Linguistic means of creating an image of a person with intellectual disabilities in D. Keyes’s novel «Flowers for Algernon» by Olga Kanevska, Iryna Klymenko

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The Military Vocabulary as a Component of Achilles Tatius’s Idiostyle by Inesa Chakal

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INTERACTIVE WEB 2.0 TOOLS IN CONTENT AND LANGUAGE INTEGRATED LEARNING by Rinata R. Zaripova, Leila L. Salekhova, Andrew V. Danilov

“…In this research we used a convenience sample of 50 first- year students of Tatar Philology and Culture Department of Kazan Federal University. …”
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“Awakened Muse” by Ihor Kalynets in the interartistic dialogue with Oleksa Novakivskyi by Hryhorii Savchuk

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Crisis response strategies of universities during the ongoing war: Beyond experience and responsibilities by Oleksandr Spivakovsky, Serhii Omelchuk, Daria Malchykova

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Circular economy and inclusion as effective tools to prevent ecological threats in rural areas during military operations by V.G. Shcherbak, Y.I. Danko, S. Tereshchenko, O. Nifatova, N. Dehtiar, O. Stepanova, V. Yatsenko

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Can enhanced CSR quality reduce the cost of debt capital? An empirical analysis of CEO expertise and non-financial reporting practices in China by Oleh Pasko, Yang Zhang, Nelia Proskurina, Vadym Sapych, Yelyzaveta Mykhailova

