Formation of stress resilience in adolescents through training in performing arts by Asylzat Ibraeva, Ulzharkyn Abdigapbarova, Laura Shalabayeva, Nadezhda Zhiyenbayeva

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Indigenous Theatre as Resistance: Toronto as a Nexus for Canada’s Burgeoning Indigenous Theatre Scene from Late 1980s to Early 1990s by Raphaela Pavlakos

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Cartographier la science-fiction au théâtre by Romain Bionda

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Tourist attitude towards performing arts heritage: case study of Cantonese opera in China by Jian Ming Luo, Chon Fai Kou, Jian Yang

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Corporate Social Responsibility Activities in Arts: Focusing on Performing Production Firms in South Korea by HanYi Kang, Hyung-Deok Shin, Jihyon Park

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Writing in movement: movement-based performing arts for developing physical education teachers’ identity by Nicoletta Cappello, David Rodriguez, Esther Hernández, Dolors Cañabate

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The economics of the performing arts before and during the COVID-19 pandemic. Part 1: cost-output-profit analysis on the example of a performance by D. L. Morozova

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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

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The economics of the performing arts before and during the COVID-19 pandemic. Part 2: an investment approach to cultural enents by D. L. Morozova

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