La photographie au service d’un mythe fondateur de la nation : l’exemple des images de la Révolution mexicaine by Marion Gautreau

“…The analysis of the reuse of Mexican Revolution photographs in the illustrated press of Mexico during the Post-Revolution period (1910-1940) reveals how a vast, original iconographic body (the whole set of Civil War photographs was taken during the battles that took place between 1910 and 1920) can undergo a progressive reduction, which results in an increasingly restrictive selection of images. …”
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L’enfant pauvre et la naissance de la photographie sociale aux États-Unis au XIXe siècle by Anne LESME

“…At the end of the 19th century, Jacob Riis, journalist and photographer, brought to light the appalling conditions of the slums in New York; it was the beginning of the social documentary photography in the United States. …”
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Eating and Taking Photos: The Consumption of Food, Visual Representations and Gender. Mar del Plata (Argentina), 1930–1970 by Débora Garazi

“…Not only did these photographs constitute material evidence that certain people had visited these places, they also produced specific meanings. …”
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Attacks on the United States: Index, Icons and Intericonicity in Photojournalism by Jane BAYLY

“…Despite the fact that deadly attacks on the United States involving large numbers of innocent people are quite rare in its history, photographic coverage suggests a general similarity even though each event is unique in its particularity. …”
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Outros olhares para outras Américas: cultura visual e fotografia na América Latina pós-tradicional by Sérgio Luiz Pereira da Silva

“…This paper presents a reflection on the critical role and the politics behind the photographic look at the context the visual culture in Latin American. …”
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Two new wolf-spider species in the genus Hippasosa from Asia (Araneae, Lycosidae) by Lu-Yu Wang, Muhammad Irfan, Zhi-Sheng Zhang

“…Photographs of H. qiongzhongensis (Yin & Peng, 1997) are also provided for comparison purposes.…”
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The Author Inside: Celebrity Photography 1840‒1902 by Audrey Doussot

“…The representation of interiors in most photographic portraits of Victorian and Edwardian writers appears as a key element contributing to constructing the writer as a sociocultural type and a public figure. …”
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Variation sur l’autoreprésentation photographique féminine au tournant du siècle by Marie Cordié Levy

“…Turning away from domestic chores, many women became photographers at the end of the 19th century, setting up portrait studios in American cities, while men turned to landscape photography. …”
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Unfixing the Frame: Visualizing Histories of Transcultural Contact, Exchange & Performance in Prince Roland Bonaparte’s Peaux-Rouges (1884) by Emily L. Voelker

“…This article analyzes the photographic album Peaux-Rouges compiled by Prince Roland Bonaparte in 1884. …”
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Lost Pathways of Urban Development by Erik Harms

“…Photographic images from Ho Chi Minh City’s Thủ Thiêm Peninsula draw attention to now-vanished trees and pathways from a place that has been demolished for the sake of urban expansion. …”
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« Cancer Alley » ou la décompression du paysage pétrochimique. La collaboration de Richard Misrach et de Kate Orff by Matthieu Duperrex

“…This paper addresses the collaboration between photographer Richard Misrach and landscape architect Kate Orff, which gave way to various creative exhibitions as well as the book, Petrochemical America (2012). …”
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La part d’ombre d’un fonds photographique by Aline Muller

“…An amateur photographer, he made albums similar to travel memoirs. …”
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Le regard de Sebastião Salgado sur les -travailleurs de la mine de Serra Pelada (1986) : esthétique d’une servitude moderne by Marion Gautreau

“…In this article we study one of the famous reports of the Brazilian photographer Sebastião Salgado: “The gold mine of Serra Pelada. …”
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Intericonicity in Disguise in Madame Yevonde’s Goddesses series and Cindy Sherman’s History Portraits/Old Masters by Julie MORÈRE

“…As one of the world’s woman pioneers of colour photography, Yevonde Cumbers Middleton, known as Madame Yevonde, British society photographer, has recently seen her inventive work shift from neglect to international appraisal. …”
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« Motionless Monotony »: New Nowheres in Irish Photography by Colin Graham

“…This paper will trace a journey in and around Dublin, and then into the midlands of Ireland, following photographers who have travelled in and catalogued these new Irish nowheres. …”
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Changements socio-environnementaux et dynamiques des paysages ruraux le long du gradient bioclimatique nord-sud dans le sud-ouest du Niger (régions de Tillabery et de Dosso) by José Luis San Emeterio, Frédéric Alexandre, Julien Andrieu, Alain Génin, Catherine Mering

“…Diachronic analyses were performed based on satellite photographs (CORONA March and October 1965) or aerial photographs (IGN mission in March 1975) which were compared to current Google Earth photographs. …”
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Antoine Haumont : une patiente collecte photographique des paysages ordinaires du sport by Olivier Pégard

“…His wife, Nicole Haumont, bequeathed more than a thousand photographic slides and glossy prints belonging to her late husband (1935-2016). …”
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Photographie et écologie aux États-Unis: l’image à contre-emploi by François Brunet

“…A traditional and powerful connection links landscape art and environmental consciousness in North American art, classically embodied in artists such as Thomas Cole in painting and Ansel Adams in photography, and reinforced since the 1970s by various photographic projects animated with militant environmentalist purposes. …”
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Révéler les traces du toxique by Benjamin Lysaniuk, Anaïs Ondet, Léa Prost

“…The photographer's expression refers to a deep commitment to highlight victims that we do not hear and to focus on landscapes that we no longer notice.…”
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La méthode des itinéraires photographiques : une ethnographie visuelle des mondes ouvriers de la logistique by Cecile Cuny, Hortense Soichet, Nathalie Mohadjer

“…One of the aim was to turn fieldwork into a source of knowledge and creation. Based on the photographic itinerary method, as formalised by sociologist Jean-Yves Petiteau in the course of several research projects, a framework for collaboration between researchers, photographers and respondents has been constructed, in order to document and analyse a social world, while representing it to a wider audience.…”
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