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Perceptions of science, science communication, and climate change attitudes in 68 countries – the TISP dataset by Niels G. Mede, Viktoria Cologna, Sebastian Berger, John Besley, Cameron Brick, Marina Joubert, Edward W. Maibach, Sabina Mihelj, Naomi Oreskes, Mike S. Schäfer, Sander van der Linden, Nor Izzatina Abdul Aziz, Suleiman Abdulsalam, Nurulaini Abu Shamsi, Balazs Aczel, Indro Adinugroho, Eleonora Alabrese, Alaa Aldoh, Mark Alfano, Innocent Mbulli Ali, Mohammed Alsobay, Marlene Altenmüller, R. Michael Alvarez, Richard Amoako, Tabitha Amollo, Patrick Ansah, Denisa Apriliawati, Flavio Azevedo, Ani Bajrami, Ronita Bardhan, Keagile Bati, Eri Bertsou, Cornelia Betsch, Apurav Yash Bhatiya, Rahul Bhui, Olga Białobrzeska, Michał Bilewicz, Ayoub Bouguettaya, Katherine Breeden, Amélie Bret, Ondrej Buchel, Pablo Cabrera-Álvarez, Federica Cagnoli, André Calero Valdez, Timothy Callaghan, Rizza Kaye Cases, Sami Çoksan, Gabriela Czarnek, Steven De Peuter, Ramit Debnath, Sylvain Delouvée, Lucia Di Stefano, Celia Díaz-Catalán, Kimberly C. Doell, Simone Dohle, Karen M. Douglas, Charlotte Dries, Dmitrii Dubrov, Małgorzata Dzimińska, Ullrich K. H. Ecker, Christian T. Elbaek, Mahmoud Elsherif, Benjamin Enke, Tom W. Etienne, Matthew Facciani, Antoinette Fage-Butler, Md. Zaki Faisal, Xiaoli Fan, Christina Farhart, Christoph Feldhaus, Marinus Ferreira, Stefan Feuerriegel, Helen Fischer, Jana Freundt, Malte Friese, Simon Fuglsang, Albina Gallyamova, Patricia Garrido-Vásquez, Mauricio E. Garrido Vásquez, Winfred Gatua, Oliver Genschow, Omid Ghasemi, Theofilos Gkinopoulos, Jamie L. Gloor, Ellen Goddard, Mario Gollwitzer, Claudia González-Brambila, Hazel Gordon, Dmitry Grigoryev, Gina M. Grimshaw, Lars Guenther, Håvard Haarstad, Dana Harari, Lelia N. Hawkins, Przemysław Hensel, Alma Cristal Hernández-Mondragón, Atar Herziger, Guanxiong Huang, Markus Huff, Mairéad Hurley, Nygmet Ibadildin, Maho Ishibashi, Mohammad Tarikul Islam, Younes Jeddi, Tao Jin, Charlotte A. Jones, Sebastian Jungkunz, Dominika Jurgiel, Zhangir Kabdulkair, Jo-Ju Kao, Sarah Kavassalis, John R. Kerr, Mariana Kitsa, Tereza Klabíková Rábová, Olivier Klein, Hoyoun Koh, Aki Koivula, Lilian Kojan, Elizaveta Komyaginskaya, Laura König, Lina Koppel, Kochav Koren Nobre Cavalcante, Alexandra Kosachenko, John Kotcher, Laura S. Kranz, Pradeep Krishnan, Silje Kristiansen, André Krouwel, Toon Kuppens, Eleni A. Kyza, Claus Lamm, Anthony Lantian, Aleksandra Lazić, Oscar Lecuona, Jean-Baptiste Légal, Zoe Leviston, Neil Levy, Amanda M. Lindkvist, Grégoire Lits, Andreas Löschel, Alberto López-Ortega, Carlos Lopez-Villavicencio, Nigel Mantou Lou, Chloe H. Lucas, Kristin Lunz-Trujillo, Mathew D. Marques, Sabrina J. Mayer, Ryan McKay, Hugo Mercier, Julia Metag, Taciano L. Milfont, Joanne M. Miller, Panagiotis Mitkidis, Fredy Monge-Rodríguez, Matt Motta, Iryna Mudra, Zarja Muršič, Jennifer Namutebi, Eryn J. Newman, Jonas P. Nitschke, Ntui-Njock Vincent Ntui, Daniel Nwogwugwu, Thomas Ostermann, Tobias Otterbring, Jaime Palmer-Hague, Myrto Pantazi, Philip Pärnamets, Paolo Parra Saiani, Mariola Paruzel-Czachura, Michal Parzuchowski, Yuri G. Pavlov, Adam R. Pearson, Myron A. Penner, Charlotte R. Pennington, Katerina Petkanopoulou, Marija M. Petrović, Jan Pfänder, Dinara Pisareva, Adam Ploszaj, Karolína Poliaková, Ekaterina Pronizius, Katarzyna Pypno-Blajda, Diwa Malaya A. Quiñones, Pekka Räsänen, Adrian Rauchfleisch, Felix G. Rebitschek, Cintia Refojo Seronero, Gabriel Rêgo, James P. Reynolds, Joseph Roche, Simone Rödder, Jan Philipp Röer, Robert M. Ross, Isabelle Ruin, Osvaldo Santos, Ricardo R. Santos, Philipp Schmid, Stefan Schulreich, Bermond Scoggins, Amena Sharaf, Justin Sheria Nfundiko, Emily Shuckburgh, Johan Six, Nevin Solak, Leonhard Späth, Bram Spruyt, Olivier Standaert, Samantha K. Stanley, Gert Storms, Noel Strahm, Stylianos Syropoulos, Barnabas Szaszi, Ewa Szumowska, Mikihito Tanaka, Claudia Teran-Escobar, Boryana Todorova, Abdoul Kafid Toko, Renata Tokrri, Daniel Toribio-Florez, Manos Tsakiris, Michael Tyrala, Özden Melis Uluğ, Ijeoma Chinwe Uzoma, Jochem van Noord, Christiana Varda, Steven Verheyen, Iris Vilares, Madalina Vlasceanu, Andreas von Bubnoff, Iain Walker, Izabela Warwas, Marcel Weber, Tim Weninger, Mareike Westfal, Florian Wintterlin, Adrian Dominik Wojcik, Ziqian Xia, Jinliang Xie, Ewa Zegler-Poleska, Amber Zenklusen, Rolf A. Zwaan

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Dans l’atelier du Métadictionnaire : restituer un savoir lexical ancien par un balisage en XML-TEI, des principes méthodologiques à la pratique numérique by Nathalie Rousseau

