Physicists in Cracow – on the 70th anniversary of the First International Cosmic Rays Conference by Maria Pawłowska

“…The article was enriched with photographs taken during the Conference and numerous unofficial meetings that took place in October 1947 in Cracow. …”
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Field Symptoms of Boron Toxicity and Deficiency in Florida Peanuts by Jacque W. Breman, William D. Thomas, Henry E. Jowers, Rao S. Mylavarapu

“…This 4-page fact sheet reviews the boron management strategy in Florida, presents information on boron sufficiency and toxicity levels from the literature, and provides photographs of field symptoms that can be used by growers and extension agents. …”
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Temporary Food Plot Deterrents for Deer: Do They Work? by Holly Ober, Cheryl Mackowiak, Ann Blount

“… Many Floridians enjoy the opportunity to hunt, watch, or photograph white-tailed deer. Hunters and landowners often plant cool season forage plots both to attract wildlife and to provide a dependable food source. …”
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Five new species of Huberia (Melastomataceae) from the eastern Brazilian mountains by Thuane Bochorny, Paulo M. Gonella, Lucas N. Gonçalves, Rafael R. Völtz, Renato Goldenberg

“…Material and methods – We describe five new species in Huberia and also provide detailed photographs, taxonomic notes, distribution maps, and conservation assessments. …”
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Facial Expressions and Parkinson’s Disease by P. Madeley, A. W. Ellis, R. H. S. Mindham

“…Patients with Parkinson's disease (PD) and matched control subjects were photographed posing a range of facial expressions. The same subjects were later asked to identify the posed expressions of the other subjects. …”
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“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016) by Barbara Kowalczuk

“…Recalling the human rights violations photographed at Abu Ghraib in 2003, Aaron’s “war porn” triggers re-implacing, that is, remembering and re-experiencing a past place (Casey). …”
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On new spider species of the genus Episinus (Araneae, Theridiidae) from China and proposal of five species groups by Yun Liang, Jinnan Liu, Haiqiang Yin, Xiang Xu

“…Detailed descriptions, photographs, hand drawings, DNA barcodes and a distribution map of the three new species are provided.…”
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Au fil de nos souvenirs : le 17 octobre 1961, emblème des violences policières by Clotilde Lebas

“…From an evocation to another, from an entrepreneur de mémoire to another, the memory of October 17th, 1961, supported by photographs left by Kagan, becomes the symbol of police violence. …”
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Vision et visibilité : la rhétorique visuelle des suffragistes et des suffragettes britanniques de 1907 à 1914 by Myriam Boussahba-Bravard

“…In such a context, suffragist iconography conveyed singularly effective visual rhetoric persuading the Edwardians through varied eye-catching media, shows, processions, posters, postcards, photographs, accessories and many other common objects. …”
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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

“…The fascination of Wallace Berman (1926-1976) for the textual and the visual is manifest in his Untitled (Parchments) series, which evokes the Dead Sea Scrolls, as well as in his photographs and drawings obliterated by an Aleph, his poems written in Chinese ideograms or in numbers which appear in SEMINA (1955-1964) next to his Beat friends’ poems. …”
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„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss by Filip Pręgowski

“…Due to its reinterpretation of Joseph Nicéphore Niépce’s 1832 or 1833 photograph of a set table, which is shrouded in uncertainty and ambiguity, Tabula Rasa prompts a reconsideration of the artistic medium and its contested status in the context of the so-called post-medium era. …”
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Redes Sociais, Facebook e debate político: olhares dos movimentos sociais by Denise Osório Severo, Maria da Graça Luderitz Hoefel, Helena Shimizu

“…The data derive from interviews made through a semi-structured format, participator observation, field diary and photographic registrations conducted with militants groups of five social movements and different social networks. …”
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Immoral Obscenity: Censorship of Folklore Manuscript Collections in Late Stalinist Estonia by Kaisa Kulasalu

“…Between the years 1945 and 1952, the Folklore Archives’ manuscript collections, catalogues and photographs were censored. Anti-Soviet texts were cut out or made unreadable. …”
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Photobooks dedicated to Gunkanjima: Random Personal Memories or Strategical Publications? by Cecile Laly

“…This paper analyzes the photobooks produced by several Japanese and French photographers dedicated to the mining island of Hashima, better known today as Gunkanjima (Battleship Island). …”
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La menace sans visage : Images de l’ennemi dans la presse britannique à la suite des attentats du 11 septembre 2001 by Pascale Villate-Compton

“…Despite repeated warnings against equating terrorists with the Muslim population, some sections of the British press have tended to generalise and to foster irrational fears. The cartoons and photographs of the daily British press in the three months after the attacks show that, often, beyond the precise identification of a culprit, the Other (the foreigner marked by a difference, the Muslim and his religious and cultural practices) ends up representing the enemy. …”
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Eudora Welty: Sensing the Particular, Revealing the Universal in Her Southern World  by Pearl McHaney

“…Examining how Welty’s observations lead to her senses of smell, touch, and sound in the stories “June Recital” and “Moon Lake,” selected letters and her comments on one of her photographs, and lastly, the stories “A Sketching Trip” and “The Demonstrators,” I argue that Welty pictures the invisible and writes the unsayable by her use of the senses with two results. …”
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Cinephemera Round Trip. Postcards for and by Anselmo Ballester by Stefania Babboni, Sara Martin

“…Comparing cine-postcards, preparatory sketches, and posters from the Ballester collection, spanning a period of fifty years, we will focus on how photographic postcards of national and international movie stars, represented the main models for the painter, aimed at creating an iconography consistent, and adaptable to multiple cinematographic genres. …”
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Avatars de Napalm Girl, June 8, 1972 (Nick Ut) : variations autour d’une icône de la Guerre du Vietnam by Anne LESME

“…This essay examines and analyses the iconic status of Nick Ut’s Vietnam photograph Napalm Girl (“Vietnam Napalm”, 1972) and its recycling in postmodern art and various media. …”
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Blindness and Design: Kneass’ Philadelphia Magazine for the Blind (1899) by Vanessa Warne

“…Archer’s entries are accompanied by woodcut illustrations by Robert Bryden, based on photographic portraits of the poets. This essay situates these woodcuts within the context of late-Victorian celebrity, the aesthetic revival in woodcut and wood-engraved illustration, and the increasing presence of the authorial portrait in the age of mechanical reproduction. …”
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Jeff Wall : « Near Documentary ». Proche de l’image documentaire  by Estelle Blaschke

“…L’artiste photographe canadien Jeff Wall est avant tout connu pour son interrogation riche et complexe sur les traditions pictorales et les régimes visuels de la peinture et du film. …”
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