Des photographes hors champ ? Les femmes dans les cercles amateurs et pictorialistes français (1891-1914) by Frédérine Pradier

“…To oppose a popularised private practice, various strategies of distinction were employed, particularly in pictorialist circles seeking a photographic art.…”
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The Computer Generated Art/Contemporary Cinematography And The Remainder Of The Art History. A Critical Approach by Modesta Lupașcu

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« Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô by Dominique Jullien

“…It provides a key entry point of engagement with the question of pictorialist writing, as well as an ideal vehicle for Flaubert’s particular vein of Orientalism, defined as a synthesis of beauty and sadism. …”
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Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

“…For Stieglitz, overexposure implies a strategy to free photography from the influence of painters present in the pictorialist movement in order to create a self-determined medium. …”
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¿Écfrasis o hipotiposis?: enargeia y retórica visual en la poesía del Siglo de Oro by Adolfo R. Posada

“…Taking into account this issue, this article focuses on the defence of a complementary theoretical model to the ekphrasis paradigm, based on the pictorialist technique linked to the verbis depingere and the rhetorical figure of hypotypose as an analytical instrument, since it helps to study the nature of the literary image in the Spanish Golden Age beyond the transpositions of art.…”
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Replicability in Art Photography: From Pictorialism to NFT Art / Проблема уникальности в художественной фотографии: от пикториализма до NFT-искусства... by YURGENEVA ALEXANDRA L. / ЮРГЕНЕВА А.Л.

“…And yet, at the turn of the 19th and 20th centuries, the presence of machine nature in photography became a stumbling block in the development of legislative norms on the copyright for pictorialists. The entry of photography into the art market environment gave it the obligation to limit the number of copies based on commercial considerations. …”
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