premiers poèmes en prose réhabilite une forme de liberté de l’auteur d’une manière qui anticipe, un demi-siècle plus tôt, l’observation de Foucault selon laquelle “les livres ont commencé à avoir réellement des auteurs dans la mesure où les discours pouvaient être transgressifs”.…”
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Transforming the Chaos: The ‘Writing’ Experiments of the Postdigital Ludic Writer by Katy Wareham Morris

“…The multimodal writer does not simply write a poem or piece of fiction, but also architects a dynamic, ludic space in order to ‘publish’ the piece. …”
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