“…We describe the trade-offs that have been made in order to deliver already quite comprehensive results as quickly as possible, while trying to maintain philological accuracy, and we indicate the areas for improvement that have been identified.…”
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Al. O. Teodoreanu, hronicul măscăriciului vălătuc sau despre rescrierea istoriei în cheie parodică by Simona Antofi

“…Hronicul măscăriciului Vălătuc [The Chronicle of Vălătuc the Fool] overtly relates to the literary and bookish pattern of minor discourse, focusing on parody viewed as ante-Postmodern writing strategy used to ironically discredit the major literary canon/conventions as well as the academic philological spirit of the text.…”
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The Domestication of Equidae in Third-Millennium BCE Mesopotamia by Juris Zarins, Rick Hauser

“…Now, in a fully revised and much expanded study, CUSAS 24 presents a comprehensive discussion of the philological, historical, and archaeological evidence for the range of equidae known now from much of Western…”
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Trans Inheritance Roundtable by Fatima Seedat

“…The responses received reflect a range of perspectives and methodological approaches including the philological and experiential, and South African civil and constitutional law. …”
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The newly applied mortars in mosaic restoration by Fabiana Moro, Angelica Pujia

“…This intervention lead us to investigate the relationships between restoration and a philological perspective and the damages following the stripping of mosaics.…”
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Un Inferno un po’ dickensiano. Dante e « Catene » di Rat-Man by Paolo Rigo

“…In this story, Dante’s universe is recognizable as the main hypotext, even if it has clearly presents a “popular” face : this aspect is obvious from the use of Dante’s most famous (but not always philologically correct) verses and from the construction of an infernal background clearly traceable back to the Comedy.…”
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De très grands corpus pour l’étude diachronique du français : annotations, informations métalinguistiques et paratextes by Mathieu Goux

“…However, their constitution and their search functionalities suffer from certain blind spots originating in the annotation procedure they used and the way they consider philological, paleographic and paratextual information. …”
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Tatar historiography of the epic “Idegey” by Mukhametzianova L.Kh.

“…The relevance of the article is explained by the need to rethink the Tatar historiography of the epic, taking into account the achievements of philological and historical science and presenting a holistic view of this problem. …”
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Oltre il sinfonismo musicale čajkovskiano. Note di studio sui processi compositivi di Petipa ne “La bella addormentata” by Marta Mele

“…When a philological reconstruction of the ballet The Sleeping Beauty was staged in St. …”
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Zanim zabłysło światło wiary Chrystusowej. Słowianie w orbicie wiary i kultury pogańskiej / Before the light of Christ’s faith shone. The Slavs in the orbit of pagan faith and cult... by Olga Osadczy, Aleksandra Osadczy-Kępka

“…The article introduces the currently little popular subject of Slavic mythology, and presents the pantheon of the most important Slavic deities as well as the beliefs, cults and rituals of the Slavs living mainly in the eastern territories. The article is a philological, historical and anthropological analysis of the origins of words, expressions and customs of the names of ancient gods and their influence on contemporary culture and religion, as well as a comparison with the Christian religion. …”
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“I am air and fire...”: On the Interpretation of Anna Akhmatova’s Poem Cleopatra by Galina Mikhailova

“…This article suggests focusing on the literary sources of the poem (Shakespeare’s tragedy Antony and Cleopatra and Horace’s ode), exploring Akhmatova’s working notes, different versions of the lyrical heroine in her poetry, as well as the reproduction of her image in poems dedicated to her, testimonies of memoirists, essays, and philological observations of Akhmatova’s contemporaries. …”
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La chevelure de sainte Marie l’Égyptienne d’après Rutebeuf. by Daniela Mariani

“…The detail of the hair adds a new element to the sources’ issue: Rutebeuf seems to have used both the so called T version and the version in prose named O. This philological issue will be tackled by looking at the figurative images of the Aegyptica and to the “femme sauvage” character. …”
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