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301
Sana’a and Women in Al-Maqalih’s Book of Sana’a Yemen
Published 2021-12-01“…The analytical method has been used to analyze the Al-Maqalih's poems. Interviews with Al-Maqalih was carried out to clarify ambiguity in some of his poems. …”
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302
De l’îlot à l’enclos : l’immigration chinoise à San Francisco comme espace poétique (1910-1940)
Published 2006-06-01“…During their temporary detention, some wrote poems on the walls in Cantonese, which vented their helplessness and their anger, and literally inscribed their presence within a space that eluded and excluded them. …”
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303
The Study Of Semantic Coherence In Mazhar Hamedani's Gazal And its Comparison to Sa'adi's Gazal
Published 2021-05-01“…For example, the lyrics of Kadjar who has tried to have the same character of simplicity in their poems. Mazhar Hamedani, one of the Kadjar's poets, has not only pretended to poetize just like Sa'adi but somehow better than him. …”
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304
From Book to Playlist: How Open-Access Audio Archives are Renewing the Poetry Collection
Published 2022-12-01“…While books provide authoritative collections assembled by a poet or an editor, open-access audio repositories with an archival concern preserve entire poetry readings in which poems are read in a different order than in print. …”
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305
Conceptual Metaphor and Creative Literary Individualism
Published 2021-06-01“…We choose famous classics poems besides modern contemporary poems to show that the poetical expression of metaphors does not belong to a certain group of poets or a special period of time.…”
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306
‘Je n’ai rien à dire. Seulement à montrer’ : le travail photographique et poétique de Natalie Czech
Published 2017-12-01“…For several years Czech has invited spectators to share her affection for the poetic texts that she appropriates. Departing from these poems she invents visual devices through which she can produce new texts and new images in the context of her photographic work. …”
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307
“Neither knowing nor not knowing”: Existential Anxiety and Ecological Certainty in the Poetry of W.S. Merwin
Published 2024-12-01“…Merwin writes of loss and argues from the negative, but paradoxically although all has been lost, nevertheless something beautiful, sensual, and permanent remains—the poems themselves: Merwin’s lost world held in words.…”
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308
De la poésie au collage, du cinéma au graffiti
Published 2016-12-01“…The fascination of Wallace Berman (1926-1976) for the textual and the visual is manifest in his Untitled (Parchments) series, which evokes the Dead Sea Scrolls, as well as in his photographs and drawings obliterated by an Aleph, his poems written in Chinese ideograms or in numbers which appear in SEMINA (1955-1964) next to his Beat friends’ poems. …”
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309
(D’)Après Pouchkine : le jeu de la traduction dans « Omens » de Louise Glück
Published 2013-12-01“…Written by American contemporary poet Louise Glück and published in 2006 in the collection of poems Averno, the poem « Omens » oscillates between translation and rewriting – to use the word coined by Gérard Genette. …”
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310
La poésie antique du Sangam est-elle vraiment une poésie du paysage ? Littérature tamoule classique et vision contemporaine du paysage
Published 2023-03-01“…Nowadays, a regionalist reading, often very political, has contributed to fossilize the poems under this label of landscape literature.…”
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311
Women in Obasá’s Poetry
Published 2021-12-01“…It is evident that his poems are laden with topical issues that are of national interest. …”
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312
Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest
Published 2022-11-01“…It considers the poems in the light of Henry Jenkins’s concept of “convergence culture,” before suggesting that cette convergence is related to the emergence of a poetic community – i.e. a community produced by the oral poem and its plural versions, which is mirrored by the poem itself. …”
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313
Taming Eschatology: The Case of Silja Walter OSB
Published 2022-03-01“… This paper examines the eschatological themes in the series of poems, The Dance of Obedience or the Straw Carpet, written by the Benedictine nun Silja Walter (1919–2011) — Sr. …”
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314
Hugo von Hofmannsthal et le néoplatonisme
Published 2019-12-01“…A productive reception of Neoplatonic patterns in these poems makes a conciliation between Neoplatonism and Christianism possible. …”
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315
Lazarino de Manosco : une écriture féminine multiforme à la fin du xixe siècle
Published 2021-12-01“…At the end of the 19th century, Lazarine Nègre, a Manosque woman living in Marseille, wrote numerous articles and poems in the langue d'oc for the newspaper La Sartan or L'Aiòli of the Félibrige and became known to Frédéric Mistral and Paul Arène, among others. …”
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316
Hugh MacDiarmid’s Poetics of Commitment: the Modern Stigmata of Bereavement
Published 2016-06-01“…The shrill imperative and nominal forms of the poems borrow their power of persuasion from advertisement slogans while the poetic margins endeavour to mimic performative oracles. …”
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317
Romantic Poets in Epic Form of Nordic Countries and Estonia’s Classical Dialect Poetry
Published 2023-08-01“…This paper mainly focuses on the lifecourse, as reflected in his poems, of Estonian Swedish native skald Mats Ekman, who wrote in the late 19th and early 20th centuries. …”
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318
Neusachliche Angestellten-Lyrik von Tucholsky, Kästner und Kaléko
Published 2019-07-01“…Kurt Tucholsky, Erich Kästner and Mascha Kaléko, in particular, actively participated with their poems in the discourse on Weimar Republic’s white-collar workers and even anticipated some findings of Kracauer’s famous study Die Angestellten. …”
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319
Entre poésie et fiction : Tess ou l'écriture syncopée de Thomas Hardy
Published 2009-04-01“…Stylistic mishaps such as omissions or punctuations become symptoms through which affect may seep into the text, be it a novel or a poem.…”
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320
The literary portrayals of Ivan Mazepa in Byron’s Mazeppa and Pushkin’s Poltava. A comparative analysis
Published 2023-06-01“… This article provides a comparative analysis of Ivan Mazepa – the protagonist in the poems Mazeppa (1819) by George Gordon Byron and Poltava (1829) by Alexander Pushkin. …”
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