(Women Writing) The Modernist Line by Cristanne Miller

“…The crucial moves away from Whitman’s nineteenth-century aesthetic had to do with the line as seen, as independent of syntax and meter, as restructuring the possibilities of rhyme, and as a unit in tension with other aspects of form, narrative, and voice in a poem. In the hands of these women, the modernist line had appeared in almost every radical configuration of high modernism by the end of 1917. …”
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The Spanish Latin lover: a strictly domestic myth? by Alicia Fuentes Vega

“…Despite its important role in the hegemonic narrative of Spain’s tourism boom as a liberalizing factor that clashed against the regime, the myth of the Spanish Don Juan remains absent from the destination image intended for foreign audiences. …”
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O entrelugar da experimentação no romance latinoamericano contemporâneo: Manuel Puig e Caio Fernando Abreu by Wanderlan da Silva Alves

“…We analyze the speech and forms of narrative experimentation developed by Manuel Puig and Caio Fernando Abreu in Boquitas pintadas and Onde andará Dulce Veiga? …”
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Aktywność sportowa i kibicowanie w prozie Krzysztofa Vargi by Tomasz Sahaj

“…The presence of fan support and sports in general is most notable in his Dziennik hipopotama [Diary of a Hippopotamus], in which the author narrates in the first person. Varga’s original work fits into the narrative created by other sports-fan-oriented Polish writers, whose autobiographical works are animated by various literary and cultural-social discourses.…”
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A Violent Need for Distance by Laurent Mellet

“…Whether the distance be in focalisation or metafiction, the rift violently makes empathy irrelevant and establishes a new narrative rhythm that reshuffles fiction and posits narration no longer as the means but as the end of writing.…”
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Occupy Waikīkī: pushing the borders of land, sea and story-telling in Kristiana Kahakauwila’s This is Paradise (2013) by Sylvie Largeaud-Ortega

“…This essay explores Kahakauwila’s short story This is Paradise from the angle of post- and decolonial studies and environmental humanities, and presents it as an ecofeminist and counterhegemonic Oceanian identitarian narrative. With special references to autochthonous antinuclear protests and claims to sovereignty (Trask, Teaiwa, Walker), it argues that female author and characters all Occupy Waikīkī, as colonials, as resistants, or as hybrid cultural agents. …”
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Les promenades de Paris de Charles-Adolphe Alphand by Chiara Santini

“…In this text, which mentions the first results of a research on theoretical skills and know-how implied in the implementation of the project of Haussmannian open spaces, we shall offer an editorial history of the book and its narrative structure, as well as its originality within the wider framework of literature about gardens’ Art history (financing, circulation, address, conception).…”
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A plenitude de um vazio em que a pobreza não é mais paisagem: a periferia em Paulo Lins e Ferréz by Alva Martínez Teixeiro

“…This article intends to place Paulo Lins’ novel Cidade de Deus and Ferréz’s novels Capão Pecado and Manual prático do ódio in the panorama of Brazilian contemporary “new-realisms”, evaluating thematic choices and narrative techniques and proce- dures. Also, this study analyses the originality of their prose, noting the cautious distance of their aesthetic philosophies and the fundamental elements of their lit- erary universe –poverty, crime and inequality– from any extreme culture of vio- lence. …”
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A ironia como projeto: movimentos da narrativa de Cora Coralina no campo literário brasileiro by Clovis Carvalho Britto, Maria Eugênia Curado

“…We try to analyze some parts ofthe trajectory,creative project and public reception of Cora Coralina's narrative pieces(1889-1985) through Pierre Bourdieu's theory, according to hissociology of literature. …”
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A Photographic Essay on Solid Waste Recycling: Street Ethnography and Innovative Experiences in the Netherlands by Cornelia Eckert, Carmen Silvia de Moraes Rial

“…The photo essay presents a narrative of the researcher’s observations and experiences, highlighting the challenges and successes of waste management and recycling practices in the Netherlands.…”
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Escrevendo-se na cidade: ExueoGuia afetivoda periferia, de Marcus Vinicius Faustini by Vinicius Mariano de Carvalho

“…This statement opens quiteprovocative perspectives on the phenomenological conception presentFaustini’s narrative. This paper analyzes how Faustini creates a narrator/actorwho, instead of writing the city, writes himself on it. …”
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Kirchnerisme et réécriture de l’histoire : la jeunesse politique au cœur du récit et des pratiques populistes by Juan Manuel Corvalán Espina

“…Thus, the article describes the way Nestor Kirchner and Cristina Fernandez rewrite the Argentine history in order to develop a narrative that brings back to life the recent past of the country. …”
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Le monde Gothique de Le Fanu : cryptonymes et mots étrangers by Christine Berthin

“…In Carmilla, German cryptonyms point to secret alternative messages that remain partly untranslatable and need to be read against the grain of the narrative. More than a genre, the Gothic is a poetic subversion of the Symbolic. …”
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Decency, Humility, and Obedience: Spatial Discipline in the Baptist Rehab Centre by Igor Mikeshin

“…This process is an interconnection of the rehabilitation of the addicted people and conversion to a particular kind of Christianity, working as an inseparable twofold process. The narrative of conversion in the rehabilitation ministry is impacted by the 150-year history of Russian Baptists, the rich sociocultural context of contemporary Russia, the junkie and prison context of the people in rehabs, and a very specific Russian Synodal translation of the Bible. …”
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En finir avec l’histoire officielle ? Un bilan critique de l’historiographie internationale sur la révolution mexicaine by Evelyne Sanchez

“…For many Mexican researchers, writing the history of the Mexican Revolution is still a process of acculturation : even before proposing a new object of analysis or new hypotheses must first get rid of them heroizing history whose narrative is still used to legitimize the ruling party. …”
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‘How the Hell Did You Wind Up in Australia?’ or You Teach What You Know by Julie Robert

“… On Thanksgiving in 2024, while sharing a meal with fellow expats in Brisbane, I reflect on my unexpected journey to Australia and my role in the International Studies program at UTS. This personal narrative explores how my own experiences of cultural adaptation—navigating new customs, language quirks, and everyday challenges—mirror those of the students I teach. …”
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Patrick Giromini, Transformations silencieuses, étude architecturale du bâti alpin by Frédéric Firreri

“…From an architecture in the Alps to an alpine architecture, he dives the reader into a committed and critical narrative. He contrasts capitalism and rural societies and exposes their similarities. …”
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« The Church-Builder » et « The Chapel-Organist » : l'écriture poétique de Thomas Hardy du monologue dramatique au « théâtre de la voix » by Laurence Estanove

“…The poems do not follow the traditional narrative and subjective lines of the Victorian genre, but work towards an ironic rewriting of it, as for the two speakers self-assertion relies on literal self-dramatisation, and paradoxically involves self-destruction. …”
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Reaccionarios, traidores y otras malas hierbas políticas.La representación visual del antirrepublicanismo en El Motín (1881-1895) by Lara Campos Pérez

“…To this end, it analyses a selection of the illustrations published in this newspaper about this theme, regarding the characters the narrative sequence present in them, as well as the visual rhetoric resources used by the successive cartoonists who produced them. …”
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Resituating the Sketch/ Bitacora in the Production of Knowledge and Anthropological Meaning by Catalina Cortés Severino

“…From these points of departure, the purpose of this article is to illustrate, articulate and share some of my experiences in the “how to” of ethnographic research on everyday life as a narrative and visual practice.…”
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