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WORKING WITH VISUALLY-IMPAIRED PERFORMERS IN PIANO CLASS
Published 2016-12-01Subjects: Get full text
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Formgestaltung aus aufführungspraktischer Perspektive. Zur Interpretationsgeschichte von Beethovens 33 Veränderungen über einen Walzer von A. Diabelli op. 120
Published 2021-11-01“…Dieser Beitrag untersucht auf Grundlage einer umfassenden quantitativen Datenerhebung aus 66 Gesamteinspielungen von Beethovens ›Diabelli-Variationen‹ mit Aufnahmedatum zwischen 1937 und 2018 Aufführungsweisen von Pianist*innen zur Gestaltung zyklischer Makroform. …”
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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt
Published 2017-12-01“…Der Komponist war außerdem als Pianist an zwei Einspielungen der Komposition beteiligt, von denen die frühere (1921/22) mit der Erstfassung, die spätere (1942) mit der Zweitfassung korreliert. …”
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ESSENTIAL PRINCIPLES OF VIOLIN INTERPRETATION
Published 2012-12-01“…During the performance of a musical piece, any musician – regardless of whether he/she is a pianist, violinist or vocal singer, uses a full and profound sound that beautifies the interpretation and gives it more musicality, more feeling, warmth and spirituality. …”
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Solo Songs by Count Julijan Pejačević in the Našice Local History Museum
Published 2024-01-01“…Although he is remembered primarily as a royal chamberlain and family historian, he was also a pianist and a composer. His musical oeuvre consists of at least 70 works (though some sources would point to far more), including solo songs and piano pieces, most of which are today lost due to a plethora of reasons concerning the history of the Pejačević family library. …”
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The Noble Suicide: The Case of a Self-Contained Dagger in the Heart and a Literal Raw
Published 2024-01-01“…The man decided to commit suicide because he could no longer find meaning in his life after losing hope for a career as a pianist, having been diagnosed with a degenerative disease in his hands. …”
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Die schiefe Folie. Komplexität zwischen Metrik und Performance in Beethovens ›Diabelli-Variationen‹
Published 2021-11-01“…Ausgehend von der Idee metrischer Ambivalenz werden die besonderen Herausforderungen, die Beethovens ›Diabelli-Variationen‹ an Hörer*in und Interpret*in stellen, an ausgewählten Beispielen erläutert und individuelle Ausdeutungen renommierter Pianist*innen aufgeführt und besprochen. Insbesondere wird gezeigt, wie nah intrikate metrische Passagen des Zyklus sich an Diabellis Vorlage orientieren und wie reichhaltig somit das Walzerthema in Bezug auf metrische Verunsicherung angelegt ist. …”
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Eine Diskursgeschichte der ›Diabelli-Variationen‹. Makroform und Interpretation im Spiegel analytischer Texte aus 200 Jahren
Published 2021-11-01“…Finally, a film recording of the “Diabelli Variations” with the pianist Piotr Anderszewski (2000) is discussed, as it illuminates an individual interpretational approach to the macroformal dramaturgy of the cycle.…”
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Die Aufnahme bestätigt die Regel. Analyse als Interpretation (Response)
Published 2021-11-01“…The consistently high quality of the contributions, the concrete results of which remain tied to three specific cyclical works, instead suggests a focus on the fundamental prerequisites of the research presented here: (1) The methodological implications of time measurements should be reflected on more closely (the discussion of the empirical measurements takes place primarily on the basis of the articles about Bach’s “Goldberg Variations”). (2) Normative preconditions for the selection of recordings or text references should be explicitly discussed (the discussion of the hermeneutic formation of opinion takes place primarily on the basis of the articles about Beethoven’s “Diabelli Variations”). (3) The common or separate access routes for theory and practice are once again put up for debate (now more on the basis of the articles about Schubert’s Winterreise). (4) As a sign of the new directions such research might take , possibilities for further processing of the data are presented in an analytical example by the author, based on recordings by the pianist Igor Levit.…”
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Decomposition of a complex motor skill with precise error feedback and intensive training breaks expertise ceiling
Published 2025-01-01“…By contrast, neither unskilled pianists who underwent the same training nor skilled pianists who performed the decomposition training without receiving visual feedback on the error showed improved skill through training. …”
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Holokaust i polityka
Published 2012-06-01“…Haltof omawia również filmy powstałe po przełomie 1989 roku, po okresie ciszy (z lat 1965-1980), kiedy temat Holokaustu był przez filmowców niechętnie podejmowany: między innymi Korczaka Andrzeja Wajdy i Pianistę Romana Polańskiego. Książka Haltofa może być również rozpatrywana w kategoriach ważnego przyczynku w kwestii polskiej pamięci narodowej. …”
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The role of music performance anxiety in musical training: four personal histories
Published 2025-02-01“…To apply such an approach, we gathered testimonials of life histories from four musicians – two pianists, a violinist, and a cellist – through semi-structured interviews. …”
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