Sur les pastiches de Proust by Paul Aron

Subjects: “…Pastiche…”
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“Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013) by Diana Ortega Martin

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Rénovation urbaine post-industrielle et mise en ambiance méditerranéenne à Kawasaki : une rédemption par le pastiche ? by Denis Bocquet

“…Both chose to build a pastiche urban scenography inspired by the Mediterranean. …”
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Ecriture et possession by Catherine Bernard

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Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

Subjects: “…pastiche…”
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A Dinner Engagement (1954) de Lennox Berkeley : un opéra-bouffe anachronique ? by Jean-Philippe Heberlé

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Écrire (d’)après by Denis Saint-Amand

Subjects: “…Pastiche…”
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Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill by Michael Burden

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English motivational discourse in the light of postmodernist tradition by Gilyasev Yu.V.

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TÜRK RESİM SANATINDA RESİMLERARASI YÖNTEMLERE ÖRNEKLER by Oktay Köse, Tuğba Kodal

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“What’s Next?” Jasper Fforde’s Attempts on Jane Eyre by Wolfgang Funk

“…The main focus is on the inter-textual relationship between the two texts and the interplay and entanglement of the two novels will be analysed as a particular form of post-modern pastiche (in the sense of Fredric Jameson), the main characteristic of which is its self-reflective attitude. …”
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« Et ils ne vécurent pas heureux » : la fin de Jane Eyre réécrite dans Charlotte de D.M. Thomas by Armelle Parey

“…In order to challenge the narrative and ideological hierarchy of the source text by rewriting its ending, the pastiche defamiliarises it while some chapters set in 1999 move the limits of rewriting and take the reader into a narrative spiral.…”
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Tony Lopez : le retour du réel by Helene Aji

“…This article defines Tony Lopez’s work at the turn of the millennium as enforcing a poetics beyond the empty gestures of pastiche and poetical karaoke, tensely negotiating the demands of survival in the consumer society and the quest to impart some meaning to this, our, world.…”
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Quand le jardin révèle un imaginaire du paysage méditerranéen : les Colombières de Ferdinand Bac by Agnès du Vachat

“…In his major work, the Colombières garden in Menton in 1925, Bac applied his principles for the renewal of a Mediterranean art, by breaking with the trend of the pastiche and of exoticism which was then in vogue on the Côte d’Azur. …”
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Michael Cunningham’s The Hours : echoes of Virginia Woolf  by Linda Pillière

“…Cependant s’agit-il d’un simple pastiche ou d’une œuvre autonome, une création originale? …”
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Discours « tenant lieu » d’un autre discours : un espace générique de la représentation de discours autre by Jacqueline Authier-Revuz

“…It shows how the representation of the other discourse can appear as a primary defining criterion for a variety of discourse genres (summary, press review, pastiche...) thus brought together in a generic space. …”
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„Święta misja profesora Abronsiusa”. Fantazmaty, abiektalność i transgresje w filmie Romana Polańskiego "Nieustraszeni pogromcy wampirów" by Jakub Rawski

“…Roman Polanski’s The Fearless Vampire Killers is usually approached in film and cultural studies from a genological perspective: as a game with the convention and genres, a work that has the features of parody and pastiche, yet complies with the poetics of horror. …”
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Flann O’Brien’s Anti-Manifestos by Julian HANNA

“…For some he is the peer of Joyce and Beckett; for others his work is modernist pastiche; still others regard him as a reactionary satirist; while for another group he is the forerunner of American postmodernism. …”
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Hyperperformer le stéréotype : l’écriture d’une scène de sexe dans The Compleat Purge de Trisha Low by Anne-Lise Solanilla

“…It is emblematic of the way in which North-American post-conceptualist poets have seized their conceptualist heritage: they appropriate the words of others in order to reproduce them, to copy them, to pastiche them, in an impure way. In this section, Low evokes, summons, and pastiches different literary genres that formulate female sexuality, and thus say something about the gender identity that is supposed to conform to these practices. …”
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Creative rewritings of critical texts: report on a creative workshop, 3rd December 2022 by Helen E. MUNDLER-ARANTES, Laure-Hélène ANTHONY-GERROLDT, Florent DA SYLVA, Heathir LAWRENCE-MONASSA, Tanya TROMBLE-GIRAUD, Sara GREAVES

“…Building on her article on creative and critical convergence published in e-Rea 20.1,1 she relates cut-ups to other types of recycling texts, such as quotation, ventriloquy, pastiche and parody, with particular reference to the work of A.S. …”
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