ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

“… Within the extremely eclectic musical manifestations of the 20th century, Alfred Schnittke stands as a key‑figure, being one of the most influential composers to have linked the past to the present, creating an original sound world, tormented by violent contrasts and conflicts, confusion, nostalgia, irony and parody. His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. …”
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La recomposition des savoirs au Maghreb à l’époque de la coopération by Jean-Robert Henry

“…It is for this reason, without concession to nostalgia or sentiment, that it is useful to revisit the experience and examine the record of cooperation in the social sciences to draw what lessons there may be.…”
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Athens or Rome? A New Perspective on the Political Philosophy of H. Arendt by Simas Čelutka

“…According to established readings of The Human Condition, Arendt is generally regarded as a ‘Graecophile’ whose thought is underwritten by ‘Athenian nostalgia’. Arendt’s sympathies for the Greeks are hard to deny: she did indeed turn to the Athenian understanding of politics in an attempt to crystallise in it the core elements of authentic politics. …”
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La industria informal del mezcal bacanora by Vidal Salazar Solano, Alejandro Mungaray Lagarda

“…El ordenamiento de esta industria plantea la posibilidad de elevarla a un primer plano entre las actividades detonantes de desarrollo regional y como la principal fuente de ingresos de miles de familias. El "mercado de la nostalgia", integrado por los consumidores sonorenses de bacanora radicados en Arizona, representa una opción segura para la colocación de un producto con un gran valor agregado. …”
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Unlocking Learning: Investigating the Replayability of Educational Games by Rose Oluwaseun Adetunji, Abejide Ade-Ibijola

“…Moreover, we categorise these observed impacts of replayability on learners into six components: variety and performance, experience and nostalgia, learning, goals and completion, social aspect, and difficulty. …”
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The Breaking of the Square: Late Victorian Representations of Anglo-Sudanese Warfare by Luisa Villa

“…The analysis elicits reflections on the construction of normative masculinity (with its emphasis on disciplined aggressiveness), on the perception of modern technology (which often made victory over native fighters alarmingly easy and hardly honorable), on the “uses” of violence and on the dynamics of “Imperialist nostalgia” (as the anthropologist Rosaldo dubbed it), i.e. the coloniser’s own regret at the inevitable destruction of native societies brought about by the process of compulsory modernization.…”
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Espaço vivido e espaço mental: Dalton Trevisan e a dicotomia social do urbanismo curitibano by Nelson H. Vieira

“…However, in the midst of the city’s vampiresque evocation emanating from the author himself, there always emerges a dose of compassion and nostalgia which in the final analysis challenges Dalton Trevisan’s image as a mordant and insensitive critic of his Curitiba.…”
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De Jane Eyre à Shirley : une représentation des éléments transformée par les bouleversements sociaux ? by Élise Ouvrard

“…One can even wonder whether Shirley does not express some nostalgia for the preindustrial nature that is depicted in Jane Eyre, as the description of Fieldhead Hollow fifty years ago seems to imply in the last chapter of the novel.…”
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Continuity Amid Commercial Buildings in Yeonnam-dong, Seoul by Jae-Young Lee

“…The area, with its winding alleyways from the pre-modern period and low-rise housing—marginalized from large-scale development—evoked nostalgia and created a distinctive sense of authenticity or placeness, which was further enhanced by the presence of exotic restaurants, cafés, ateliers, and creative activities of early gentrifiers. …”
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The structure / anti-structure of October Revolution celebration on late Soviet periodical press (on materials from Tomsk) by A. D. Moiseenko

“…Actualization of the research is considered through the situation of the modern status of commemorative spaces of «trauma» and «nostalgia» regarding the events of the October Revolution. …”
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“El baile de los que sobran” (Los Prisioneros, 1986): tres momentos de sus recepciones y escuchas. by Cristóbal Allende Pino

“…Del análisis de los datos se desprende que la canción se instaló masiva y rápidamente en el repertorio musical regional, despertando en las escuchas posteriores sentimientos de nostalgia y más bien receptiva (pasiva). Sin embargo, en los estallidos sociales latinoamericanos, particularmente en Chile, la canción transita a una escucha activa o performática, siendo entonada y reproducida en las protestas. …”
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Development Mode of Recreation Belt around the City: Ecological Authenticity or Fashion Creativity? by Liang Zhao, Yuanyuan Shen, Nailin Gu, Jingyu Dai

“…In the process of developing rural tourism, there are two distinct voices: one is to pay attention to the local complex and strive to let people “see mountains and water and remember nostalgia.” In the era of cultural tourism integration, we should promote rural tourism with culture, highlight rural culture with rural tourism, and give full play to the bridge between cultural tourism and rural cultural innovation. …”
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Une reconstruction progressiste du passé : Renaissance et Risorgimento dans « Old Pictures in Florence » de Robert Browning by François Crampe

