Showing 1 - 12 results of 12 for search '"paranormal"', query time: 0.04s Refine Results
  1. 1

    Power at play in paranormal history by Christine Ferguson

    Published 2024-12-01
    “…I demonstrate how the controversial paranormal claims made about the Cottingley cameras by Arthur Conan Doyle and Edward Gardner relied on the manipulation and obfuscation of key episodes in their history of use, a strategy that worked to distance the objects from each other and from their young female working-class operators Frances Griffiths and Elsie Wright. …”
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  2. 2

    On Properties of Class A(n) and n-Paranormal Operators by Xiaochun Li, Fugen Gao

    Published 2014-01-01
    “…Let n be a positive integer, and an operator T∈B(ℋ) is called a class A(n) operator if T1+n2/1+n≥|T|2 and n-paranormal operator if T1+nx1/1+n≥||Tx|| for every unit vector x∈ℋ, which are common generalizations of class A and paranormal, respectively. …”
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    On the Classical Paranormed Sequence Spaces and Related Duals over the Non-Newtonian Complex Field by Uğur Kadak, Murat Kirişci, Ahmet Faruk Çakmak

    Published 2015-01-01
    “…In the present paper, the classical paranormed sequence spaces have been introduced and proved that the spaces are ⋆-complete. …”
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    El paranormal a Perdidos. Anàlisi de cas de la ciència ficció en la intergenericitat televisiva by Anna Tous Rovirosa

    Published 2014-08-01
    “…Se analiza la duda a Perdidos como motor genérico de lo paranormal y como estrategia narrativa textual.…”
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  11. 11

    Un-Haunted House : Spirits, Solid Citizens, and Babbitt by Russ Castronovo

    Published 2013-05-01
    “…By considering Sinclair Lewis’s 1922 novel, Babbitt, this essay examines the continuum between the paranormal and the normal, the supernatural and the natural. …”
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    A Gothic heterotopia: four Anglophone responses to Venice by John Thieme

    Published 2024-10-01
    “…It pursues this line of thinking in relation to four Anglophone representations of Venice: the recent film A Haunting in Venice (2023), directed by Kenneth Branagh and scripted by Michael Green, which is very loosely adapted from Agatha Christie’s Hallowe’en Party (1969), and which subjects the whodunnit genre to a Gothic makeover, Daphne du Maurier’s short story ‘Don’t Look Now’ (1971) and Nicolas Roeg’s film adaptation (1973) of it, in which the Gothic particularly manifests itself in the form of psychic precognition, and Amitav Ghosh’s novel Gun Island (2019), in which an ostensibly realistic novel is infiltrated by recurrent paranormal elements, several of which are occasioned by the ‘unnaturalness’ of climate change. …”
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