Talking Back to Virginia Woolf in Her Own Words: Gendered, Racial, and Literary Passing as Forms of Counter-Interpellation in Kabe Wilson’s “Dreadlock Hoax” by Valérie Favre

“…Yet, more than a mere exhibition, Wilson staged a performance art piece entitled “The Dreadlock Hoax” during which the artist, dressed up as Virginia Woolf, proclaimed a speech which questioned our ability to appropriate and negotiate past literary texts and authors. …”
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An Improved Particle Swarm Optimization-Powered Adaptive Classification and Migration Visualization for Music Style by Xiahan Liu

“…This kind of real-time information visualization is an artistic expression form, in which artificial intelligence imitates human synesthesia, and it is also a kind of performance art. Combining traditional music visualization and image style transfer adds specific content expression to music visualization and time sequence expression to image style transfer. …”
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Modern Fiber Art Creation Based on Traditional Hakka Hand Tie-Dyeing Process Based on Carbon Nanotube Nanomaterials by Fuying Zhang

“…This artistic expression brings people richness in form and artistic language and is a kind of performance art between art and decoration. Modern fiber art is a part of life. …”
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The Role of Modern Artistic Media in Cultural Discourse with Emphasis on Globalization by Sara Jahangiri, Mohammadreza Sharifzadeh, MohammadKazem Hassanvand

“…Modern artistic media, encompassing video art, layout, photography, conceptual art, digital art, performance art, and more, play a particularly pivotal role in the realms of education, presentation, and the introduction of artistic works and culture within society. …”
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"I Fregi del Ceppo”: when artificial intelligence and geomatics meet theatre by Pietro Bartolini, Alessandro Conti, Lidia Fiorini, Grazia Tucci

“…It also points to a future where AI and 3D technologies will play an increasingly central role in shaping the performing arts.…”
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From Komedie Stambul to Toneel: Theatre Arts Development in Batavia, 1891-1942 by Khairana Zata Nugroho, Dhanang Respati Puguh

“…Performing arts became a popular entertainment form among groups in the colonial era. …”
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Social Media Will Tell Your Story: The Digital Strategy of #Ham4Ham by Ismael Lopez Medel

“…These included Hamilton songs, covers of other musicals, and different performing arts. Seeking to reach a non-traditional theater audience, Marathon Digital, a digital agency specializing in Broadway shows, turned the performances into a viral campaign utilizing social media outlets to create proximity to the fans through content relevant to the audience.…”
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Les Souffleurs d’images by Joan Despéramont

“…The Souffleurs d’Images programme was developed by the Centre Recherche Théâtre Handicap in 2008 to make the performing arts accessible to the visually impaired students of its drama school, Acte 21. …”
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Slache, le rire brusseleir de la radio à la bande dessinée by Benoît Crucifix, Sébastien Hermans

“…This article reconstructs the multimedia trajectory of Slache and its creator Marcel Antoine in order to unravel networks of circulation between radio, the performing arts, the illustrated press, cartoons and comics. …”
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La scène de la page by Ligia Souza

“…Stimulating a theoretical debate between artists and researchers in visual and performance arts, the article introduces the concept of Portable Theater to connect the materiality of books with theatrical materiality. …”
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« Qui m’aime me suive ! » Les archives de Jean-Michel Ribes et du Théâtre du Rond-Point à la Bibliothèque nationale de France by Corinne Gibello-Bernette, Hélène Keller

“…These two archival groups are representative of the kinds of collections held and managed by the library’s performing arts department, but also present certain particularities. …”
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« Don’t Mention the War ! » : La vie culturelle à Dublin pendant la Seconde Guerre mondiale by Alexandra Slaby

“…In fact, this period is a watershed towards the modern assimilation of foreign influences, notably in the area of the visual and performing arts.…”
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Outline of a theatre proxemics in times of pandemic. Redefinition of spaces by Vittorio Fiore

“…The objective is to add new chapters to the ‘theatre proxemics’ that governs human behaviour in these spaces of social aggregation, in order to realign them to the prescriptions dictated by the pandemic. Performing arts, which already received insufficient attention from the Institutions, leading to a heated debate on the scarce economic resources, have experienced restrictions and closures during Covid-19 emergency, calling for the necessity of new values to give these spaces a second life.…”
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Cuerpo, dictadura y memoria: visualizaciones de la violencia a través de la performance de Carlos Leppe by Marcy Campos Pérez

“…Trough this paradox this paper analyzes how Carlos Leppe’s work calls for the visualization of a « body in conflict » generating a particular corporal aesthetic within performative arts in Chile. Finally, trough the current reception of the performance’s images, this paper examines the intrinsic relation between body, image and memory…”
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Introduction by Jean-Claude Yon

“…Written by a historian of the performing arts who once worked at the Musée d'Orsay, this introduction aims to put the fifteen or so texts in this dossier into perspective. …”
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Performing Paint, Claiming Space: The Santa Fe Indian School Posters on Paul Coze’s Stage in Paris, 1935 by Jessica L. Horton

“…Framed by printed French text, the figures that populated the posters engaged playfully with the city’s streets, museums, and stages, demonstrating the mutual porousness of graphic and performing arts. I show that although the students could not travel in the flesh, they claimed a space for Indigenous cultural values and experiences of modernity in the French capital.…”
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Enjeux de professionnalisation et rapport à la formation des artistes équestres : approche d’un objet « complexe » soutenue par deux niveaux d’analyse by Thérèse Perez-Roux

“…Equestrian artists (EA), with their multiple characteristics, are poorly identified in the world of performing arts. The issue of professionalisation of the sector is not perceived in the same way by the actors concerned. …”
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Le Songe d’une nuit d’été de Benjamin Britten : Nouvel éclairage scénique de l’héritage shakespearien by Maéna Py

“…Benjamin Britten’s opera A Midsummer Night’s Dream was composed and first performed in 1960, at a time when the performing arts were undergoing massive changes. While keeping the original text both as a pedagogical act and an act of allegiance, Britten nonetheless broke with the established aesthetic tradition of staging Shakespeare. …”
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Théâtre immersif et jeu vidéo by Olivia Levet

“…Video games and human-computer interfaces, in their development, were fed by drama and performing arts in order to integrate the consideration of the user and the human in their design. …”
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“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 by Khairana Zata Nugroho, Singgih Tri Sulistiyono, Dhanang Respati Puguh

“…One of its aspects was performing art. Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. …”
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