Octave Debary et Laurier Turgeon (sous la direction de), Objets & Mémoires by Noémie Drouguet

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»Winkelschiefe Satzkunst«. Zu einigen Quint- und Oktavparallelen im Werk Gustav Mahlers by Sebastian Sprenger

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›Kollision‹ und ›Verschiebung‹. Satztechnische Modelle in Liedern Robert Schumanns by Anno Schreier

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The Phonographic Author of Milton, Edison and Uzanne by Larisa Kocic-Zámbó

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A Symbolic Algorithm for Checking the Identifiability of a Time-Series Model by Guy Mélard 

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Francesco Durantes Perfidia-Sonate. Ein Schlüssel zum Verständnis der Partimento-Praxis by Nicoleta Paraschivescu

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Nam et expectat et attendit et meminit – Dimensionalität von Zeit und Zeiterfahrung in der Fuge cis-Moll BWV 849 by Ariane Jeßulat

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»… so kommt es blos darauf an, dass er [die Gänge] gehörig verbinden lerne.«. Anmerkungen zu Johann Gottfried Vierlings Versuch einer Anleitung zum Präludieren by Folker Froebe

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»Ein einfacher und geordneter Fortgang der Töne, dem verschiedene Fugen, Themen und Passagen zu entlocken sind«. Der Begriff der ›phantasia simplex‹ bei Mauritius Vogt und seine Be... by Folker Froebe

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Praetorius’ Polyhymnia caduceatrix (1619). Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks by Christophe Guillotel-Nothmann, Anne-Emmanuelle Ceulemans

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»Von einem Mann gesungen ist sie so etwas vollkommen anderes«. Schuberts Winterreise in der Deutung von Sängerinnen by Thomas Seedorf, Marc Bangert

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Konvention, Intention und Konstruktion. Die Stimmführungsparallelen in den Choralsätzen Johann Sebastian Bachs und Georg Philipp Telemanns by Andreas Moraitis

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SUBJECT «NUMBER SYSTEMS» IN TWO-LEVELED FORMAT PREPARATION TEACHERS OF MATHEMATICS by V. I. Igoshin

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Wiederholung und Symmetrie im Kopfsatz von Johannes Brahms’ Sonate Es-Dur op. 120/2 by Jan Philipp Sprick

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Die Familie der cadenza doppia by Johannes Menke

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Employing the concept of stacking ensemble learning to generate deep dream images using multiple CNN variants by Lafta Alkhazraji, Ayad R. Abbas, Abeer S. Jamil, Zahraa Saddi Kadhim, Wissam Alkhazraji, Sabah Abdulazeez Jebur, Bassam Noori Shaker, Mohammed Abdallazez Mohammed, Mohanad A. Mohammed, Basim Mohammed Al-Araji, Abdulkareem Z. Mohmmed, Wasiq Khan, Bilal Khan, Abir Jaafar Hussain

“…Performance of the proposed model was evaluated across three octaves to amplify the maximum possible patterns and features of the base image. …”
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Selective Vulnerability of the Cochlear Basal Turn to Acrylonitrile and Noise by B. Pouyatos, C. A. Gearhart, A. Nelson-Miller, S. Fulton, L. D. Fechter

“…It was previously noted that the high-frequency or basal turn of the cochlea was particularly vulnerable to the combined effects of acrylonitrile and noise when the octave band noise (OBN) was centered at 8 kHz. Normally, such a noise would be expected to yield damage at a more apical region of the cochlea. …”
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SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

“…Also, we will investigate the author’s self-similar, non-octave-based, and full-chromatic mode of twenty-three notes, which led to the author’s compositions, such as Chaconne for guitar solo (1999), Fractus III for percussion and computer (2001), and Point. …”
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Modelagem e Simulação: Problemas Típicos da Engenharia Química para Simulação e Análise by Ivan Carlos Franco

“…Para realizar a simulação podemos utilizar simuladores comerciais ou implementar códigos (programar) que representam o sistema estudado em softwares matemáticos como Matlab©, SCILAB ou GNU Octave ou linguagem que possuem bibliotecas matemáticas e científicas como Python. …”
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Analysis of Naturally Occurring Radioactive Material (NORM) in shifting earth layers in Piyungan, Bantul by Iqbal Nurrahim, Andang Widi Harto, Yohannes Sardjono, Isman Mulyadi Triatmoko, Zuhdi Ismail, Gede Sutresna Wijaya

“…We developed a radon well geometry for Piyungan using Finite Element Method principles, and conducted simulations via GNU Octave to assess normal and anomalous conditions. …”
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