Philippe Gardy, Paysages du poème, Six poètes d’oc entre xxe et xxie siècle.... by Claire Torreilles

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TARİHÎ BİR PERSPEKTİF İÇİNDE MODERN TÜRK EDEBİYATINDA VATAN VE BAYRAK SEVGİSİNE ÖRNEK BİRKAÇ GÜZEL ŞİİR by Halim Serarslan

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Poèmes palestiniens d’hier et d’aujourd’hui, numéro double 98-99, revue Études Arabes, Pontificio Instituto di Studi Arabi e d’Islamistica (P.I.S.A.I.), Rome, 1994. by Jean-Pierre Dahdah

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Rhetorical function of sentence moods in Garshaspnamehpoem and the story of Bijan and Manizheh from Shahnameh by Yahya Talebian, Gholamreza Mastali Parsa, Hamid Amini Asalemi

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İmam Şafii'nin Şiirlerinde Kuran'dan İktibas by Mustafa Keskin

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BİR EDEBİYAT DERSİNDE BİR ŞİİRİ ÇEVİRİLERİYLE OKUMAK: WALT WHITMAN’IN O CAPTAIN! MY CAPTAIN! BAŞLIKLI ŞİİRİ İLE FRANSIZCA VE TÜRKÇE ÇEVİRİLERİ / READING A POEM WITH ITS TRANSLATIONS IN THE LITERATURE CLASS: WALT WHITMAN’S O CAPTAIN!... by Didem TUNA

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Bir Sanatçının Otoportresi: Özel Mektuplarından Hareketle Şair, Çevirmen ve Ressam Olarak İlhan Berk by Canan Sevinç, Ferman Polat

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CAHİT ZARİFOĞLU’NUN MENZİLLER ŞİİRİNE BİR BAKIŞ by Dilek Ceran

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Novel device for blunt dissection in third space endoscopy: Preliminary animal study (with video) by Takashi Yokouchi, Teppei Masunaga, Kurato Miyazaki, Motohiko Kato, Shota Fujii, Kota Momose, Kotaro Yamashita, Takuro Saito, Koji Tanaka, Kazuyoshi Yamamoto, Tomoki Makino, Tsuyoshi Takahashi, Yukinori Kurokawa, Hidetoshi Eguchi, Yuichiro Doki, Kiyokazu Nakajima

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CONFLICT OF REALITY AND FANTASTIC FICTION IN THE STORY OF ALEXEY N. TOLSTOY “COUNT CALIOSTRO” by Elena M. Kiryukhina

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ABÛ KABÎR AL-HUDHALÎ, Zuhayra ! Quatre poèmes à sa fille sur la vieillesse et la mort, édition bilingue, traduits de l’arabe, présentés et annotés par Pierre LARCHER, collection La petite bibliothèque de Sindbad, Paris et Arles, Sindbad/Actes Sud, 2014, 76 p. by Daniela Rodica Firanescu

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Türk Edebiyatından Urdu Edebiyatına Uyarlanan Birkaç Mensur Şiir by Nuriye Bilik

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Find, Fand – Elefant. Elephantine Funambulism in Translating Laura E. Richards’s “Eletelephony” by Tobias Larenz

Subjects: “…staggering movement that characterizes the poem. The translation radicalizes the subversion of “proper” enunciation and intensifies the morphological mushrooming that characterize the original version of the poem.…”
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“Virtuoso[S] Of Departure” by Sarah Bouttier

“…This paper reads three poems on absence in the light of current theories of the object, hoping to clarify various trends in contemporary poetry’s relation to absence. …”
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Sa'adi in the Chain of Prosodic Poets (A Critical Study of the Meters of Sa'adi ’s poetry, Based on Printed Texts and Manuscripts, With a Discussion about Prosodic Poets throughout... by Mohammadamir Jalali

“…The main part of this paper has two parts: First, after examining Saadi's poetry and Golestan's poems by using printed text and manuscripts, all the meters of Saadi's poems are shown in a table (41 meters: 13 in Arabic poems and 30 in Persian poems, by lowering 2 common meters). …”
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“When the war is over […] we will all enlist again” (The Lice): W.S. Merwin P(r)o(ph)etic by Hélène Aji

“…This essay takes Kenneth White’s description of “a quiet apocalypse” as a starting point to read the complexities of W.S. Merwin’s poems in The Lice (1967). The poems are to be related to the context of the Vietnam war: the horrors perpetrated by the U.S. in Vietnam are legible in the tense and dark poems that protest against them, but they are never explicitly mentioned. …”
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« Is that wool hat my hat ? » by Hélène Aji

“…Do poems give us something to « see » ? Contemporary American poems, from Ezra Pound’s Imagist poems and William Carlos Williams’s poems as objects, gradually reform the poem into a space dedicated to conceptualization (George Open, Robert Duncan) or evidencing the very alienation lurking in the commitment to concepts as opposed to praxis (Jackson Mac Low). …”
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Un corps à soi : la réécriture du blason dans Odes de Sharon Olds by Juliette Bouanani

“…Among Sharon Olds’ many Odes, a collection of “body poems” stands out. These poems bring the “blazon” to mind, a French medieval poetic form in which the feminine body is fragmented and mapped, from head to toe. …”
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The Exordium of Adébáyọ̀ Fálétí’s Poetry by Adedotun Ogundeji

“…Since there is also only one narrative poem in the second, one could also assert that it is dedicated to non-narrative poems. …”
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Dickinson’s Ear by Jefferey Simons

“…To do so, it studies the 45 Dickinson poems with the singular noun Ear, in its transferred sense as a figure of aural perception. …”
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