NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…He can be characterized as an integrated musician since his artistic skills reached the highest level in piano performing, orchestra conducting and composing. Furthermore, his collaboration as a performer with some of the most important soloists of his generation provided him with a profound knowledge of instrumental techniques. …”
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Live Broadcasting of High Definition Audiovisual Content Using HDTV over Broadband IP Networks by C. E. Vegiris, K. A. Avdelidis, C. A. Dimoulas, G. V. Papanikolaou

“…The implemented system was successfully applied in real-world applications, such as the transmission of cultural events from Thessaloniki Concert Hall throughout Greece as well as the reproduction of Philadelphia Orchestra performances (USA) via Internet2 and GEANT backbones.…”
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Instrumental practice and body discomfort: study with musicians of violin and viola by Clarissa Stefani Teixeira, Rubian Diego Andrade, Fausto Kothe, Érico Pereira Gomes Felden

“…This way, this study aimed for to identify the complaint of discomfort musculoskeletal in the different corporal areas with the positions adopted during the 11 musicians strings instrumental practices (violin and viola) of an orchestra semi-professional of the South Brazil region. …”
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“ORPHIKON I” BY ATHANASIOS TRIKOUPIS – A “BRIDGE” BETWEEN ANCIENTAND CONTEMPORARY TIMES, A MEANS OF TEACHING MODERN MUSIC TO CHILDREN by Stela GUŢANU

“…The work was performed by the Orchestra of the “Fhaëton” Conservatory in Alexandroupoli, comprised of teachers and students of that institution. …”
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Impaired Adipose Tissue Expandability and Lipogenic Capacities as Ones of the Main Causes of Metabolic Disorders by Isabel Moreno-Indias, Francisco José Tinahones

“…However, adipose tissue failure is only part of this great orchestra, only a chapter of this nightmare.…”
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Klang als Poetik und Form. Instrumentatorische Beobachtungen und Adornos »unendliche Streicherperspektive« in Maurice Ravels Pavane de la Belle au bois dormant aus Ma mère l’oye... by Emmanouil Vlitakis

“…The orchestration reveals a potential to engender substantial dramaturgical changes to the original version due to a specifically ›designed‹ transformation of the medium (piano – orchestra). The discussion includes didactical implications of the analytical approach to orchestration, which is conceived as part of a historically and stylistically based teaching method of orchestration.…”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…In an aesthetics of trauma, debbie tucker green gives voice to marginalized and politically minor voices which she directs in her writing as one would a symphonic orchestra. Her texts, which draw simultaneously from poetry, song lyric writing and musical score, question the nature of theatre. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…In a special chapter, entitled Documenta, this volume contains the facsimile of the manuscript of the orchestra score of the vocal-symphonic work The Altar of Putna Monastery by Ciprian Porumbescu. …”
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Form und Dramaturgie in Beethovens Violinkonzert . Zur Interpretation des Kopfsatzes durch Rudolf Kolisch und René Leibowitz by Jan Philipp Sprick

“…Since the long tutti passages in the orchestra pose a challenge to performers, it is no surprise that questions of performance play an important role in analytical studies on the concerto. …”
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