RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“…Recently, the conductor Alan Tongue discovered at the Cambridge University Library a manuscript signed by Vaughan Williams: a Mass for soloists, choir and orchestra, written in 1899, with the academic purpose of obtaining the title of Doctor of Music. …”
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Hofmusici a lokajové. K postavení hudebníka na šlechtickém dvoře v Čechách první poloviny 18. století by Václav Kapsa

“… The starting point of the study is the division of private Kapellen maintained by Bohemian aristocracy into those consisting of servants (‘servant orchestras’) as opposed to ensembles featuring professional musicians (‘independent orchestras’) introduced by Helfert in his book on music at the court of Count Questenberg in Jaroměřice. …”
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A SNEAK PEEK INTO LIGETI'S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ..." by Bianca ŢIPLEA TEMEŞ

“…Remaining an unrealised dream, along with other works, such as the operas Alice's Adventures in Wonderland, The Tempest and the orchestra piece Labyrinth, the String Quartets Nos.3 and 4 represent a window into Ligeti’s laboratory, allowing us to glimpse, through fragmentary clues, the author’s secret ingredients, ideas and creative mechanisms. …”
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SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

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Can the human body cope with extreme heat in a changing climate? by Pieter Vancamp

“…When does this finely tuned orchestra falter, and how does the scorching heat transform from a mere discomfort to a lethal threat? …”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…He can be characterized as an integrated musician since his artistic skills reached the highest level in piano performing, orchestra conducting and composing. Furthermore, his collaboration as a performer with some of the most important soloists of his generation provided him with a profound knowledge of instrumental techniques. …”
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GEDUNG ORKESTRA DI MAKASSAR DENGAN PENDEKATAN ARSITEKTUR FUTURISTIK by Muhammad Ali Akbar, Marwati Marwati

“…Another factor affecting the emergence of the idea to plan the building Orchestra is due to increase public interest in the art of classical music that needs to be supported with container musical performances are adequate considering the sound / acoustics, stage design and lighting in the design, so that the message expressed renderer art can be caught well in order to achieve optimum performance quality and satisfaction for the audience. …”
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Le corps au cœur de la sémiose dans l’action didactique conjointe. Illustration en éducation musicale à l’école primaire au sein du dispositif DEMOS by Maël Le Paven Jarno, Marianne Nillès

“…This study focuses on semiosis (production and decoding of signs) in teacher / students and students / students joint action in fourth grade during musical education courses followed within the DEMOS device (Dispositif d'Education Musicale et Orchestrale à vocation Sociale), aimed at opening access to musical learning and practice in a symphonic orchestra to students from neighbourhoods under the city's policy or from rural areas with few cultural institutions. …”
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Live Broadcasting of High Definition Audiovisual Content Using HDTV over Broadband IP Networks by C. E. Vegiris, K. A. Avdelidis, C. A. Dimoulas, G. V. Papanikolaou

“…The implemented system was successfully applied in real-world applications, such as the transmission of cultural events from Thessaloniki Concert Hall throughout Greece as well as the reproduction of Philadelphia Orchestra performances (USA) via Internet2 and GEANT backbones.…”
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Instrumental practice and body discomfort: study with musicians of violin and viola by Clarissa Stefani Teixeira, Rubian Diego Andrade, Fausto Kothe, Érico Pereira Gomes Felden

“…This way, this study aimed for to identify the complaint of discomfort musculoskeletal in the different corporal areas with the positions adopted during the 11 musicians strings instrumental practices (violin and viola) of an orchestra semi-professional of the South Brazil region. …”
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“ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN by Stela GUŢANU

“…The work was performed by the Orchestra of the “Fhaëton” Conservatory in Alexandroupoli, comprised of teachers and students of that institution. …”
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Impaired Adipose Tissue Expandability and Lipogenic Capacities as Ones of the Main Causes of Metabolic Disorders by Isabel Moreno-Indias, Francisco José Tinahones

“…However, adipose tissue failure is only part of this great orchestra, only a chapter of this nightmare.…”
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Klang als Poetik und Form. Instrumentatorische Beobachtungen und Adornos »unendliche Streicherperspektive« in Maurice Ravels Pavane de la Belle au bois dormant aus Ma mère l’oye... by Emmanouil Vlitakis

“…The orchestration reveals a potential to engender substantial dramaturgical changes to the original version due to a specifically ›designed‹ transformation of the medium (piano – orchestra). The discussion includes didactical implications of the analytical approach to orchestration, which is conceived as part of a historically and stylistically based teaching method of orchestration.…”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…In an aesthetics of trauma, debbie tucker green gives voice to marginalized and politically minor voices which she directs in her writing as one would a symphonic orchestra. Her texts, which draw simultaneously from poetry, song lyric writing and musical score, question the nature of theatre. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…In a special chapter, entitled Documenta, this volume contains the facsimile of the manuscript of the orchestra score of the vocal-symphonic work The Altar of Putna Monastery by Ciprian Porumbescu. …”
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Form und Dramaturgie in Beethovens Violinkonzert . Zur Interpretation des Kopfsatzes durch Rudolf Kolisch und René Leibowitz by Jan Philipp Sprick

“…Since the long tutti passages in the orchestra pose a challenge to performers, it is no surprise that questions of performance play an important role in analytical studies on the concerto. …”
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Estrategias de desarrollo e inclusión social a través de la cultura. Las sociedades musicales de la Comunidad Valenciana y El Sistema de Abreu en Venezuela by María Luz Rivera-Fernández

“…For this, I focus on two different realities that share the same foundation: the System of Children and Youth Orchestras and Choirs of Venezuela, founded by José Antonio Abreu in 1975, and the phenomenon of the musical societies of the Community of Valencia (Spain). …”
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