Standing at Cultural Crossroads: Erskine Nicol’s Representations of Ireland by Amélie Dochy

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Das artes tradicionais à economia criativa: a pintura indígena da Austrália e sua inserção no sistema das artes by Ilana Seltzer Goldstein

Subjects: “…australian aboriginal painting…”
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Art d’aujourd’hui, patrimoine de demain. Conservation et restauration des œuvres contemporaines by Muriel Verbeeck-Boutin

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La matière des images dans The Duchess of Malfi by Anne-Valérie Dulac

Subjects: “…painting…”
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Case Study of The Divine Shepherdess Painting by Megan Crouch

Subjects: “…painting…”
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Du blanc au gris, du gris au noir : les métamorphoses de Goya by Maud Le Guellec

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Regard « spectral » sur la peinture britannique des XVIIIe et XIXe siècles by Laurent Châtel

Subjects: “…painting…”
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Structurer à l’étape de la retouche by Gaëlle Pentier

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La contribución del pintor Antonio Agudo al conjunto del Viacrucis de la Basílica del Gran Poder de Sevilla by Miguel Bastante Recuerda

Subjects: “…Agudo; art; painting; drawing; Via Crucis; Sevilla.…”
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L’Éloge du doute en Restauration des œuvres d’art by Ségolène Bergeon Langle

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Juan Sánchez Cotán’s Still Lifes and Artistic Ingenio in Early Modern Toledo by Carmen Ripollés

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SODIUM ALUMINATE IN CASTING PAINTS by O. S. Komarov, B. M. Nemenjonok, E. V. Rozenberg, T. D. Komarova

Subjects: “…casting paints, strength, antiadhesivity, sodium aluminate, polyethyleneglycol, chill…”
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Guerre et récit chez les Indiens ayorés du Chaco boréal paraguayen by Salvatore D’Onofrio

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A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles by Anne-Solenn Le Hô, Sandra Montlouis, Sandrine Pagès-Camagna†, Nathalie Pingaud, Yannick Vandenberghe

Subjects: “…painting…”
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UTILIZATION OF DIGITAL TECHNOLOGY TO PRESERVE CHINESE WALL PAINTINGS AS CULTURAL HERITAGE by Elizabeth Susanti GUNAWAN, Miki TJANDRA

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Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings by Paola Alba, Susana Martín-Rey, MaríaTeresa Doménech-Carbó

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“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany by Ursula Schädler-Saub

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Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes by Elena Pratali

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Foreword by Gwendolyne Cressman, Fanny Moghaddassi, Rémi Vuillemin

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Le Prince Impérial : le témoignage posthume d’un talent ignoré by Aude Nicolas

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