Presentation and Analysis of “Three Teachings Syncretism” in Song and Jin Poetry and Its Modern Significance by Enhai Lei, Xudong Hu

“…First, it organizes and classifies the relevant poems through the ways in which the idea of “Three Teachings Syncretism” is presented. …”
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“And I have no face, I have wanted to efface myself” Sylvia Plath’s Autothanatography or Death Writing by Nicolas Pierre BOILEAU

“…Thereby, Plath’s responsibility regarding her obsessional writing of death will be toned down, and the poems will be shown to bear the stigmas of the linguistic death that Plath reveals.…”
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Relating Ø/to/in the desert: Scottish World War II Poets in North Africa and the Middle-East by Stéphanie NOIRARD

“…The aim of this article is to examine how Scottish war poems may be inscribed in an artistic as well as a historical counter-discourse. …”
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Versiones y reescritura en Cants d’Abelone, de Joan Vinyoli by Ferran Carbó

“… Versions and Rewriting in Cants d’Abelone by Joan Vinyoli is an analysis of Catalan author Joan Vinyoli’s book of poems Cants d’Abelone, published in 1983. Th e article starts with the two versions of the “Song” of Abelone writt en by Rainer M. …”
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Veiling and Unveiling: Trauma in Laura Richards’s “My Japanese Fan” and “Prince Tatters” by Yifah Hadar

“…Catachresis as it is manifest in Richards’s two poems can be seen as a mechanism of macrostructure, a dominant whose paradoxical aim is to dismantle the unity suggested by the metaphors as veils. …”
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The comparison of sunrise and sunset images âin âShah-namehâ and âKhosro and shirinââ by نجمه نظری, معصومه مظفری

“…In the process of changing the word from normal level âinfo literal and artistic level, poetic images or imaginary âvisions play an undeniable role.â Any poetâs imagination take roots in his or his or her âpersonality and outside or inside way of living which appear âconsciously or unconsciously in his or her poems.â On of the most outstanding backgrounds or basis of âusing images or visions is the description of the nature. …”
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Getting Along with Relational Databases by Martin Holmes

“…This article discusses the Digital Victorian Periodical Poetry (DVPP) project, where metadata on about 15,000 poems from nineteenth-century periodicals is captured in a MySQL database, and periodically exported to create a TEI file for each poem. …”
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Stylistics of the lexical level of Kamal al-Din Ismail's Gasidas by Hosein Alinaghi, Naser Mohseninia

“…The study of this layer also reveals the domination of sensual atmosphere on abstract meanings in his poems.…”
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A Critical Analysis of Naw'i Khabushāni's Divān by M.Mostafa Resalatpanahi, Hossien Ghorbanpour

“…Mohammad RezāKhabushāni, also known as Naw'i Khabushāni (970- 1019 AH), a famous poet in tenth century and the beginning of the eleventh century, was one of the indisputable masters of Persian literature in Indian peninsula.The poetry of his poems was published in 1374 by Amir-Hossein Zākerzādeh and the efforts of Ahmad Karami by Mā publication in Tehran. …”
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Oparliamentarians, Where is the Way of the Tavern? (The Art of Opposition in Saadi's sonnet) by Zohreh Sakian, Najmeh Nazari

“…The basis of the research is the study of all Saadi lyric poems in the prescription of Mohammad Ali Foroughi.…”
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Translation Analysis of Student’s Work (Study of Poetry Translation) by Syukril Khair, Bambang Suwarno, Arono Arono

“…The data were taken from text translations of two poems which consist of 550 data from 10 students as translators. …”
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A Review and Critique of the Collection of Iranian Poetry by Vlimir Khelebnikov, Russian Futurist by Zeinab Sadeghi Sahlabad, Mahboubeh Mobasheri

“…An examination of Khelebnikov’s poetry reveals his love for Hakim Ganjeh and reflects on his military poems as well as Shahnameh’s myths.…”
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A Post-colonial Approach to Displacement and Home in “At the Border” by Choman Hardi (1974) and “Home” by Warsan Shire (1988) by Mariwan N. Hasan

“… This study examines the themes of displacement and home from post-colonial and psychological perspectives in two poems; “At the Border” by Choman Hardy (1974) and “Home” by Warsan Shire (1988). …”
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De l’Esthétisation à l’anti-symbolisme : les évolutions du corps chez William Carlos Williams by Samantha Lemeunier

“…If the 1910s constitute a period of stylistic experimentation for Williams as he draws inspiration from Whitmanian or Keatsian poems, his bodily representations emancipate from such aesthetic norms after the 1920s while the human anatomy is less associated with nature than with artificiality. …”
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Analysis of the rhetorical and linguistic concept of the two linguistic signs "Mohtasb" and "Donya" in a lyric by Hafez Based on Omberto Eco's semiotic approach by Yahya Nooraddini Agdam, Narges Mohammadi Badr, Gholamreza Ghaybi

“…Most of the Hafez’s poems are rhetorical criteria that appear in the field of "language" and "meaning," and lead to the perception of the audience to layers beyond the initial level of expression. …”
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Language and Style in Ọbasa’s Poetry by Afọlabi Ọlabimtan (deceased)

“…It was he who provided ‘the link between traditional beliefs and writing in the modern vein.’2 The three volumes of Yorùbá poetry produced by him between 1927 and 1945 had a great impact not only on the adults who were impressed by the wealth of traditional sayings in his poems, but also on the school children who were made to learn some of the poems by heart.3 In this paper I intend to answer the question: In what does Obasa’s greatness as ̣ a poet consist? …”
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Dwie przestrzenie wojennej propagandy. Język utworów moskiewskich Okien TASS by Agata Książek

“…Different propaganda techniques were used in poems targeted at people behind the lines of hostilities. …”
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La Montagne dans la poésie lyrique d’Andrew Marvell : variations sur une vision apocalyptique et le locus amoenus by Jean-Pierre Mouchon

“…The theme of mountains plays a minor part in his poems. This is why it has never been tackled by literary criticism. …”
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‘It’s bawdier in Greek’: A.C. Swinburne’s Subversions of the Hellenic Code by Charlotte Ribeyrol

“…When Algernon Charles Swinburne was asked in 1872 to make a contribution to Théophile Gautier’s Tombeau, he impressed his French friends, including Hugo or Mallarmé, by sending no fewer than six poems, two in English, two in French, one in Latin and one in Greek. …”
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Delphine Demelas, Sur un air épique, sur un air lyrique : célébrer le bon connétable. Édition critique et commentaires du manuscrit 428 (306) de la bibliothèque municipale d’A... by Delphine Demelas

“…The second is a set of seven lyric poems written in memory of Bertrand, three of which were written by Eustache Deschamps. …”
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