Showing 21 - 40 results of 71 for search '"parodies"', query time: 0.07s Refine Results
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    Puccinellia (Poaceae: Poeae: Coleanthinae), nuevo género para el Perú by Harol Gutiérrez, Roxana Castañeda, Alejandrina Sotelo-Méndez, Daniel B. Montesinos-Tubée, Freddy Mejía

    Published 2024-12-01
    “…., and P. magellanica (Hook. f.) Parodi. Este trabajo proporciona nuevos registros de gramíneas previamente no reportadas en la flora agrostológica peruana. …”
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    „Zjevení Božího hněvu.“ Poznámky k výkladu Ř 1,18–32 by Jan Roskovec

    Published 2025-01-01
    “…Paul depicts this as a parody on the creation account in Gen 1. In this context, he presents homoerotic behaviour as a manifestation of arbitrariness. …”
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    ‘With Mike Hunt I Have Travelled Over the Town:’ the Norms of ‘Deviance’ in Sub-respectable Nineteenth-Century Song by C. M. Jackson-Houlston

    Published 2005-12-01
    “…These are deliberately subversive through their parody of established song models and tunes, and this paper explores the relation of this supposed ‘deviance’ to the respectable gender ideology of the period.…”
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    Doyle’s Diogenes Club: a Delightful Oddity Screening a Metatextual Clue by Nathalie Jaëck

    Published 2015-06-01
    “…I will show how this textual detail, that eminently Doylian delicious paradox, can read as a rather elaborate parody of the ambivalence of Victorian clubs, where the ideal of sociability cohabits with a more dissident taste for secrecy and seclusion. …”
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    Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

    Published 2013-06-01
    “…The juxtaposition of logical impossibilities turns the work into a hermeneutical quandary, leaving the equation unresolved: is Miss Miss a self-parody of or foil for Parks? Both and neither.…”
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    The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony by William Kinderman

    Published 2021-11-01
    “…Beethovens Veränderungen des Walzers von Anton Diabelli – den der Komponist in einem Brief als ›SchusterFleck‹ bezeichnete – schwelgen in Persiflage, Ironie und Parodie, Qualitäten die einer kritischen Untersuchung bedürfen. …”
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    ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

    Published 2012-06-01
    “… Within the extremely eclectic musical manifestations of the 20th century, Alfred Schnittke stands as a key‑figure, being one of the most influential composers to have linked the past to the present, creating an original sound world, tormented by violent contrasts and conflicts, confusion, nostalgia, irony and parody. His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. …”
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    The Evolution of the Concept of Prison in Viktor Pelevin’s Works by Tomas Čenys

    Published 2023-10-01
    “…The heroes of the story Stolypin – oligarchs, in spite of staying within the same student–teacher paradigm, represent a deconstruction of their predecessors, devoid of any interests other than mercantile ones, and in many ways parody the heroes of The Yellow Arrow and Hermit and the Six-Toes. …”
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    “I am a freak of nature”: Tourette’s and the Grotesque in Jonathan Lethem’s Motherless Brooklyn by Pascale Antolin

    Published 2020-07-01
    “…Through the grotesque and laughter, Lethem challenges the traditional representation of disability—and the stereotype of the disabled person—and also the major genres his novel borrows from: detective fiction and the coming-of-age narrative. The book turns into parody, in the Bakhtinian sense, i.e., both a homage to and a rewriting of traditional genres. …”
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    Artists’ books et nursery porn : Ré-illustrer les Victoriens by Laurent Bury

    Published 2016-12-01
    “…In her book The Artist as Critic, Lorraine Kooistra defined as “bitextuality” the link between words and pictures within the covers of a book, a link that can exist according to five categories: quotation, impression, answering, parody and cross-dressing. To those five modes, this paper would like to add three more, which correspond to the relation between Victorian texts and twentieth-century images: the inversion of textual roles, exchangism and homotextuality. …”
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