Amitié, convivialité et hospitalité au dix-huitième siècle: Le témoignage de Madame du Boccage by Cécile Champonnois

“… Madame du Boccage, connue pour son activité littéraire, étant une des rares femmes à avoir écrit une tragédie et un poème épique, livra encore à ses contemporains des descriptions de l’Angleterre et de la Hollande visités en 1750 et de l’Italie parcourue en 1758. …”
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Šlechtičny z rodu Dalbergů a silva rerum 2. poloviny 19. století by Dana Marešová

“…It is very difficult to define this type of a source, because it consists of a miscellaneous content (poems, alba amicorum and diaries entries, pictures, photos etc). …”
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ReMetCa: A Proposal for Integrating RDBMS and TEI-Verse by Elena González-Blanco, José Luis Rodríguez

“…The use of the TEI Verse module to tag metrical and poetic structures is especially important for two reasons: first, because it lets us tag different kinds of poems with a variable metadata structure, making it possible to express a very high level of detail for poetry description that cannot be registered in a conventional database; and second, as it enables extensibility and adds more information to enrich the conceptual model, which is under constant development.…”
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W.S. Merwin’s Search for Walt Whitman, Whoever He Was by Ed Folsom

“…The essay examines those aspects of Whitman that Merwin was both attracted to and influenced by—those moments when Whitman spoke of the grass and those moments when Whitman confronted silence and wordlessness—and analyzes Merwin’s poems “A Contemporary” and “Whoever You Are” as direct responses to Whitman, places where Merwin records his deep and intimate engagement with Whitman.…”
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Jeux – eine Werkanalyse by Andreas Winkler

“…Die Jeux sind Claude Debussys letztes großes Orchesterwerk und von diesen vielleicht sein am wenigsten bekanntes, ein poème dansé, das den Eingang weder ins Orchester- noch ins Ballett-Standardrepertoire gefunden hat. …”
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Trente ans d'exil en Suisse. José Herrera Petere (Genève, 1947-1977) by Rose Duroux

“…He no longer wrote novels. The poems he published are bilingual, usually translated by the poets who were friends with him. …”
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Une amnistie sans pardon : Ezra Pound en France. Premiers passages et passeurs by Jean Christophe Contini

“…Often associated with Céline because of his anti-Semitism and his conduct during World War II, Ezra Pound (1885-1972) and his Cantos were discovered in France thanks to the extensive translations carried out by Denis Roche and the publication of a double issue of Cahier de l’Herne edited by Dominique de Roux and Michel Beaujour, who also invited the “Great Pan” to Paris in 1965 on the occasion of his 80th anniversary, more than forty years after his last visit to this city.However, one often overlooks the fact that this French reception (rendered problematic by a French, rather than American, history of nationalism, fascism and anti-Semitism) began with translations and comments made as early as the mid-1950s by several French poets and writers: Alain Bosquet, Michel Mohrt, Michel Butor and René Laubiès, who first translated and published a selection of Pound’s Cantos and poems in 1958.…”
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Spectral Telepathy: the Late Style of Susan Howe by Marjorie Perloff

“…Whereas Howe’s earlier books of critical prose—for example, My Emily Dickinson (1985)—used scholarship to buttress Howe’s critical positions and arguments, her new “essays” in The Quarry are more properly understood as poems. When we analyze Howe’s meditations on Wallace Stevens, we learn that she identifies with Stevens to create a new poetic hybrid. …”
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The $\mathtt{T}$-coercivity approach for mixed problems by Barré, Mathieu, Ciarlet, Patrick

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Lire et être lu. Littérature et catastrophe dans le Journal d’Hélène Berr by Zoé Egelman

“…This paper is the first to simultaneously and closely examine: Berr’s archival record, including papers from the Centre de documentation juive contemporaine and the Archives nationales; the novels, poems, narratives, and theater that Berr read from 1942 to 1944; and, of course, the language of the diary itself. …”
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‘As Though It Were A Sacred Relic’: The Troubled Holocaust Poetry of Julian Tuwim by Myer Siemiatycki