“…This dimension of Browning’s work echoes a reflection on the role of the past in politics, which he opened in Sordello (1840) : instead of looking for a Golden Age in contrast to which the present could be criticised, he adopted the viewpoint of the past itself, which allowed him to reconsider the contemporary situation in the perspective of a longer evolution, symmetrically opposed to such reactionary nostalgia. Browning does not regard the Florentine Golden Age as a lost perfection which should be recreated, but rather as outlining in its very shortcomings the promise of future progress. …”
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Cultura de massa e cultura compartilhada em Tupinilândia by Thais Kuperman Lancman, Helena Bonito Couto Pereira

“…Se observa que Tupinilândia refleja tendencias de la literatura brasileña contemporánea señaladas por Schollhammer (2009), en la medida en que crea un espacio particular, con su sofisticada reflexión tanto sobre la realidad brasileña actual, cuestionando el papel de la distopía como mero sarcasmo en la cara de los absurdos que nos rodean, y de la forma en que nuestra sociedad trata la memoria y la nostalgia: una fantasía selectiva en la que se descartan elementos que en realidad son relevantes, y los que son nocivos siempre corren el riesgo de volver.…”
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Balaghah Ar-Ritsa’ Fii Syair Al-Khanasa’ Min Nihayah Al-Lafdhi Wa Al-Ma’ani by Sumardi Sumardi, Ivan Aulia Trisnady, Zulkhairi Sofyan

“…One of the most important results that the researcher found is that the meanings of sadness are the main idea controlling Al-Khansa’a’s poetry, and other meanings are related to this idea, such as crying and nostalgia. Al-Khansa’a’s poetry was based on one limited purpose, which was to lament people. …”
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Making Maoshan Great Again: Religious Rhetoric and Popular Mobilisation from Late Qing to Republican China (1864–1937) by Qijun Zheng

“…Through a detailed analysis of primary sources, including editions of the <i>Maoshan Gazetteer</i>, liturgical manuals such as the scripture (<i>jing</i> 經), litany (<i>chan</i> 懺), and performative texts such as the precious scroll (<i>baojuan</i> 寶卷) of the Three Mao Lords, this study identifies six key rhetoric strategies employed by Maoshan Daoists, using the acronym IMPACT: (1) Incorporation: Appending miracle tales (<i>lingyan ji</i> 靈驗記) and divine medicine (<i>xianfang</i> 仙方) to address immediate and practical needs of contemporary society; (2) Memory: Preserving doctrinal continuity while invoking cultural nostalgia to reinforce connections to traditional values and heritage; (3) Performance: Collaborating with professional storytellers to disseminate vernacularized texts through oral performances, thereby reaching broader audiences including the illiterate. (4) Abridgment: Condensing lengthy texts into concise and accessible formats; (5) Canonization: Elevating the divine status of deities through spirit-writing, thereby enhancing their religious authority; (6) Translation: Rendering classical texts into vernacular language for broader accessibility. …”
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ENTREPRENEURSHIP OF MEMORY IN PUBLIC SPACE AND SOCIAL COMMUNICATION: A POSTCOLONIAL APPROACH IN TIME OF WAR by Viktoriia Kovpak, Nataliia Lebid, Viktor Burenkov

“…This, in turn, can take the form of the construction of historical memory and become a practice of intervention in the field of historiography, marking the territory and the mental space with colonial symbols, as demonstrated by Russia after the collapse of the USSR, appealing to nostalgia for the Soviet past and constructing the politics of "fraternal nations" in entrepreneurial activity. …”
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Identifying Touchpoints for Foreign Tourists in the Customer Journey through 5 A's Approach by Mostafa Esmaeili Mahyari, Mohammad Ghaffari, Hamid Reza Irani, Elham Ebrahimi

“…These stages include the Awareness stage, which involves communication networks with Iranians, positive recommendations from friends and other tourists, literary sources, news media, and personal nostalgia. In the Appeal stage, factors such as being unknown compared to other countries of the world, the direct experience of history, the attractiveness of communication with the people, the food and customs of Iran, and the affordability of traveling to Iran come into play. …”
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Providing a model of consumer behavior in creating brand attachment with an emphasis on the packaging component of food industry companies by maziar Ghasemzadeh Sangroudi, karim hamdi, SHADAN VAHABZADEH MUNSHI

“…In relation to the results obtained from the analysis of the fifteenth and sixteenth hypotheses regarding cultural factors, the following suggestions are presented: the use of elements of Iranian culture in advertising, focusing on the use of nostalgic elements in the introduction and advertising of products (due to the strong sense of nostalgia among people of Iran).…”
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