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41
ISTORINIS PASAKOJIMAS KAIP NARATOLOGINĖS ANALIZĖS OBJEKTAS
Published 2004-01-01“…Keywords: historical narrative, fictional narrative, narratology, narratological analysis. …”
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42
The Routledge handbook of stylistics /
Published 2014Table of Contents: “…Rhetoric and poetics: the classical heritage of stylistics / Michael Burke -- Formalist stylistics / Michael Burke and Kristy Evers -- Functionalist stylistics / Patricia Canning -- Reader response criticism and stylistics / Jennifer Riddle Harding -- The linguistic levels of foregrounding in stylistics / Christiana Gregoriou -- (New) historical stylistics / Beatrix Busse -- Stylistics, speech acts and im/politeness theory / Derek Bousfield -- Stylistics, conversation analysis and the cooperative principle / Marina Lambrou -- Stylistics and relevance theory / Billy Clark -- Stylistics, point of view and modality / Clara Neary -- Stylistics and narratology / Dan Shen -- Metaphor and stylistics / Szilvia Csábi -- Speech and thought presentation in stylistics / Joe Bray -- Pedagogical stylistics / Geoff Hall -- Stylistics, drama and performance / Andrea Macrae -- Schema theory in stylistics / Catherine Emmott, Marc Alexander, and Agnes Marszalek -- Stylistics and text world theory / Ernestine Lahey -- Stylistics and blending / Barbara Dancygier -- Cognitive poetics / Margaret H. …”
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43
Displacement and Articulation Rhetoric in Sa'adi's Golestān
Published 2024-07-01“…The basis of the analysis is the concepts and terms of several communicative fields such as semantics, rhetoric, narratology and discourse analysis. The result shows that, according to the dominant aspect of ratio ambiguity in Golestān, the author-narrator of the text uses four levels of extension / floating, pre-information, connection / eclecticism and repetition/accumulation in order to convey meaning or communicate the "Message–Force." …”
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44
Salienz, Narrativität und die Rolle musikalischer Parameter bei der Analyse musikalischer Spannung von post-tonaler Orchestermusik
Published 2020-12-01“…The first part deals with musical tension and temporal music analysis, musical event and saliency as well as cognitive narratology and narrative music analysis. The second part discusses the empirical Experiment-Design (Sample N=26) of the author's developed new cognitive model COSM (Cognitive Octagonal Slice Model), the visualisation and analysis of the COSM data (data mining) as well as some analytical results concerning a possible relation between tendencies of musical parameters and musical tension. …”
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45
Science-fiction et fiction scientifique en France : de Jules Verne à J.-H. Rosny aîné
Published 2018-06-01“…Verne's "Voyages Extraordinaires" were intentionally geared towards the pedagogical implantation offactual scientific knowledge. And the narratological blueprint of each "roman scientifique" in this series strongly reflects this intent. …”
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46
Die impak van metodologie op die verstaan van die Nuwe Testament
Published 2004-06-01“…This is then illustrated by examples from the narratological analysis of the Fourth Gospel and the rhetorical analysis of the Letter to the Galatians. …”
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47
Présent rétrospectif et détour post-humain chez Clifford Simak et Michel Houellebecq
Published 2016-06-01“…Both novels demonstrate the same kind of narratological device: our time (1950-2005) is portrayed by a narrating voice from beyond humankind’s extinction. …”
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48
Incandescence du traumatisme dans Tetro de Francis Ford Coppola
Published 2015-10-01“…In this article I provide an in-depth analysis of Francis Ford Coppola’s Tetro (2009), relying on narratological and psychoanalytical tools in connection with recent critical developments in trauma theory. …”
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49
Emma au bal à la Vaubyessard
Published 2022-04-01“…This liminality, far from condemning madame Bovary to insignificance, creates a specific narratological space and opens a poetic horizon to Emma's imagination.…”
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50
De la bande dessinée aux bandes écoutées
Published 2024-11-01“…Through a series of commented examples, the analysis focuses on the division into chapters/episodes and its narratological scope. Finally, the study aims to determinate the changes that this type of adaptation causes on the stories offered to the listener, with the help of extracts and an interview with a scriptwriter.…”
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51
Geschichte im Roman / Roman in der Geschichte
Published 2016-12-01“…In so doing, a distinct, autoreferential type of historical novel comes into being. Based on narratological means and their fictional self–reflection, this new type is suitable to generate a ‘plausible’ explanation for the events whose absurdity it exposes.…”
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52
Monologue intérieur et discours rapporté : une union problématique ?