“…His searing Holocaust poems convey a longing for Poland, for a better Poland, and a solidarity of suffering with his brethren Jews. …”
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Tess of the d’Urbervilles du roman à l’écran : les ambiguïtés du point de vue by Isabelle Gadoin

“…Hardy’s late fiction can definitely be labelled as « modern » in that it both encourages and defeats narrative illusion, particularly in Tess of the d’Urbervilles, which wavers between fleeting moments of identification with the heroine’s point of view (thanks to internal focalisation) and narratorial corrections of these subjective « moments of vision », to take up the title of later poems. This article tries to study some of the means of rendering this ambiguity on the screen, by various processes of « subjective images », but also points the limits of such adaptations : what the film seems to erase is the double-bind subtly created in the novel by the split between focalisation and narrative intervention. …”
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Poets and Puppets: Interarts Collaboration in Alfred Kreymborg’s Lima Beans by Yasna Bozhkova

“…Finally, it delves into the intertextual and intermedial dialogues between the play and Loy’s and Williams’s poems published in the little magazine Others, edited by Kreymborg.…”
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The Tune of Thinking: Gertrude Stein’s Narration by Abigail Lang

“…Although somewhat inconclusive, the Narration lectures constitute one of the rare modernist attempts (with Walter Benjamin’s contemporaneous “The Storyteller”) to rethink—rather than downplay it against collage or abstraction—narration in a discursive direction, thus paving the way for post-war modernism’s embrace of orality as exemplified in John Cage’s Lectures and David Antin’s talk poems.…”
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The Politics of Objects: Eliza Cook’s Biographies of Things by Fabienne Moine

“…Eliza Cook’s poetry of daily life is intertwined with her Chartist engagement. While her poems often denounce the forces of oppression that threaten social peace and the daily life of simple people, her biographies or fictitious autobiographies of things about duly called ‘feminine’ artefacts support her protofeminist engagement while challenging the limits of the domestic sphere. …”
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Culhwch ac Olwen como texto de transición de la materia artúrica by Luciana Cordo Russo

“…On the one hand, Arthur is depicted in a heroic tone, that is, with a set of attributes that tend to characterise him in early Welsh poems, in which he appears as the leader of a band of warriors who fight supernatural creatures. …”
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‘Bang-whang-whang goes the drum’ : Robert Browning ou l’énergie comique de l’homme-orchestre by Yann Tholoniat

“…However, rereading today Browning’s poems through the prism of Freud’s theory of pleasure as a release of tension allows one to show Browning’s comical energy as it irrepressibly surfaces in his dramatic monologues. …”
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சங்கப் பெண்மொழிக் கட்டமைப்பில் வினைச்சொற்கள் // Verbs in the Structural Framework of Sangam Women's Language... by முனைவர் இர. ஹேமலதா / Dr. R. Hemalatha

“…They expressed their inner and outer emotions through poetry. These poems were not mere empty verses but were deeply insightful works reflecting social concern and rooted in morality. …”
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Travels, Translations and Limitations: Ambasciatrice Caroline Crane Marsh by Etta Madden

“…Two volumes she translated into English, The Hallig or, the Sheepfold in the Waters: a Tale of Humble Life on the Coast of Schleswig (1856), and The Wolfe of the Knoll, and other Poems (1859), considered alongside her poetry, letters and journals, provide windows to the values of translation as a venue of negotiation and cultural exchange. …”
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Thematic Preoccupations of D. A. Ọbasá and Ṣóbọ̀ Aróbíodù on Religion and Colonialism by Ìyábọ̀dé Baliquis Alága, Luqman Abísọ́lá Kíaríbẹ̀ẹ́

“…Therefore, this essay is a comparative analysis of the two poets’ poems with particular reference to issues relating to religion and colonialism. …”
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