Luis Felipe Noé : pintura y conflicto civil argentino (1820-1830) a través de la Serie federal by Néstor Ponce

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Jacob Lawrence’s Migration series: a pictorial memory of black America by Eliane Elmaleh

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Who’s In and Who’s Out? War News from Mexico and the Framing of Evil by Alan Hirsch

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Cinema e pittura (traduzione di Tamara Đokić) by Vladimir Petrić

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Formulation of the Seven Principles of Iranian Art A Critique of the Book Seven Decorative Principles of Iranian Art by Alireza Taheri, Roya Zarifian

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‘Errer’ en mots et en images à l’époque romantique by Patricia Viallet

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La nature morte ou : Quand l’art « objecte » by Liliane Louvel

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Degas et le cheval by Mariel Oberthur

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L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?) by Dominique Vanwijnsberghe

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Le rendez-vous manqué de Bouvard et Pécuchet avec la peinture by Stéphanie Dord-Crouslé

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Pour une archéologie des peintures murales, la Chasse royale de la chapelle Sainte-Radegonde à Chinon (Indre-et-Loire) : étude technique et résultat des datations par le 14C by Amaëlle Marzais

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A Hyper-Textual Interpretation of the Seven Planets` Motif Design in Seljuk Art (Case study «Enamel bowl» and book of «Aja'ib al-Makhluqat» by Zakariya al-Qazwini) by Alireza Azizi Yousefkand, Farnosh Shomeili, Mohamad Khazaie, Bahman NamvarMotlagh

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Realm of blank space: from Chinese brush painting to music appreciation by Jiawei Xu, Yuhang Zhang

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SUMMARY. Ad Reinhardt: A Responsible Eye. Perception and Engagement of the Spectator in the Collages of 1946 by Margaux VERDET

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An Early Iron Age cup with unique decoration from Fertőrákos (NW Hungary) by Attila Mrenka

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Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons by Laurence Roussillon-Constanty

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O papel do sujeito face à imagem. Interpretações estruturo-fenomenológicas: o caso de estudo das Pinturas murais de São Francisco de Bragança by Inês Afonso Lopes

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Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros by Kefala Konstantia

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John Collier’s Paintings of Clytemnestra by Georgina Muskett

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Ad Reinhardt: Oko Odpowiedzialne. Percepcja i Zaangażowanie Widza w Kolażach z 1946 Roku by Margaux VERDET

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