A kinetic mechanism inducing oscillations in simple chemical reactions networks by Julien Coatléven, Claudio Altafini

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May Sinclair’s Romantic Corpus by Leslie de Bont

“…By contrast, her own narrative poem, The Dark Night (1924), articulates Eliotian references with Romantic themes (Dowson 2006). …”
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Assessing Persian translation of selected rhetorical figures in Venus and Adonis and The Rape of Lucrece by Shakespeare by Abolfazl Horri

“…This article aims to examine and evaluate a selected number of these devices in the Persian translation of the two poems within the framework of functional equivalence.…”
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Investigating Adaptations of Hafez and Saifaddin Mohammad Farghani by Tahereh Ghasemi, Vahid Mobarak

“…The consequences of the Mongol invasion and the unfortunate conditions of that era caused the poet to compose critical and social poems and this is the theme and poem style of most of his poems. …”
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The Yorùbá Social Values in Ọbasá’s Poetry by Saudat Adebisi Olayide Hamzat, Hezekiah Olufemi Adeosun

“…The study suggests that Ọbasá’s poems be studied holistically, and recommends that the poems should be reprinted and made available for scholarly work in institutions of learning. …”
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“Taak prappa” by Kathie Birat

“…David Dabydeen’s collection of poems Slave Song (1984) represents the Guyanese poet’s attempt to compensate for the silence surrounding slavery and the absence of a significant body of poetry in Creole. …”
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Forms of Sequentiality in Contemporary English Poetry: Simon Armitage and Glyn Maxwell by Peter Hühn

“…This article discusses the sequential devices which structure lyric poems. The sequentiality of poems is usually given little systematic attention to in poetry analysis. …”
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Dreaming and Sleeping in the Children’s Poetry of Laura E. Richards  by Jennifer Lewin

“…By having plants, flowers, trees, and animals conspire to facilitate the regulation of sleep habits, Richards also brings these poems into dialogue with a longstanding tradition. …”
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Anna Akhmatova in the Perception of Lithuanian Prose Writer, Translator Juozas Tininis by Aliona Sofia Ivinskaia

“… The article examines the historical and cultural context of the study of Akhmatova by the Lithuanian prose writer and translator Juozas Tininis, and discusses the translations of the Russian poet’s poems in it. By the time of its publication in 1967, Tininis’ article on Akhmatova was the first Lithuanian study covering the entire work of the Russian poet. …”
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« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » by Laurence Estanove

“…These Hardy poems voice the disillusionment of two passionate yet misunderstood speakers about to commit suicide. …”
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“A torch, a rope, a belly laugh”: engaging with the multiple voices of support groups for people living with rare dementia by Paul M. Camic, Emma Harding, Sam Rossi-Harries, Oliver S. Hayes, Mary Pat Sullivan, Lawrence Wilson, Nikki Zimmermann, Roberta McKee-Jackson, Joshua Stott, Nick C. Fox, Catherine J. Mummery, Jonathan D. Rohrer, Jason D. Warren, Rimona S. Weil, Sebastian James Crutch

“…The poems portray the complex, dynamic and relational aspects of how support groups provide a necessary form of connection for this population. …”
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The Symbol’s Brevity Rhetoric in Comparison with Metaphor and Allegory Based on Modern Poetry by Mohammad Ghaderimoghaddam, Raheleh Abdollahzadeh Borzo

“…Poems that it was a deficiency of the lyrics predecessors. …”
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The Dividing Sword: Basil Bunting’s The Spoils by Jeffrey Twitchell-Waas

“…The late celebrity of Briggflatts has tended to subsume the body of Basil Bunting’s poetry into that poem’s themes and expectations and obscured the underlying assumptions that motivate his work. …”
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Ficções da memória ou a memória da ficção: Dulce María Loynaz e Cecília Meireles by Aimeé G. Bolaños

“…This article thinks about temporality, knowledge and gene- alogy, main memory’s functions, and examines Últimos días de una casa (1958) and Solombra (1963), poems-books on the problematic of the being in the temporality and the process of doing/undoing identity that occur, precisely, in the human time of memory. …”
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« Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B by Alexandra Tauvry

“…However, although this work confronts poems with photographs in praesentia, Muldoon increasingly resorts to the literary device of ekphrasis in order to exploit the work of photographers. …”
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« The Enduring End » by Andria Pancrazi

“…Amongst the recurring aesthetic themes that he explores, the transition between the state of life and the state of death is at the centre of many of his poems, which he composes using innovative forms — the most characteristic one being very long rhapsodic poems and roundels (a particular variation on the rondeau of his own invention). …”
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“Travelling in the Family”: Elizabeth Bishop’s Brazilian Autobiographical Voice by Myriam Bellehigue

“…The aim of this paper is to analyze Bishop’s interest in Brazilian autobiographical works especially The Diary of Helena Morley and poems by Carlos Drummond de Andrade that she translated into English and included among her own poems. …”
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Illustrating Victorian Poetry: The Dynamics of Photographic Tableaux Vivants by Gwendoline Koudinoff

“…Traditional arts such as painting, engraving and drawing attempted to illustrate the poems but the interdisciplinary nature of 19th-century photographic tableaux vivants enabled artists to associate real-based imagery with the metaphorical language of poetry. …”
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The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self by Adeline Chevrier-Bosseau

“…Emily Dickinson was an avid reader of Shakespeare’s works, and several references to his plays and sonnets can be found both in Dickinson’s letters and in her poems. Rather than an intimidating and unsurpassable literary figure, Shakespeare was as much as a teacher, a mentor, as Higginson or Susan –her sister-in-law and friend– were to the poet. …”
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Susan Howe’s Caesurae by Andrew Eastman

“…The paper looks into the ways in which Susan Howe’s poems, specifically in her recent collection Debths, depend on and work with the line unit, use and abuse our sense that poems appear in typographic lines. …”
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