DÉBATS SUR LA « ROUMANITÉ » MUSICALE by Luana STAN

“…Firstly, in the 1920’s, an important musicological movement marked the appearance of the periodical Muzica of Bucharest; the two main personalities of the Romanian music, musicologist Constantin Brailoiu and composer Georges Enesco, wrote a lot of essays to defend this «romanity». …”
Get full text

Le choro, musique métisse et originelle : transferts culturels, hybridations et identité culturelle nationale au Brésil (1870-1930) by Alice Boccara

“…From the premises of the apparition of the genre (at the end of the 19th century) to the 1930s when the choro had already become a musical genre on its own with its fixed canon and repertoire: within this historical frame, the purpose of this article is to articulate a musicological view (about the questions concerning the dialectical relationship between the fixation of the generic boarders of the genre and its capacity to integrate and to influence new genres and musical languages), along with a historical view about the question of miscegenation and the social valorization of this notion in Brazil. …”
Get full text

Solo Songs by Count Julijan Pejačević in the Našice Local History Museum by Andrea Rakitić

Get full text

The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control—The Case of the Sound Archive of the Arena di Verona by Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani

“…On the cultural side, the recovery, the safeguard, and the access to unique copies of unpublished live recordings of artists the calibre of Domingo and Pavarotti are of great musicological and economical value.…”
Get full text

Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor by Irina Pchelovodova, Nikolai Anisimov

“…The research methodology is based on philological and musicological approaches, involving a plot-thematic analysis of poetic texts and the identification of features in the development of melodies in the context of their modal, rhythmic, and melodic characteristics. …”
Get full text

Dora Pejačević and Music Salons in Continental Croatia as Hubs of Cultural Networking by Vjera Katalinić

Get full text

Perception of Dora Pejačević in Croatian Public Printed Media from 1905 to 1945 by Stanislav Tuksar

Get full text

Echoes of the Life of Dora Pejačević’s Music on Croatian Radio by Tatjana Čunko

Get full text

The Artistic Links of Dora Pejačević and Svetislav Stančić Viewed Through the Stančić Legacy in the Library of the Academy of Music in Zagreb by Vilena Vrbanić

Get full text

Zur produktionsbezogenen Perspektive bei der Analyse von Popmusik by Roland Huschner

“…It is there that songs or tracks, in the course of negotiations between producers, technicians and musicians, achieve that ›competitiveness‹ and form which are supposed to make them musically and metamusically ›accessible‹, features which are not easy to grasp musicologically. Analyses that focus exclusively on the sound configurations of pop music tend to ignore the sociocultural processes structuring the song and its sound as well as their potential effect on the song’s reception. …”
Get full text

Towards Transformation of the Nigerian Youths: The Place of Yoruba Popular Music by Kayode Olusola

“…Relying on Femi Adedeji’s Transformation musicological theory, this work explicates the song themes and other lyrical contents of selected popular music in the Yoruba language fashioned towards positive transformative direction, for the purpose of socio-cultural analysis. …”
Get full text

Yatha in Kalmyk folklore and lyrics of the 20th century: the poetics of a musical instrument by Rimma M. Khaninova

“…Comparative and comparative, historical and functional methods, as well as the method of descriptive poetics, cultural, and musicological approaches determined a comprehensive analysis of the selected works in the article. …”
Get full text

Piano Works by Dora Pejačević – A Personal Perspective of an Interpreter by Kyra Steckeweh

Get full text

The German Days of Dora Pejačević by Domagoj Marić

Get full text

Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse by Felix Diergarten

“…Schumann’s Eichendorff songs have been the subject of many musicological studies and musical analyses: Schumann’s interventions in the lyrical text, his musical reactions to the text, the question of cyclicality and non-cyclicality, Schumann’s harmony: all this has been discussed so much that a history of song-analysis can be written on the basis of Schumann-analyses. …”
Get full text

Über den »unisonierenden Dualismus« im ersten Satz von Schuberts Streichquartett G-Dur, D. 887 by Sebastian Urmoneit

“…The contradiction between music-theoretical explanation and musicological understanding has not been resolved up to our time. …”
Get full text

Virtual choir as a kind of digital musical art by Xinbin Fu

“…Their activities are studied in modern science in many aspects: historical, technical, socio-psychological, musicological, etc. However, there is a debate about whether such a form of artistic activity can be considered a type of choral performance. …”
Get full text

»Das Geschriebene darf nicht ernst genommen werden – das Geschriebene muß todernst genommen werden«. Zur Notation und Interpretation musikalischer Gesten im Schaffen György Kurtágs... by Tobias Bleek

“…Adornoʼs unfinished theory of musical reproduction serves as a background for a discussion of fundamental questions that are central to music-theoretical and musicological studies of performativity. The final section discusses briefly Kurtág’s decade-long efforts to establish an authorially sanctioned performance tradition for his music.…”
Get full text