The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London by Richard Read

Subjects: “…painting…”
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Manhatta de Charles Sheeler et Paul Strand : du panorama au kaléidoscope by Antonia RIGAUD

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Spécificités de la conservation muséale de fragments d'environnements d'art brut by Mélanie Paul-Hazard

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La médiatisation comme médiation de la restauration ? by Geneviève Reille-Taillefert

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To Collect and Conquer: American Collections in the Gilded Age by Michaël Vottero

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“Awakened Muse” by Ihor Kalynets in the interartistic dialogue with Oleksa Novakivskyi by Hryhorii Savchuk

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Visions du futur et imaginaire technologique entre la fin du xixe et le début du xxe siècle en Italie. De la science-fiction archaïque à l’avant-garde futuriste et vice-versa.... by Michela Toppano

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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

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Faire voir l'Orient : réflexion sur un artifice victorien by Laurent Bury

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Matériaux et structure des « brocarts appliqués » dans les anciens Pays-Bas méridionaux by Delphine Steyaert, Jana Sanyova

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L'emploi du citrate de triammonium pour le nettoyage des couches picturales contemporaines by Caroline Dupré

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Uruguayan Mural Painting heritage: Patrimonial activation, scientific catalogation and its socio historic repercussion by María Jesús Guirado, Andrea Lage Hermida, Virginia Santamarina Campos, Dolores Julia Yusa Marco, Mercedes Sánchez Pons

Subjects: “…Mural painting…”
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Conservation problems with paintings containing fluorescent layers of paint by Stefanie De Winter

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Scalable Hierarchical‐Colored Passive Cooling Metapaint for Outdoor Facility by Maiping Yang, Zikang Zhou, Mingxiang Liu, Jiawei Wu, Jiaxin Li, Jun Liang, Shiliang Zhang, Mingyue Chen, Hongtao Zeng, Xiaofeng Li, Hao Han, Chong Hou, Guangming Tao

Subjects: “…colored paint…”
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Livestock Rendered: Animal Painting, Meatpacking and the Founding Collection of the Frye Art Museum by Kathleen Chapman

Subjects: “…art collecting; meatpacking; animal painting; animal labor; interspecies relationships…”
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Revue de l’exposition The Color Line – Les artistes africains-américains et la ségrégation (1865-2016) by Églantine Morvant

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La pintura francesa en los primeros años de La Ilustración Española y Americana (1870-1880) by Lola Bermúdez Medina

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Caractérisation physico-chimique de pigments de peintures murales mochica : San José de Moro (viiie-xe siècles apr. J.-C.) by Nicola Sardos, Nino Del-Solar-Velarde, Rémy Chapoulie, Luis Jaime Castillo Butters

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De la main à l’esprit : étude sur les techniques et les styles des peintures murales dans l’ancien diocèse de Tours entre les xie et xve siècles by Amaëlle Marzais

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Luciano Freire: between tradition and novelty by Maria da Conceição Lopes Casanova

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