"Monstro esperançoso": a respeito de Oratório, de André Vallias by Rejane C. Rocha

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Les oratorios bibliques de Haendel ou « ll faut l’entendre pour le croire » by Joël Richard

“…This article contends that, having being denied the possibility of truly staging his biblical oratorios, Handel turned this apparent dramatic void into a truly musical force. …”
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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

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The Sexed or Unsexed Voice on the Lyrical Stage in 18th-c. London by Pierre Dubois

Subjects: “…oratorio…”
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Voix naturelle, voix dénaturée, voix maîtrisée  by Pierre Dubois

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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

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The Rape of Lucretia, premier « opéra anglais » de Britten ?  by Gilles Couderc

“…But the collaboration of designer John Piper for the scenery and of Ronald Duncan for the libretto, the resort to dramatic verse, the borrowings from Blake, Donne and Shakespeare, as well as the musical references to English oratorio and Purcell and to Britten’s own personal questioning contribute to making it Britten’s first “English opera”.…”
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Britten et l’art de la parabole by Gilles Couderc

“…Through the adoption of the model of tragedy and oratorio with Britten’s own tragic heroes and tragic imagery, through the rhetoric of musical devices and forms and through social criticism and his indictment of Bible-thumping and dogmatic intellectuals, Britten the educator strives at raising the consciousness of his audience so as to better spread his humanistic message.…”
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Por uma poética cartesiana: gráficos 3D nas criações digitais de André Vallias by Vinícius Carvalho Pereira

“…En este contexto, este artículo analiza tres obras de André Vallias - Nous n'avons pas compris Descartes (1997), De verso (s.d.) y Oratorio (2004) - a fin de mapear el producto estético del uso de gráficos matemáticos 3D como recursos artísticos que desnaturalizan nuestra percepción de lo literario y su atravesamiento por sistemas semióticos inusitados.…”
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Casas para los santos by Jorge Tomasi, María Carolina Rivet, Julieta Barada

“… Los oratorios se constituyen como arquitecturas de carácter religioso altamente significativas dentro de una escala doméstica en el contexto puneño. …”
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Sociétés chorales et Renaissance de la musique anglaise, 1840-1910 by Gilles Couderc

“…Their favourite repertoire was the English oratorios of Handel and Mendelssohn, a genre which flourished all century long in the wake of the great religious awakening of the late eighteenth century and provided English and foreign composers with work in an opera-shy kingdom. …”
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El púlpito entre el temor y la esperanza: ideas de castigo divino y misericordia de Dios en la oratoria sagrada neogranadina, 1808-1820 by Viviana Arce Escobar

“…El análisis de estos documentos oratorios lleva a creer que los sacerdotes de uno y otro bando utilizaron la misma base argumental para deslegitimar al contrario e hiperbolizar a los propios. …”
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