Published 2019-12-01“…While interior monologue is generally described as an autonomous discourse incompatible with narration, I want to show that far from being an oxymoron a reported interior monologue is possible and is in fact the most frequent form for this narratological category. I thus wish to analyse how the various techniques of reported speech represent interior discourse, focusing on the more or less tight link they give the impression to have with the “original” interior discourse: some techniques appear to be at the core of interior monologue (direct speech and “locutionary” free indirect speech), while others dwell at the frontier (“pragmatic” free indirect speech and indirect speech).…”
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53
“Death Drive, Martyrdom, and Deathbed Scenes. The Narration of Death in Harriet Wilson’s Autobiographical Novel”
Published 2017-12-01“…Published without anyone noticing in 1859 and resuscitated in 1981, Our Nig; or, Sketches in the Life of a Free Black, North first appears as a commercial failure but most importantly as a voice coming from the vault. From a narratological point of view, the plot hinges on characters’ deathbed scenes and premature deaths or death wishes, culminating in a performance of death. …”
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54
The Power of the Voice: From Voice-Over to Character?
Published 2024-06-01“…This is illustrated in a miscellany of TV series, such as Desperate Housewives and Jane the Virgin, wherein the voice-over narrator plays an important narratological function. As these two series showcase, voice-over narrators can be either homodiegetic or heterodiegetic. …”
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55
Le récit plantigrade (sur Madame Bovary)
Published 2024-01-01“…A plantigrade narrative: this is not a new narratological category but a way to understand the remarkable predilection of Flaubert’s tale for the low, the earth, the surfaces treaded upon by individuals in every circumstance of life. …”
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56
Excavating the Modern Self: Haggard’s Egyptological Romances
Published 2020-12-01“…This paper examines the place Egypt occupies in Haggard’s imagination by considering some of the narrative and narratological elements shared by his Egyptological romances, with a particular focus on The Ancient Allan and “Smith and the Pharaohs”. …”
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57
WATER AS MOTIEF IN EKSODUS 14-15; 2 KONINGS 2 EN MATTEUS 14:22-33:
Published 2018-12-01“…Many of the written miracle stories in the three main macro-narratives (or rather, epochs) have noticeable resemblances when compared to each other. Narratological features such as structure, settings, themes and motifs have striking similarities. …”
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58
“From place to place and sea to sea”: The Art of Relating in R. L. Stevenson’s The Wrecker
Published 2022-06-01“…Indeed, relating a “globe-trotting story” like The Wrecker (406) not only entails connecting various spaces as the narration follows the character’s chaotic trajectory across the globe, but also weaving together the various genres associated with these spaces. At a narratological level, it moreover involves building a network of relations between the two narrators’ tales, and thus leaving clues for the reader to put together in the manner of a puzzle or a game of “dominoes” (406). …”
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59
La nature et les ruines : anciennes présences humaines dans le récit climatique de science‑fiction
Published 2023-12-01“…Whether placed in a specific environmental framework (rising waters, global warming, snow) or in a more global civilizational narrative, the climatic ruin can be observed as an architectural discourse, as a visual and aesthetic object or as a narratological device. Built at the intersection of different cultural models (the climatic or archaeological imaginary, the post-apocalyptic city, the dead city), these everyday landscapes, reclaimed by nature, crystallize the anxiety of a non‑return. …”
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60
“Unnatural, unnatural, unnatural, unnatural unnatural” . . . but real? The Toolbox Murders (Dennis Donnelly, 1978) and the Exploitation of True Story Adaptations
Published 2016-07-01“…This comes at the conclusion of a film which contains a number of narratological incoherencies and ideological incongruities, as is typical of exploitation films of the period. …”
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