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A pornografia como paródia: humor e crítica nos machinimas eróticos
Published 2016-01-01“…We argue that erotic machinimas, understood as parody of pornography itself, establish a critique of mainstream pornography.…”
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„Zjevení Božího hněvu.“ Poznámky k výkladu Ř 1,18–32
Published 2025-01-01“…Paul depicts this as a parody on the creation account in Gen 1. In this context, he presents homoerotic behaviour as a manifestation of arbitrariness. …”
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Doyle’s Diogenes Club: a Delightful Oddity Screening a Metatextual Clue
Published 2015-06-01“…I will show how this textual detail, that eminently Doylian delicious paradox, can read as a rather elaborate parody of the ambivalence of Victorian clubs, where the ideal of sociability cohabits with a more dissident taste for secrecy and seclusion. …”
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‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song
Published 2005-12-01“…These are deliberately subversive through their parody of established song models and tunes, and this paper explores the relation of this supposed ‘deviance’ to the respectable gender ideology of the period.…”
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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988)
Published 2013-06-01“…The juxtaposition of logical impossibilities turns the work into a hermeneutical quandary, leaving the equation unresolved: is Miss Miss a self-parody of or foil for Parks? Both and neither.…”
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L’excès dans le premier volume des Juvenilia de Jane Austen
Published 2006-12-01“…Jane Austen’s juvenile works, written between 1787 and 1793, are framed by the joint themes of excess and exaggeration, which come out in the different plots and styles parodied by the young novelist. By focusing on the 1st volume of the Juvenilia, this paper intends to probe into the various modes and aims of this unexpected aesthetic of excess, while Jane Austen’s mature novels are often praised for their self-restraint and subtlety. …”
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The Evolution of the Concept of Prison in Viktor Pelevin’s Works
Published 2023-10-01“…The heroes of the story Stolypin – oligarchs, in spite of staying within the same student–teacher paradigm, represent a deconstruction of their predecessors, devoid of any interests other than mercantile ones, and in many ways parody the heroes of The Yellow Arrow and Hermit and the Six-Toes. …”
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“I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn
Published 2020-07-01“…Through the grotesque and laughter, Lethem challenges the traditional representation of disability—and the stereotype of the disabled person—and also the major genres his novel borrows from: detective fiction and the coming-of-age narrative. The book turns into parody, in the Bakhtinian sense, i.e., both a homage to and a rewriting of traditional genres. …”
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ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET”
Published 2012-06-01“… Within the extremely eclectic musical manifestations of the 20th century, Alfred Schnittke stands as a key‑figure, being one of the most influential composers to have linked the past to the present, creating an original sound world, tormented by violent contrasts and conflicts, confusion, nostalgia, irony and parody. His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. …”
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Artists’ books et nursery porn : Ré-illustrer les Victoriens
Published 2016-12-01“…In her book The Artist as Critic, Lorraine Kooistra defined as “bitextuality” the link between words and pictures within the covers of a book, a link that can exist according to five categories: quotation, impression, answering, parody and cross-dressing. To those five modes, this paper would like to add three more, which correspond to the relation between Victorian texts and twentieth-century images: the inversion of textual roles, exchangism and homotextuality. …”
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“For mine is the bitter, the ale and the lager”: Parodic prayer and the spirituality of humour
Published 2022-12-01“…The article then examines contemporary examples of parodic prayers, arguing that the confluence of humour and faith expressed in medieval parodies is still possible and potentially salutary today, both in furthering the work of justice and in expanding the religious imagination. …”
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Music videos as cultural artefacts of the eighties
Published 2022-11-01“…The connotative level or the level of representation includes television codes (non-filmic and filmic), narrative codes and intertextual codes The level of myth or the level of ideology includes stylistic or textual devices such as metaphors, allegories, fetishism, voyeurism and parody. This article is that music videos function as mod- ern artefacts which have the potential to express complex cultural meanings to signal a new Weltanschauung (Lorch 1988:143) …”
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The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony
Published 2021-11-01“…Beethovens Veränderungen des Walzers von Anton Diabelli – den der Komponist in einem Brief als ›SchusterFleck‹ bezeichnete – schwelgen in Persiflage, Ironie und Parodie, Qualitäten die einer kritischen Untersuchung bedürfen. …”
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Puccinellia (Poaceae: Poeae: Coleanthinae), nuevo género para el Perú
Published 2024-12-01“…., and P. magellanica (Hook. f.) Parodi. Este trabajo proporciona nuevos registros de gramíneas previamente no reportadas en la flora agrostológica peruana. …”
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Noninvasive Evaluation of Liver Fibrosis in a Sample of Putative Inactive HBV Carriers in Rome, Italy
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Brunswickgrass or Paspalum nicorae: A Weed Contaminant in Southern Pastures and Bahiagrass Seed Production Fields
Published 2018-05-01“… Brunswickgrass (Paspalum nicorae Parodi) is becoming a problematic weed in summer perennial grass pastures in the Southeast. …”
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Brunswickgrass or Paspalum nicorae: A Weed Contaminant in Southern Pastures and Bahiagrass Seed Production Fields
Published 2018-05-01“… Brunswickgrass (Paspalum nicorae Parodi) is becoming a problematic weed in summer perennial grass pastures in the Southeast. …”
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